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The new Hippotizer family consists of three members all built around the same Generation 2 technology. All three offer a fully hardware-accelerated graphics engine for super fast playback, full support for almost any file format - including sound as well as video - a second monitor output offering full preview of all layers and effects, an advanced 3D engine, multiple control options and a host of new effects. Unlike many media servers each of the new Hippotizer models offers a ma
PLASA also saw the European lighting market get its first look at Congo, the latest console developed with the respected Avab brand. A new version of Safari software, V3.5, has also been released and for a limited time is being offered free to users who register name and system details at a new Avab website administered by ETC.
Pixel Range sales continue to be handled by Andy Walters and Ashley Lewis, and truss and lighting sales by Chris Waller and Tina Hall. John Hickinbotham should be contacted at the e-mail address given below with communications that would have previously channelled through Mervyn Thomas, say the company.
(Lee Baldock)
The new Concept:Color is the ideal fixture for DJs, clubs and bands, Scott Davies, general manager of the American DJ Group of Companies: "The popularity of the Concept:1 and Concept:2 convinced us to add a colour changer to the line, so that users could run an ensemble of matching effects."
The Concept:Color offers 15 colours plus white, along with two prism-like quadras that split the light beam into four colours. As an added bonus, a removable Frost Filter lets DJs create a dreamy "wash" effect when desired. The Concept:Color includes two DMX channels that can be conveniently hooked up to the s
The eight Robe Spot 575XT and eight Robe Wash 575XT moving lights are part of a three-phase upgrade to the theatre's production lighting system undertaken by Enlightenment that has also included the supply of a console and dimmers.
Robe fixtures were initially suggested to the Coliseum's chief LX Phil Davies by Enlightenment's Paul Swansborough. They did a shoot out between Robe and assorted other brands, and Davies made his decision after careful deliberation. Beforehand, he'd spent a considerable time convincing the theatre's artistic director of the merits of automated lighting, and that they would greatly enhance productions generally and be a highly