Lighting

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14 March 2016

The show was recorded at RAI's Auditorium HQ in Naples where Perrini lit the show for the second time, before which it was recorded in Rome.

The game is based on the association logic of words or numbers and allows viewers to test their intuition and mastery of the Italian language. Each episode needed to have a different look and flavour, on which Perrini worked closely with scenic designer, Marco Calzavara.

As each programme built up towards its final section the money stakes increased dramatically ... and the lighting was integral to helping build the tension.

Perrini has worked for RAI for 27 years and has been using Robe products regularly in his work for the last three

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14 March 2016

The festival, which runs until 14 September, is a celebration of international performance design from the world of theatre, opera and dance, running alongside which is Scenofest, bringing together live events, including performances, master-classes and hands on workshops.

Presentations will include ETC's technical director Adam Bennette and Steve Terry, ETC's vice president of R&D, who will be chairing a technical discussion on how to set up LED in a lighting rig. Bennette explains: "LED fixtures use power in a quite different way to tungsten - if the rig is set up in the way it would be for tungsten, it can cause all sorts of power issues. So we talked about what the problems are, and how to work around them, then talked about how to mix old and

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14 March 2016

Piano Man - Sir Elton John will perform live at this year's Emmy Awards. The musician, will play a tribute to Liberace, the American pianist and vocalist whose life was told in the recent biopic, Behind the Candelabra. The HBO film, which premiered in Cannes this year, is up for 15 Emmys. The awards, hosted by Neil Patrick Harris, will

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14 March 2016

The performance started at dusk and the Gulf of Naples formed a natural backdrop for a rice-covered, Japanese-rock-garden-like set. The stage hosted an encounter between dancers involved in a ritual celebration representing the contrast between sunrise and sunset and between life and death.

The show was co-produced by the Fondazione Campania dei Festival, the Arb Dance Company and the Accademia di Belle Arti di Napoli. The Vietnamese dancer Khai Ngoc Vu led the performance, accompanied by dancers from the Compagnia Arabesque/Les Danseurs Napolitains, the voice of Angel

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14 March 2016

The Light-Up! show hosted approximately 200 people on 30 July for the open house and over 40 lighting designers for the training sessions on 31July. The training sessions were conducted via the use of visualisation systems such as Light Converse and intelligent lights from Robe.

For the open house and training sessions, all moving heads and DMX fixtures that were used were connected with W-DMX BlackBox F-1, F-2 and R-512. Fabian Cortez Lopez of Illumincion Profesional Valook SA commented, "The W-DMX products are incredibly user friendly and reliable. The W-DMX marketing material helped us a lot to inform our customers about the innovations and products from Wireless Solution.

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14 March 2016

The new software brings "sparkling new features that answer the demands of customers in the forefront of the action". Two versions are available: GrandVJ 2 and GrandVJ 2 XT which includes a VideoMapper feature.

New Features for GrandVJ 2: new interface; VideoMapper module (XT version); new software activation system; improved performance; new effects plus support for audio files.

GrandVJ 2 comes with a new interface, making it even more user friendly and straightforward, while integrating all the new functionality.

Simple colour coding (orange for layers, blue for cells) makes editing faster and more intuitive. Existing features, such as panel locks, have been moved and grouped under the mixer for convenie

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14 March 2016

For this year's ceremony, the lighting designer Andreas Rinne used eight Clay Paky Sharpys, 30 Clay Paky Alpha Spot HPE 300s, 10 Clay Paky Alpha Spot HPE 700s, 16 Clay Paky Alpha Beam 300s and a grandMA2 light, as well as other equipment.

"My experience of Clay Paky products in the last few years has been very good. For this reason, these lights were crucial to the lighting concept," said Rinne. "Clay Pak

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14 March 2016

The Orange Stage included 68 Martin MAC 2000 Wash XB's and 34 MAC III Profile moving heads, along with 65 MAC 101's and 10 MAC Aura LED moving heads. Thirty-four Atomic 3000 strobes with Atomic Colors scrollers were deployed for blinding punch effects. Copenhagen-based rental company Litecom, supplied the gear.

Martin lighting, which has graced Roskilde for years, also played a role on several other stages at the 2013 festival including the Pavilion Stage, featu

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14 March 2016

One of the world's leading auto expos, IAA 2013 is being staged at the Frankfurt Messe, 10 - 22 September 2013.

The different stands have been designed by some of the leading creative practices in the country, and the fixtures supplied by a number of the primary German rental and dry hire companies.

The preparations started months ago with Audi constructing its own temporary exhibition Hall - Agora - especially for IAA; and Mercedes Benz building a three-level high showroom into the famous Frankfurt 'Festhalle', more usually a host to large scale concerts. The Frankfurt Motor Show - powered by the prestigious German Manufacturers - is also a leader in innovation and te

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14 March 2016

Supported by the Andrew Lloyd Webber Foundation, the Technical Masterclass Series will be held at The Backstage Centre over three days, with each day accommodating a different age group.

The events will take place on 29, 30 and 31 October, and will be aimed at key stage 4 students, further education students, and higher education students respectively.

The masterclasses are designed to supplement classroom learning for students who have a keen interest in backstage theatre, and to provide a valuable networking and training opportunity for technical theatre students and young professionals.

Attendees will be able to participate in one masterclasses from the following options, and will benefit from practical lea

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14 March 2016

"Historically, Avolites consoles have been Siyan's first choice at Lovebox," explains project manager Jez Johnstone. "For the past few years we've used the D4 range for FOH at the main stage, with the Expert on the smaller stages. With technology moving forward, it was a natural progression to spec the Sapphire Touch at main and the Tiger Touch Pro at stage 2."

At the controls of the Sapphire on the main stage was lighting designer Paula Trounce, taking care of artists including headline act Azealia Banks as well as Tinchy Stryder, Jurassic 5, D'Angelo, Rudimental and Charlie Wilson, among ot

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14 March 2016

Sue Walter, CEO said, "It is not often a new event space opens in Central London which has literally never been seen before. The Oak Room will be integral to The Hospital Club's ethos of showcasing and supporting emerging talent. We are excited to have secured such a diverse range of new and established acts to help launch the space throughout September, with many more lined up over the coming months to give members, artists and guests a uniquely Hospital Club experience."

RML

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14 March 2016

Laserworld AG, headquartered in Switzerland with subsidiaries in Shenzhen, China, Manchester, UK and New York, USA supported this event with a gigantic laser show set up on three stages - with an overall power of up to 200W. To create a stable, wireless connection between several peripheral systems, like smoke- and haze machines, Laserworld used the versatile W-DMXTM transceiver for control.

Norbert Stangl, sales & marketing director for Laserworld explained, "We tried a 'cheap' wireless DMX box first, as one of the event companies had them in their truck, but it didn't work, as it struggled with the

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14 March 2016

Rush began its US tour last September on the heels of a successful European leg. Dates in Phoenix and Dallas were recorded for a DVD release later this year.

"We had 55 Clay Paky Sharpys on the tour for the duration," says Howard Ungerleider, lighting designer for Rush. "Sharpys are one of the most versatile and exciting lighting fixtures I've used in a while. I can really get a lot of looks out of them. I definitely work them without over-using them."

Ungerleider positioned the Sharpys, which were provided by Premier Global and Production Design International, on moving parts of the truss so they could descend at any time for automated moves. He maximized their application, deploying them t

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14 March 2016

Supplied by Upstaging, the traveling rig includes 64 lightweight and durable Martin MAC III Profiles and 42 Martin Atomic 3000 Strobes with scrolling ability.

"I have a lot of video elements in the show and I needed a unit that could stand its own," stated Fyssicopulos. "I didn't want to use monotonous wash units and 8-lighters (I can't believe I actually said 8-lighters) as the outdated easy-way-out norm would dictate. I was after a forward thinking fixture with enough intensity to accommodate the outdoor stage. The MAC III Air FX pro

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14 March 2016

dbn has worked on several projects at the Whitworth over a number of years, providing technical consultation and design services, ingenuity and equipment.

dbn Project Manager Nick Todd oversaw the Weekending event, for which several elements were lit, including the impressive front façade of the Whitworth Art Gallery itself.

Overall lighting schemes encompassed a world music stage, trees and art installations, with the visual high-point being Saturday night's li

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14 March 2016

People in the trade will find in this catalogue the new version of the LightMouse series, which comes with a new design and new models, like the LM 5W (with builtin WiFi access point) or the LM 3R2 (ArtNet node receiving two DMX universes), says the company. SRD 6 is another outstanding product of the lighting catalogue: this is a bidirectional RDM/DMX splitter of six channels.

The catalogue is already available for download from Equipson's website. Additionally, it will be distributed during the international trade show PLASA 2013 where WORK will exhibit its products on booth L 45.

(Jim Evans)

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14 March 2016

Working behind the scenes, lighting designer Clifton Taylor was given the challenge to blend all these production elements seamlessly together and to help him accomplish this he put together a comprehensive lighting package from Philips Entertainment which included Showline SL BAR 640, Philips Selecon PLCyc LED, Philips Vari-Lite VL3500 Spot, VL1000 ERS and VL5B Wash luminaires.

"For A Dan

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14 March 2016

"Actually, we had our eye on Robert Juliat and wanted to get this brand for quite some time now," commented Reg Habib, lighting manager at Sun City. Eventually the need, opportunity and availability came together and the followspots were purchased from DWR Distribution.

"The Robert Juliat Victor is a beautiful looking piece of equipment, excellent in design, and great to operate," said Habib. "Amongst features like hot strike, it has a smooth dimming ability that can be adjusted with one finger, without looking away from the stage or moving a hand."

Habib says a lot can be said for buying brand names. "Obviously quality creates desirability. The expected life and the after sales su

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14 March 2016

From 1 September 2013, ECM will distribute the full range of Robert Juliat lighting equipment and concentrate on developing closer relations with all regions of the diverse Swiss market. In addition to its excellent product knowledge, ECM brings the benefit of its multi-lingual support team which speaks German, Italian and Spanish, as well as French and English.

ECM represents several worldwide brands in Switzerland and specialises in creating theatre and studio lighting systems. The company is constantly looking for environmentally-friendly products and believes in superior quality and optical excellence, like that found in Robert Juliat's new LED Zep and Tibo se

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14 March 2016

With economy at the forefront of his thinking, Guthrie sensed that the new X4S fixtures could not only be rigged quickly, within their own touring structures, but at the same time pack a lot of punch. "We haven't done a 'beamy' show for Chris in a while so I wanted something that was adaptable to the range of venues we were playing, and would provide us with options," he admits. "I also wanted a physically smaller light to fit with the scale of the show."

The venues themselves have varied considerab

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14 March 2016

"I have been using the ETC Eos platform for almost four years now, so it was an easy decision for me to make to use the Eos for Starlight Express," says Randall.

Specified by Randall and supplied by ETC's South African-based dealer Prosound, the system includes an Eos RPU (Remote Processor Unit) which will serve as backup and Net3 Gateways to run the eight DMX universes to support the high fixture count and data distribution required for the show. The desk also utilises a wireless Ethernet network hub for remote control.

Glenn Duncan, show progra

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14 March 2016

It is intricately designed over five levels and hosts residencies by some of the most exciting and innovative DJs on the planet including Tiësto, Calvin Harris Steve Aoki, deadmau5, ... and many more.

Robe moving lights are right at the core of a lighting design throughout Hakkasan Las Vegas nightclub - the biggest new build project in US clubbing history - that has been created by Frank Murray of Irish based installation specialists, Audiotek.

The brief for the lighting from the four very hands-on AMG principals, explains Murray, was simply to help create "The BEST electronic music and clubbing

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14 March 2016

Supported by the production design and manufacturing house, Specialz, lighting designer Willie Williams comments, "Although I'm credited with the design of the sigils, in fact the original idea came from Robbie himself - quite literally as some of these symbols are tattoos that he has. For my part, we needed to turn these into something dramatic from a stage perspective, effective from a lighting point of view and durable for extensive touring." (A sigil is a sign or an image that supposedly possesses a magical power so any audience member who spent hours trying to decode them would have been wasting their time).

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