Lighting

Details

14 March 2016

In the original lighting project for the space over the stands for refuelling, eight pieces of 250 W halogen discharge lamps were placed in the height 4.7 m. These luminaries were replaced with energy saving LED product - LL High Bay from Leader Light with total output power of 120 W. The advantage of these luminaries is the high energy saving and its ability to dim, that can be used during less exposed night time (e.g. 60 W). The average luminance of the lighting system is supposed to be more than 200 lux.

Part of the reconstruction were also the two shelters which served for the customs controls. Much halogen discharge lighting was replaced with only three pieces of energy saving LED luminaries - LL High Bay with output power of

Details

14 March 2016

"We rent 90 percent of our lighting and it gives us the freedom to change frequently and try new ideas and technologies. We don't want to be left behind when the industry makes a major shift, " said Andrew Stone, Church on the Move's production manager and audio director. Renting also cuts down on th

Details

14 March 2016

The success of the projects shows that Black Light has the expertise to be involved in ground-breaking projects involving key decision makers in both government and education.

"The projects have been a great success and the schools are delighted with the equipment we installed," says Black Light's head of company development, Phil Haldane. Haldane explains that one of the key reasons for the project's success was that Black Light met with the end-users early on in the process. "We re-specified certain elements of the project in light of the feed

Details

14 March 2016

After a successful show with the new Pointe, just previously used on the MTV Upfront Presentation in New York, Kenny specified the multi-functional fixture for the CMT Music Awards.

This was the fifth year that Kenny has designed lighting for the CMT Music Awards, a live show, broadcast on CMT (Country Music Television) and attended by a live audience in a venue with a capacity of 15,000 people.

The creative team included lighting director and programmer Michael Appel, lighting programmer David 'Fuji' Convertino, scenic designer Anne Brahic, video content p

Details

14 March 2016

Sean Caie, HOD for lighting at the Grand Arena was asked to step in as lighting designer by his boss and technical entertainment manager, Gavin Taylor. "I was a bit hesitant," admitted Caie. He knew that he had a big show coming up a couple of days directly after Snoop Dogg and there was a level of expectancy for that. "I was concerned that I could not give both parties my full attention. I care about what my shows look like and wanted

Details

14 March 2016

This year, Blur embarked on a 30 plus date world tour which has seen the band play to fans around the globe, including dates across Asia, Europe, South America, as well as a headline slot at the Coachella Festival in California, with more dates to be announced.

Entec's Sound department is supplying a monitor and control system for the band's summer shows, working with Blur's engineers Matt Butcher (FOH) and Dave Guerin (monitors), while Entec Lighting is providing a festival specials package to Lighting Designer Dave Byars.

A Midas PRO9 FOH console was specified by Butcher and also at FOH Entec supplied a Midas DN9650 network bridge that allows him to do a m

Details

14 March 2016

Low voltage dimming has always been used for incandescent lamps in scenery, props, and costumes, and is often paired with City Theatrical's SHoW DMX wireless DMX to allow wireless dimming. The real growth in this area today is the dimming of LED tape, which has growing use in all areas of entertainment.

City Theatrical now has a line of 10 products for lighting professionals, and has rebranded the entire group of dimmers to make it more logical to choose which one to use. The dimmers in the new product line are:

D1 Dimmer A 15A single channel dimmer; D2 Dimmer A tiny (the size of a credit card and 1/2" thick) two channel dimmer with a capacity of 5A per channel; D2 SHoW DMX Neo Dimmer - a tiny two channel dimmer with a with a capac

Details

14 March 2016

"Since technology was an essential part of the performance, we created a scene in which the characters on stage lit up the space with LEDs that had been embedded in the costumes", says Tupac Martir, creative director.

All LEDs as well as the LumenRadio CRMX receivers were powered by batteries, which were placed in the costumes so that

Details

14 March 2016

Not only is this once-destined-for-the-wrecking-ball site now a thriving 180-room hotel that caters to urban, tech-savvy travellers, it has actually become a defining landmark in the city's skyscape. This is in large part due to the Elation Professional Level Q7 IP LED pars that encircle its roof, changing colours and sending washes of light down its columns, creating a nightly visual display that has become a rainbow-like beacon for locals and visitors alike.

The Level Q7 IP lights were installed on the building's exterior by Omni Lighting

Details

14 March 2016

Jennie Barratt, show manager, PLASA London 2013, said, "The Knights of illumination Awards have become an integral part of PLASA London, and we're delighted that the organisers have brought the awards to ExCeL where the Platinum Suite promises to deliver a suitably glittering and glamorous atmosphere. We have many of the world's most creative lighting designers here in the UK and PLASA London is proud to help celebrate their incredible work."

The awards, which are supported by PLASA, are organised by The Society of Telev

Details

14 March 2016

The Pixel Pulse Bar comes equipped with the added feature of five-zone pixel chase effects. Users can highlight five different colours on the fixture and create a striking spectrum of energy-driven chase effects for "a thrilling high-velocity lightshow".

As a result of its five-zone pixel control, the Pixel Pulse Bar allows entertainers and designers to be more creative and gives them the power to enhance and broaden the scope of their lightshows without adding multiple units to their lighting arsenal, said Alfred Gonzales, national sales manager for ADJ.

"The Pixel Pulse Bar is versatile LED colour strobe/wash fixture because of its ability to create 5-zone pixel chase effects," said Gonzale

Details

14 March 2016

Now the Chinese manufacturer's Mexican distributors, Hermes Music, have confirmed that an even greater number of PR Lighting's LED sources have been deployed at the larger Liverpool store in Puebla, which was recently remodelled. And this time Hermes have specified 104 of the super bright XPar 390 spots to bring the building to life after dark.

Each RGB head contains 90 x 3W LEDs (24 each of RGB and 18 white) with full colour mixing and linear CTO. Critically, it also has a beam angle of 14° and field angle of 28°.

Explaining the choice, Hermes Music's lighting specialist, Ricardo Segura de la Cruz, said the decision was based on space and the need for

Details

14 March 2016

He has specified 83 of the compact 'S' fixtures, which introduce a new level of functionality, incorporating RGBW homogenous colour mixing, a 7 to 50 degree zoom range and high output level within a smaller footprint than the original X4. Supplied by Bandit Lites, they dominate the set for Keith's current Hammer Down tour.

Jackson had been seeking a fixture with the ability to travel in the new Bandit GoGo Truss, a modified version of the 20.5" standard truss, developed by Dizzy Gosnell and Mike Golden (hence 'GoGo'). "We needed the lights to sit in the centre of the truss and keep our vertical towers centred with weight," he explains. "GoGo allows the lights to s

Details

14 March 2016

Responsible for the distribution and support of GLP products across North and South America, the new GLP US website features extensive information on the other brands that the company distributes, including the full range of Cosmic Truss structure and support products, the G-LEC range of creative video products, and the Scenex Lighting range of LED based scenic lighting elements.

The fresh new design of the website features an extensive download section for each product, along with a large selection of photos and videos across the site showing a wide variety of product applications.

(Jim Evans)

Details

14 March 2016

Southampton based GLS took 24 and Bristol-based Fineline took 12 units in this initial delivery ... which was co-ordinated by Ian W Brown of Robe UK.

However Fineline's fixtures also went directly from Robe to GLS - and straight out on their first cross-hire - on European shows for the Flaming Lips, with lighting designed by Eric Cathcart.

After that, they finally found their way to Fineline where they went out again on the Eden Sessions staged at The Eden Project in Cornwall for which Fineline was contracted to supply lighting and rigging for the first year.

Fineline's Rob Sangwell comments, "We are delighted with the Pointes. They are small, bright and really versatile units that do a whole load more than the nearest competit

Details

14 March 2016

The Alex Followspot is a 2500w Tungsten unit and suitable for television studios and theatre productions. It contains a mechanical dimmer, which allows a constant colour temperature during dimming while additionally maintaining the flat beam which, as we know, is important when using sensitive camera equipment. Having a tungsten lamp allows for the units to be used with conventional theatre and television lighting, making sure no hot spots are visible.

With a G22 locking system exclusive to all Robert Juliat products, a localised on/off switch, and 7° to 14.5° zoom, the Alex Followspot is a product designed for big impact and ease of use.

Steve Wells, operations manager at RML said of the purchase, "Investing in Fol

Details

14 March 2016

Tom Lesh, house LD for The Other Stage chose to rig 28 SGM X-5 Strobes across three trusses as he explains: "We rigged 28 of them across three trusses - and kept two spare - to add some visual depth to the stage both for the audience and of course for the TV cameras. We also needed something that would cut through in the bright summer sunshine and these strobes were ideal. They were a big hit on the Other Stage during the festival, being used by LDs for the three high-profile headline acts, as well as many others further down the bill.

"For those bands that played in the daylight the SGM X-5s were also welcome additions. Bands included the Foals, Alt J, Tame Impala, Th

Details

14 March 2016

Directed by Sam Mendes - returning to theatre after directing Skyfall, Charlie and the Chocolate Factory features an a-list creative team including Writers David Greig, Marc Shaiman and Scott Wittman, Choreographer Peter Darling, Designer Mark Thompson, Sound Designer Paul Arditti, Projection Designer Jon Driscoll and Lighting Designer Paul Pyant, who has collaborated with Mendes regularly during and since his time at the helm of London's Donmar Warehouse.

Lighting designer Paul Pyant, working with associate lighting designer, David Howe, specified a very modern lighting rig, using moving lights and LED l

Details

14 March 2016

Vector Lighting provides lighting and audio visual hire solutions for a range of uses including conferences, exhibitions, corporate and special events, and a range of professional services including lighting design, retail installations and exhibition management.

From Thursday 1 August to Friday 9 August, Vector Lighting will open their doors to show some of their latest LED video wall solutions, video mapping, LED gobo and high-output LED lighting hire stock. With 20 years experience hiring lighting fixtures and AV solutions, the company has a wealth of experience working in the UK and Europe for clients including Harvey Nicholls and Levis as well as partner production agencie

Details

14 March 2016

The Moscow-based Arlecchino Group, which supplies lighting to events across the region, provided the robust and lightweight Clay Paky A.Leda Wash K20s and the high output Sharpys for the launch of the restaurant on a boat, named Чaйka, or 'Seagull', which is moored in the centre of the city.

"The idea was to create an atmosphere of Las Vegas, beaming powerful light beams into the sky," says Sergey Kupriyanov, general director Arlecchino group. "To achieve this we used 39 Clay Paky Sharpys complemented by the A.leda Wash K20s, which were positioned around the roof of the boat. These pointed outwards and moved up and down from a horizontal beam to beams proj

Details

14 March 2016

"We were very pleased with the overwhelmingly enthusiastic response to our Pro Service Day," said Roger Hamers, R&D director for Elation Europe. "As a company, Elation believes that maintaining the highest customer service standards is essential to our success. The extraordinary level of interest we saw in our Pro Service Day demonstrates that our customers share this philosophy."

In addition to holding training events like Pro Service Day, Elation helps its customers deliver superior servic

Details

14 March 2016

The free outdoor concert marked its fortieth anniversary. The event draws over 500,000 people each year to the Boston and Cambridge sides of the Charles River. Audiences wait with anticipation to hear the Boston Pops' now classic rendition of Tchaikovsky's 1812 Overture with real cannons, church bells and fireworks, The Stars and Stripes Forever with ceremonial American flag drop and confetti shot; and watch a final explosive fireworks array. This year musical guests included Susan Tedeschi, Ellis Hall, Howie Day, Ayla Brown, and the Tanglewood Festival Chorus. Keith Lockhart conducted the Boston Pops Orchestra.

"The event was a lot of fun

Details

14 March 2016

DVD director Joana Mazzucchelli, and lighting designer / DoP Marcos Olivio, were assisted by an MA system consisting of two grandMA2 light, 1 x MA onPC command wing, one MA onPC fader wing, two MA NPU (Network Processing Unit) and four MA 2Port Nodes onPC PRO. This setup was used to control around 488 fixtures including loads of LED sources.

Marcos Olivio commented, "First of all the MA system is the most reliable on the market which was key to us. Second we used grandMA 3D for preprogramming which gave us many benefits in

Details

14 March 2016

Simon James, director at Essential Supplies comments, "Uplighters are the backbone for lighting most marquee venues, they need to be low tech, no DMX data cables to go wrong, or flickering colour changes, just a simple plug and go uplighter. At Essential Supplies we have been looking into making an LED version of our traditional uplighter which has been a market leading product for over 15 years. Now with the right LEDs and driver, we have matched, and exceeded, the quality and warmth of light output offered with traditional tungsten with a new LE