Lighting

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14 March 2016

ETC Rigging, which will be seen for the first time in the UK at the ABTT show, 24-25 June, is a range of packaged wire rope hoists and controllers which are designed to be quick and easy to specify and install. ETC employees will be available to discuss how this new addition to the product range can fit into users' venues or projects.

Across the aisle, ETC's second stand will focus on control desks and fixtures.

ETC's Gio control desk, which uses the powerful Eos operating system that is rapidly becoming a standard in theatres across the UK, will be joined by Cobalt 10, which is designed for quick, seamless lighting control.

The theory behind Cobalt's o

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14 March 2016

Several Sharpys were arranged along two battens in the centre and at the back of the stage and various Aleda B-Eye K10s were hung on four tubular supports as backdrop lighting with the precise aim of enhancing the beautiful effects created. All the lights were programmed by Mario Zanella and Bruno Maffei using a Chamsys MQ 200.

On the Friday night, Notti di Maggio turned into an important cultural showcase for local 'Trento music' and the stage was given over to several Italian tribute bands.

On the Saturday - the true heart of Notte di Maggi

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14 March 2016

The venue was the largest of the National's three theatres, the Olivier Theatre, where the dinner took place on the stage leaving the remaining auditorium free for the surprises of the evening, which included performances from Damon Albarn, James Graham, Patrick Marber as well as the Southbank Sinfonia and the London Community Gospel Choir.

Alongside the team from National Theatre worked London-based lighting specialists, White Light, with the support from event production company, Blueprint, who supplied LED tubes from SGM.

The full kit provision from White Light incorporated new LED equipment, which had pr

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14 March 2016

Lighting designer Fredrik Jönsson of Eyebrow Designs in Stockholm designed the lighting of 28 songs in a total of 6 live broadcasts by SVT (Sveriges Television), the host broadcaster of Eurovision 2013.

Jönsson explains, "Once again, Clay Paky provided the backbone wow fixtures, including 51 Sharpys and 24 Sharpy Wash 330 fixtures, but this year we had a new cat among the usual suspects - the mighty Mythos from Clay Pa

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14 March 2016

ESL France, established in 1992 has offices in both Montpelier and Paris. They introduced one of the most comprehensive catalogues of stage and entertainment lighting products to the French market which continues today to be a staple requirement for industry professionals. Coupling distribution and excellent technical service ESL have built a strong network of dealers and customers throughout France. In 2013 they introduced the architectural devision of ESL in the Paris based office.

The teams at Visual Productions and ESL have long standing business friendships with each other, that over the years have allowed both compan

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14 March 2016

Founded in 1971, White Light is a leading supplier of technical production solutions throughout the UK, Europe and worldwide. Shock Solutions has over 10 years in the industry and is a forerunner in the field of LED lighting and audio-visual equipment solutions. The two companies will combine staff and assets under the name White Light and will be based from White Light's current offices in Wimbledon, London. Shock Solutions managing director Andy Hook will join White Light as technical solutions director.

He comments on the partnership, "We are proud to be joining forces with White Light after many

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14 March 2016

They saw several opportunities in this. Firstly to learn more about the Robe fixtures they are selling, secondly, the gigs provide an opportunity for inviting potential clients to real 'live' demos of the products working in situ ... and thirdly, they were really happy to be supporting an excellent artist. It was a win-win scenario all round!

Sørgekape recently launched their new album Intelligent Kjaerlighet with a special showcase performance at Askim Cultural Centre (in their home town), which was also recorded for a DVD. Lars decided to 'push the boat out' with his creative l

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14 March 2016

Culture Secretary John Whittingdale said the news was "fantastic" but not surprising as "British music is legendary around the world". He added, "Festivals like Glastonbury hold an iconic status on the world music scene and are one of the reasons why international tourism is booming in the UK, drawing in streams of visitors to all parts of the country. We know our UK creative industries contribute an astonishing £76.9bn to the UK economy but this report confirms they are truly world-class and a powerful advert for the UK.&quo

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14 March 2016

As a sister-ship to Quantum of the Seas, Anthem of the Seas boasts the same lighting and video package template. "The ships mirror each other as far as entertainment lighting," says Christopher Vlassopulos, superintendent SLVR & architectural lighting for Royal Caribbean International, who coordinated the design and specification for all the entertainment equipment in the ship's public spaces, including the ship's entertainment lighting systems. "There was actuall

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14 March 2016

"Show Technology has a wonderful service department," commented Jared Hawke, managing director of Frontier Lighting, Perth. "We deal mainly with Gino Lombardi in Perth and he is absolutely the number one rep in the business. He'll go above and beyond to help, such as opening up the warehouse at the weekend when we have an emergency. And

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14 March 2016

The Robes - delivered to the event by Tecnica Vidal with the assistance of OVA Iluminacion and Prisma Luces - included 12 x BMFL Spots, 66 x MMX Spots, 12 x ColorBeam 2500E ATs, 14 x MMX WashBeam, 66 x Pointes, 56 x LEDWash 600s, 24 x LEDWash 1200s, 40 x CityFlex 48s, 60 x LEDForce 18 LED PARs and four CitySkape Xtremes.

These, together with some 526 conventional lights and six follow spots were deployed all over the massive stage -designed by Alejandro Rodriguez- comprising nine different areas, including one water stage.

Trussing superstructure was hung on a huge crane - with a 65m reach arm, and all lights on th

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14 March 2016

Sales teams from the company's four specialist product divisions will be on hand to demonstrate and discuss the latest technologies from leading marques which AC-ET are the exclusive UK dealer for - including Chroma-Q, Jands, Prolights, Spotlight, GLP, LumenRadio, Luminex, Columbus McKinnon Entertainment, BroadWeigh, Dynamic Audio Device, and Green Hippo. Other leading brands showcased include Manfrotto, Litec and Petzl, amongst others - all available from the company's multi-million pound inventory.

Also featured are AC-ET's in-house Cable Express and Gel Express custom assembly services - as well as Lamp Express and other popular consumables from the vast ra

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14 March 2016

Kuppelhallen has been a performance hall since 1982. Newly renovated, the 1,000-seater multi-purpose space is especially suited to rock concerts, revues, choir and band concerts.

Project manager for the lighting refurbishment was Sveinung Hove, together with technical manager Terje Eids°r of Stavanger-based Hove Lysdesign AS. Hove Lysdesign AS is a sales, installation and rental company, that was established by Sveinung Hove back in 1983.

"We've been working with Stavanger Concert Hall for more than 20 years, and the team there trusts us to deliver the right lighting solutions," says Terje. "They were experiencing problems linked w

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14 March 2016

Having worked with Currington since 2009, lighting designer Chris Lisle approached the lighting from an efficiency standpoint, as the gear would need to be able move on and off the stage quickly while still being able to clear doors and fit within the allotted truck space. "We based the design off utilizing the existing backline carts that Billy was already using, and incorporating lighting on them," explained Lisle.

The majority of the fixtures are based on the carts placed upstage over the band's heads. Nexus 4x4s are used for general eye candy and effects, while the Clay Paky B-Eyes p

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14 March 2016

Jukebox, their eleventh studio album, brings the group back to what originally inspired their careers with a mix of songs from the '50s and '60s. The graphics for the live shows not only tell the story of those eras, but the story of their career.

Doing the tour without a high quality video screen was not an option for production manager David Rudder, but it had to be efficient and economical. That's where the 16ft-wide by 8ft-tall main 12.5mm FLEXCurtain HD wall helped support Human Nature and entertain fans.

"The main driving factor for the purchase was Australia is the same landmass as US, but with only 25m people, so huge distances are involved when travelling," said Rudder. "We have shows n

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14 March 2016

The battle between the Houses was witnessed by hundreds of spectators at Westminster College Gardens, with the House of Commons coming out on top for the sixth year running. A regular feature in the White Light calendar, the complete production solution specialist was proud to once again assist on such a special event which supports a worthy cause.

The cheering crowds not only received the chance to see the politicians battle it out but also watched rival city firms, industry giants, armed forces and fire crews flex their pulling power. Whilst the various teams took to the ropes, BBC Radio 5 Live's chief political correspondent Joh

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14 March 2016

Audio Quest supplied the lighting for the main stage at the Gariep KunsteFees last year, The Uppington Kalahari KuierFees and the Upington Landbou Expo. "On these shows I work with local artists such as Theuns Jordaan, Steve Hofmeyr, Elvis Blue and Ray Dylan," said Hennie. "My clients are always impressed with our work and we are pleased to receive ongoing compliments."

The Tiger Touch allows him prompt lighting cues between playbacks. "It's reliable and very user friendly, giving a lighting engineer quick access to any light via touch screen and pallets. I'm very happy with my products and the support from DWR."

(Jim Evans)

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14 March 2016

Designed for clubs, bars, restaurants, shopping malls and other permanent installation applications, the RUSH Gobo Projector 1 is a static fixture with easy adjustment of focus, speed and direction ensuring smooth and intuitive operation. It's also non-intrusive thanks to its silent operation and compact size, measuring 215 x 135 x 152 mm and weighing only 11 lbs. (2 kg). The fixture uses E-sized gobos with a maximum image diameter of 30 mm and thickness of 4 mm. Its light source is a 20 W LED array and projects a 17-degree beam angle with an estimated minimum L

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14 March 2016

The first live session will be the CUE welcome address and keynote by ETC CEO Fred Foster, on Friday 26 June, at 2:15pm UK time (15:15 CET). Foster will discuss current lighting trends, and may reveal some surprises. Another session will be a keynote address by lighting designer Josh Allen of Theatre Consultants Collaborative at 2:15pm UK time (15:15 CET) on Saturday 27 June, in which he'll talk about how power, lighting and theatre technologie

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14 March 2016

Owing to Pulse being located under a series of railway arches, along with the style of Pejoski's designs, the show opted for an industrial theme; something which needed to be reflected in the lighting. Having previously provided its services on several other fashion shows, White Light was asked to supply both the lighting and power on this occasion.

For this particular launch, White Light worked closely with set designer Philip Cooper who created t

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14 March 2016

"I was given a great deal of creative freedom to design this show and loved every minute of it," said Zeiser, the owner of Squeak Lights. "They Might Be Giants gave me the direction they would like the design to go in, then more or less left me to my own devices from there."

Zeiser's creative adventure grew out of a conversation

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14 March 2016

Footage at Slam Dunk was captured for Kerrang TV on the Chrome GLD-80, which was used to multi-track all bands on the main stage using Dante into Waves Tracks Live. Situated onstage, Allen & Heath's ultra-compact Qu-Pac mixer was also used to record FOH.

"The Slam Dunk live recording was actually the first time I had used a GLD in anger and it was an absolute pleasure," says Dave Boothroyd, house engineer at Reel Recording Studios. "The GLD is really intuitive, there's no messing around - everything is exactly where you want it to be. The pre amps sound absolutely superb, which is imperative for a job like this, an

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14 March 2016

Futais Mohammed Bugnah presents the story of the poet and warrior Amroo bin Kulsoom, well known in his time more than 3000 years ago, long before Islam. The story tells of authoritarian conduct against the poet's mother and his revenge on the King.

The Italian lighting designer Emiliano Morgia, as he himself tells us, was again involved in designing the lighting for the Riyadh-based Saudi production company Rhythm Media Production. Together with Giochi di Luce Dubai , they set up a fifty-plus-yard-wide stage and a video control room to project original spectacular twelve-yard-high scenic settings. "Getting Giochi di Luce Dubai involved in thi

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14 March 2016

HSL supplied all the kit as the band stormed an eclectic selection of venues, the tour effectively providing a warm up for the summer festival tour. With this in mind, the design incorporated a floor based back-wall that will also function as a stand-alone package on festival shows.

The rig contained several customised elements including seven 'transmission' towers (14 for the largest shows at London's Alexandra Palace) which HSL commissioned Alpha Fabs from Worcester. "I wanted something distinctive that was simultaneously structural and scenic,&