Lighting

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14 March 2016

The lighting scheme was designed by Andre Beekmans of design and programming specialists The Art of Light, and the Pointes were rigged all around the top of the set which was designed by 250K and used for all the effects and multiplicity of funky looks that they do best, operated by Art of Light's Tom Spaan.

The set resembled a slightly wacky castle, complete with a series of scenic towers and turrets topped in customary King's Day orange. The performance stage was immediately in front of the castle, complete with LED screens and DJ platform.

Lighting and audio for the Den Bosch event was supplied by The Purple Group, and the techn

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14 March 2016

Exciting new initiatives include focused hubs, sector specific seminar streams, 150+ industry leading speakers, workshops and demo areas. Many more exciting new developments will be announced in the coming months, don't miss out - make sure you

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14 March 2016

To provide extra visuals for the homecoming, Musique Xpress Lights, which furnished gear for the Puerto Rican concerts only, called on 34 Chauvet Nexus 4x4 LED panels and 40 Q-Wash 260-LED moving fixtures from Chauvet Professional.

"The overall look of the show was based around a futuristic design which intertwined a variety of moving lights, LED screens and special effects to create different scenarios around the music," explained LD Edward Aviles. "The Chauvet fixtures were critical to helping us achieve this look."

While the Chauvet Q-Wash fixtures played an integral role in this futu

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14 March 2016

Over 50 of Ayrton's MagicPanel-R units are used to create a wall on the central stage, where their versatility makes them ideal as audience blinders as well as using their continuous double rotation and effects capabilities to create a myriad of visual feasts. Routledge first spied the Ayrton MagicBlade-R fixtures at PLASA last year where they were a major feature

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14 March 2016

Robe Lighting France is headed by CEO Bruno Garros and CFO Elie Battah.

The company is fully operational and hits-the-ground-running with seven staff in place including executive assistant Messaouda Belarbi, after sales and technical support manager Jerome Lambeau and communications specialist Jonathan Grimaux.

They are joined by two technical sales engineers, Kevin Migeon, covering northern France and Franck Huyhn who is taking care of the south of the country.

Robe Lighting France has eye-catching new offices at Paris Nord 2 which are well located in a leafy green area just 10 minute

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14 March 2016

The arena for the celebrations was built by Apollo Event Consultants and, due to the magnitude and historic relevance of the occasion, they wanted to create a setting which was unforgettable. As a result, they approached White Light to provide the lighting, having previously worked with the complete production solution specialist on other events.

Tim Hanbury, managing director at Apollo Event Consultants, comments, &quo

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14 March 2016

Taking place at the Bahrain International Circuit in Sakhir, the two day event saw Showtech Bahrain hire Sonu as head of lighting for the event, supplying 30 x Clay Paky Mythos, 48 x A.leda B-EYE K10 and K20, 30 x Alpha Spot HPE 700, 40 x Sharpy, 12 x Alpha Beam 1500 and six Alpha Profile 1500 for his versatile and bold design. On the first day there were Arabic music performances from such artists as Abdull Rowaishaid and Amar Zain whilst Brazilian pop sensation Pitbull headlined the whole weekend.

"My brief was to design a rig that worked for each of the bands' requirements and that would make a massive impact," explains Sonu. "It was an international event showcase with the aim of reall

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14 March 2016

Working with creative director Richard Millstein and production manager Ray Steinman, it was lighting designer Stephen Lieberman who needed to create a lighting design that could stand up to the intensity of the three-day festival and he did so using Philips Vari-Lite VL4000 Spot and VL3500 Wash FX luminaires provided by Solotech.

"I've been involved with the Ultra Music Festival since 2000, and when I start putting the designs together, I first look at where the stage is located and what the size of the performance area will be to give me a foundation to build upon," began Lieberman. "Next I l

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14 March 2016

The lighting coordination for the three-day event was managed by 3srCreative, with Seth Jackson working with Bandit to create looks that would be visible both during the day and evening. "The main stage had a much larger rig with the MAC Vipers," said crew chief Shawn Worlow. "All of the stages used a 4 ZR foggers and Base Hazers. We used a lot of fog and haze for the day time performances with open white and less saturated colors to make it all pop more during the daytime."

CounterPoint's mainstage consisted of three 42' trusses, backdrop and

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14 March 2016

The group, which have had nine No.1 albums in Canada, recently embarked on the Fully Completely Tour, playing their album of the same name in its entirety to their legion of fans.

Brent Clark is production designer for the North American tour, which kicked off in Toronto in January and to date has visited other major cities including New York, Chicago, Boston, Washington DC, and Montreal.

"The concept behind the staging and lighting was to make it look a bit 'throwback'," says Brent. "The grid with the Color Force 72s on is meant to look like an old fashioned digital clock. Spelling out the word 'HIP' was my idea, as the band are affectionately known as The Hip - and using the

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14 March 2016

"We knew we were bringing some very special products to InfoComm," said Ford Sellers, senior product manager for Chauvet Professional. "But we were amazed by the turnout at our booth, which remained packed throughout the show, and quite thrilled and honoured to hear all the positive things people were saying about our products.

"A lot of thought, research and development goes into every product we bring to market," added Sellers, "so this terrific response at InfoComm reaffirms our belief that

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14 March 2016

Kevin held an important senior role as Northern Lighting Sales Manager in AC-ET's Leeds office. He was an extremely well liked and respected colleague, and a larger than life character. During his diverse career spanning over 30 years, Kevin built up an incredible number of customer relationships and friendships. He sadly passed away on 31st December 2013, aged 53.

This event - known as the 'Fitz-Simons Challenge' - is being organised by Stuart Burdett, Technical Sales Executive for AC-ET's Video product division. It will raise funds for two great charities which would have met with Kevin's approval, and aims to secure a minimum of &p

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14 March 2016

The team have been working round the clock to get things ready for the latest batch of islanders. To support the installation, Aurora has provided everything from Tungsten to tape, distro to desks, plus site power and a range of bespoke electronic installations and LED set pieces.

Commenting on the project, Aurora MD Nick Edwards said, "preparing the gear and taking care of the logistical challenge of transporting a full location package to the Island in the sun was the easy part - thankfully James and his team are on board to make sure the 12 islanders are viewed in the best possible light during their six weeks excursion to paradise!" Love Island runs on ITV2.

(Jim Evans)

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14 March 2016

Lighting designer Lutz Gock and assistant LD Katie Davies used their new Robe LED fixtures - four DLX Spot moving lights and six LEDForce 18 PARs rig - on what Lutz describes as the "almost upside down" lighting plot.

When it comes to lighting Caravan Stage performances, there are several very specific requirements.

With no stage roof, the kit is exposed to the elements during the set-up, rehearsal and show periods. Lighting, sound and video equipment are all powered by an on-board generator so it is limited, wh

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14 March 2016

This version of TiMo is expected to be of interest to manufacturers building fixtures with stand-alone modes, such as battery uplighters, where one fixture can be configured as a transmitter and further fixtures down the line can be linked as receivers. By building on the same feature set as the hugely successful TiMo RX RDM, TiMo FX adds the transmitter capabilities required to link series' of fixtures, whilst retaining popular features such as the DMX Window which made TiMo RX RDM so easy to i

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14 March 2016

For this production, as for previous Luan Santana productions, Spectrum Design e Iluminacao supplied a complete technology solution. LED products from SGM assisted in conveying the old theatre style with a total of 30 P-5 wash lights, 80 X-5 LED strobes and 40 SixPack blinders.

The SixPacks were mounted in the grand upper façade, giving the marquee the effect and look of the halogen emulating lamps, whilst offering the brightness and low power consumption of the LED light sources

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14 March 2016

This year marks the sixth year that some of the theatre industry's biggest movers and shakers zoom together for a weekend aimed at raising awareness and much-needed funds to help TTG support Backstage and FOH staff in need. Established in 1891, TTG is dedicated to looking after theatre personnel who, due to a variety of circumstances need welfare advice, counselling, educational sponsorship and many other forms of help.

The charity has many supporters in the industry, including Dara O'Briain who is also a Trustee of The Theatres Trust.

Taking place from 3-6 July, this year's route starts in Scarborough and visits the Spa Theatre & Grand Hall and The Stephen Joseph Theatre. Over the

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14 March 2016

This year marks the sixth year that some of the theatre industry's biggest movers and shakers zoom together for a weekend aimed at raising awareness and much-needed funds to help TTG support Backstage and FOH staff in need. Established in 1891, TTG is dedicated to looking after theatre personnel who, due to a variety of circumstances need welfare advice, counselling, educational sponsorship and many other forms of help.

The charity has many supporters in the industry, including Dara O'Briain who is also a Trustee of The Theatres Trust.

Taking place between 3rd and 6th July, this year's route starts in Scarborough and visits the Spa Theatre & Grand Hall and The Stephen Joseph Thea

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14 March 2016

Olympic Achievement - The International Olympic Committee will receive an award at IBC2015 for its work on conserving and managing its audiovisual archives. The awar

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14 March 2016

"We were approached by creative director Dan Shipton and the BBC Eurovision team to help make Electro Velvet stand out during this year's performances," says Bryn Williams, creative director of Light Initiative.

Working alongside costume designer Frank Strachan and his costume maker Natascha Stolle, the team incorporated 20,000 video-mapped LEDs into the outfits with 5,500 on singer Bianca's dress alone. Unlike many incarnations of this idea seen in the past, the costume team's clever design 'seamlessly' assimilated the LED into the costumes, along with the fabric, glittering sequins and tassels, with no detriment to the overall aesthetic.

"It was of paramount importance that the costumes be beautiful," says Williams. "

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14 March 2016

Working to a Theatre Plan specification Audio Light Systems installed a Slingco grid, BJ Designs suspension systems, Doughty Engineering IWBs & facility panels, ETC lanterns, Christie projectors, Zero 88 control and dimmers, Yamaha & EM acoustics sound equipment among other manufacturers.

"This is a truly impressive and well thought-out space, that has come together very well. The ability of Audio Light Systems to install the entire technical infrastructure really helps with synergy of a space like this," says Trevor Cross MD Audio light Systems.

(Jim Evans)

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14 March 2016

Stanton uses shifting pockets of light to follow the action from scene to scene, defining rooms of different shapes and sizes as furniture appears and disappears through a complex series of traps. Using an ETC Eos Ti lighting desk, programmer Alex Fogel built a low-res pixel map encompassing the whole stage, with each lighting area as a separate pixel. By applying a gradient to the intensity parameter of the area lights, he was able to smoothly drag focus around the playing area,

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14 March 2016

This avant-garde piece followed Maniutiu's minimalist style, using very little scenery to create a provocative production. Under Maniutiu's direction, lighting designer Martha Carter and scenic designer Morgan Price brought this story to life. Carter used Martin Professional's atmospheric effects to play on the audience's emotions as the titular character battles through her story. They used UCI's existing JEM Glaciator X-Stream and paired it with a JEM Ready 365 hazer which Martin loaned to the students to help fill out their production.

The initial planning started with only a 15-page script and notes from Maniutiu to have minimal scenery. While Carter and Price had their work

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14 March 2016

The show sees The Jetty, which formerly served as a coal-unloading point for Blackwall Point Power Station, transformed into a purpose built structure which allows audience members to check into what is a unique experience.

Prior to the recent popularity of immersive theatre productions, White Light had already established strong working relationships with companies such as Punchdrunk. Their most recent project, the co-production with the National Maritime Museum entitled Aga