Lighting

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14 March 2016

The brief was to illuminate the building and produce a lightshow for the finale and fireworks display. Hawthorns lighting designers Matt Oscroft and Paul Bird selected Clay Paky Sharpies, both wash and spots, Alpha 1200 profiles and Glow Ups. Also selected were Robe BMFLs which really impressed the lighting designers.

The fixtures were used to provide a gobo breakup across the whole building, then during the finale they were used as high intensity beams projection high into the sky. The whole system was plotted prior to the event on Hawthorns' Wysiwyg suite, system controlled via a Grand MA 2 - Bird's desk of choice.

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14 March 2016

Anyone working in theatre industry can nominate their colleagues, crew members or favourite hire company. This is your opportunity to highlight why your chosen nominee stands out from the rest and deserves some recognition. It only takes a few minutes to nominate at www.technicaltheatreawards.com

Nominations will officially close during PLASA Focus in Leeds. Following this, organiser Ian Taylor will be inviting a panel of independent industry figures to shortlist the nominations. This is a new initiative for 2015, as suggested by TTA supporters as a way to improve the awards process.

Voting for the UK awards will open during the ABTT Trade Show on Wednesday 24 June 2015 at Alexandra Palace in London

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14 March 2016

Tom works on many high-profile awards show designs and continues to create new and original lighting schemes. For this year's Woodies, he incorporated over 200 Robe moving lights - Pointes, LEDWash 1200s and LEDWash 600s - into the rig, for which his starting point was a stunning stage-set sculpture crafted from tens of thousands of wood planks, imagineered by Julio Himede.

The jagged wood structure clad the two stages which

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14 March 2016

As Vince Gill's lighting designer for the past four years, Dylan Mire felt the lighting needed a refreshing new look that would complement the show but not distract from Vince or the bluegrass band.

"The lighting needed to be simple and effective to highlight an established artist," Mire said. "We also needed the gear to fit into a limited amount of truck space."

Mire utilized VL 2500 Spots, Robe CycFX8 and Martin MAC Auras in the design, placing GRN Par 64 fixtures for light columns on the backdrop and Chauvet Color Dashes as truss toner. Mire also uses a GrandMA 1 full console.<

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14 March 2016

"In March, our Belgium distributor, FACE bvba, opened an office in the Netherlands," explains ETC regional manager Tim Stokholm, "and we approved them as an official dealer. To best serve our customers, we decided to make Benelux a dealer-based region." ETC's dealers in Benelux are now FACE, Lightco and Controllux.

"FACE has been expanding steadily in the Netherlands," says FACE CEO Karel de Piere. "We opened our support centre in Rotterdam, and a new consultant, Fons de Vreede, joined our team. If you can add a world class brand like ETC to your portfo

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14 March 2016

Out on a spring US tour, 2Cellos is a cello duo that combines training in classical music with youthful rock energy to present a special concert experience. Riding a wave of popularity - the band even played with Elton John recently at his residency in Las Vegas - 2Cellos are selling out shows at every stop.

Lighting designer for the 2Cellos US tour is Chris Maguire, who has over 25 years of touring experience under his belt (Ted Nugent, et al) yet admits that at first he wasn't quite sure how to light the more untraditional band. "It's just two cellos and a drum kit and there are big stages to fill," he says. "But they play everything from B

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14 March 2016

Visitors to the Avolites Prolight+Sound stand came from more than 40 countries, and included a high number of potential new distributors, especially from North and West Africa and the Caribbean.

Now, the Avolites team is continuing the buzz by debuting its well-received new products in the UK at PLASA Focus, Leeds, on stand N-D01.

"The Arena consoles attracted a huge amount of attention during April's Prolight+Sound in Frankfurt - we were inundated with lighting designers, rental companies and specifiers, generating a fantastic response from many of the people who came to see the

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14 March 2016

The KOI Awards, which celebrates the creative talents of international lighting and digital content designers working in the UK, has added a 'Club' category, which will allow the Awards to widen its reach to celebrate LDs working at all scales of touring.

Proposed to the committee by KOI chairman of Concert Touring and Events Sarah Rushton-Read, the category was introduced in response to feedback from lighting designers working with new bands just starting out on the touring circuit. It will mean that these LDs, often working with just a floor package and having to use each venue's house rig to realise their design, will also be recognised for their creativity.

"Often designers that are touring club style venues with just a floo

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14 March 2016

Maroon 5 launched its World Tour 2015 in Dallas on 16 February and will finish in Auckland, New Zealand in October. The tour is in support of the band's fifth album, V, which was released last year.

Roy Bennett, the production designer for the tour, has branded the stage with strong V motifs, inspired by the album artwork, incorporated into the trussing and transparent set pieces. Lighting and video create a dynamic, constantly changing environment on an arrow-shaped stage.

Plexiglass panels, filled with special effects smoke, act as upstage display surfaces for video content while the downstage stage was constructed as a giant, hollow plexiglass "fishbowl" that could also be filled with smoke and lit with 2

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14 March 2016

Lighting designer Rob Sinclair was approached in 2012 and asked to do lighting for the Queen Extravaganza, the official Queen tribute band. His work caught Queen + Adam Lambert's attention and they asked him to come and work for them on the upcoming tour. "It was a case of being at the right place at the right time," said Sinclair.

The lighting design process for the world tour started back in the fall of 2013, when Sinclair, the band and Set Designer Ric Lipson first met and came up with the idea of a Q-shaped stage. Lipson a

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14 March 2016

The extreme torque of 15Nm and the resulting high rotation speed of up to 180rpm make this unit the perfect gear for highly spectacular show productions and effects. Due to the high end laser system with great colour balance and extremely fast scanners, a use for TV productions or high profile shows is no problem at all.

The ILDA control signal can be fully used for laser control, and the Velox moving yoke itself is controlled via the standard DMX512 protocol. A DMX-only operation is also possible.

When a laser show system is moved on a yoke, it is absolutely essential, that it repositions accurately -

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14 March 2016

The Theatre at Solaire is the highlight of the Solaire Resort and Casino, and is considered to be the most advanced theatre in the Philippines. Its stage technology system was designed and specified by Coherent Design, a Las Vegas based theatrical consulting group. They faced a unique challenge due to the fact that there are few theatres in the country. Having technical support nearby was an absolute necessity, especially when it came to programming and commissioning the system.

"The experience that ETC Asia had in similar facilities a

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14 March 2016

Lighting designer Mark Dymock specified Robe moving lights to help create the vast array of special X Factor moments in the show, with 10 x Pointes, 12 x LEDWash 600s and 4 x LEDBeam 100s on the rig.

Mark originally lit the show two years ago at the Queen's Theatre in Hornchurch, Essex, and was asked back to keep the action moving on tour, with a chance to upgrade the rig he'd originally used.

The brief included retaining a classic retro rock 'n' roll feel - when the show was first launched it would have been lit with a selection of theatre lanterns and PARs which would have been considered radical at the time in that environment. In keeping with th

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14 March 2016

The tour's stage / scenic concept was a triumvirate creative process evolved by Chris Kuroda, production manager Chris Gratton and stage designer Nick Demoura. Grande, on her first full production tour, was integrally involved with the process.

Chris Kuroda's starting point for the lighting was a 60ft wide LED video wall, centre stage that parts in the middle for entrances and exits. With this massive lightsource already dominating the visual horizon, he needed exceptionally bright lighting sources and opted for Robe's BMFL Spot.

The BMFL Spots and Pointes are dotted all over the rig, positioned on a series of diamond-shaped pod

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14 March 2016

Following a star studded award ceremony at Theatre Royal on Drury Lane, some of television's best known faces celebrated their nominations and award success at the Grosvenor House on Park Lane.

Appointed production company Light Motif delivered a striking setting for the after party in the famous Great Room inspired by the history of television.

Arriving on the 'House of Fraser pink carpet' guests were guided through to the great room where iconic images adorned the façade & the evening began.

Working with creative florists "Rebel Rebel", Light Motif were keen to create one overall look for the client, matching colours, styles and themes across the entire space.

Rob Mills, lead creative for Light Motif, said, "We wanted

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14 March 2016

The genre bending four-piece played a range of venues from Portsmouth Pyramids to London's iconic Roundhouse. Positioning the Clay Paky fixtures, supplied by Neg Earth, on boxes on the floor to the rear of the stage, Bewley used them to give depth to his energetic design.

"I chose the Alpha Spot QWO 800s as I needed bright sharp beams to pierce through the metal framework that surrounds the band, creating silhouettes," continues Bewley. "They delivered this perfectly, adding some great perspective and dimension.

"As this is The Mindsweep album touring campaign, I wanted to bring the concept of brain neurons and thought processes into each venue."

To achieve this, Bewley video-m

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14 March 2016

For the very first time Hirezone supplied the full technical which included Robe lighting with control on an Avolites Tiger Touch, sound and AV, this being one of the their largest and most prestigious productions to date.

The Royalty Soapie Awards is the annual celebration for the TV soap industry in South Africa including everyone from celebrities and entertainers to the writers and technicians involved. Richard Gild, owner of Hirezone says he used detailed planning to ensure a successful set up. "As we proceeded, it all came together," he says. "We had more space and the right people. It was great working with the client."

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14 March 2016

Doctor Zhivago has been described as one of the most romantic stories of all time. The Broadway musical, based on the Nobel Prize-winning novel and Academy Award-winning motion picture, is directed by Tony Award-winner Des McAnuff. Doctor Zhivago reunites McAnuff and Binkley, long-time collaborators who both garnered Tonys for their work on Jersey Boys.

"There is a lot of big storytelling in this show," says Binkley. "Being epic in size but small in content, as far as the scenes are concerned, means that there are a lot of isolated m

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14 March 2016

Following the success of the already established DS-900RGB, DS-1800RGB and DS-3300RGB, Laserworld has added the new DS-2400RGB to the product line. This product is designed to fill the gap in available power levels between the 1.8W and 3.3W systems. It was also designed to provide a great white balanced output. The power range between 2W and 3W has become increasingly in demand, as the prices for such systems have dropped substantially in recent years.

With the DS-2400RGB, Laserworld has completed the Diode Series range. It has all those features in common with the other uni

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14 March 2016

Focus is 0-100%, linearly adjustable by DMX and double dimmer shutter blade strobe (0.3-25fps, with macro). Pan is 720° or endless rotation and tilt is 270° with auto position correction. Made from composite plastic (IP20-rated) the fixture weighs just 13.2kg.

As for the XR 130 Spot, this is also powered by an Osram Sirius HRI 132W (8800K, 6000hrs) lamp.

The full set of dynamic effects includes a colour wheel (with 13 colours and CTO (plus o

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14 March 2016

Featuring a pixel pitch of 6.9mm, the PVP X6IP is an outdoor LED video panel rated at IP65 for its ability to withstand rain, while being brilliant enough to produce images that stand out in the daytime sun. It is also very touring and rental friendly, thanks to an innovative design that allows for quick and secure assembly, easy serviceability in the field, and the versatility to be used indoors as well, says the company.

"We looked at everything lighting and production designers, installers and dealers wanted in a high resolution outdoor video screen, and we created the PVP X6IP to do it all

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14 March 2016

In order to provide bigger output with a smaller footprint, the AirFX was engineered to replace 1500 W fixtures, which were previously seen in a lot of shows mainly for mid-air effects, with no projection and often with a few simple gobos. Ideal for tours and festivals, the AirFX gives lighting designers everything that makes the MAC Viper family so effective in one versatile fixture.

Lighting designer Rob Sinclair recently deployed the AirFX on the Queen + Adam Lambert tour and Kylie Minogue's Kiss Me Once tour. "For both

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14 March 2016

Faith No More's current set-up will feature a floor package consisting of 16 MAC Auras, a mirror ball and M1 console. The existing design was created to be supplemented by venue house lighting, but due to the original tour dates selling out so quickly, Faith No More quickly added 10 more venues including arenas.

This is the first US journey in many years for the group. The set and lighting for this run, designed by long time production designer Harry Bastard, is as unusual and spectacular as ever. FNM are always pushing the edge and this ye

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14 March 2016

The stage show is being directed by Gurinder Chadha, who also directed the film, designed by Miriam Buether, with lighting by Neil Austin.

For the show, White Light is continuing its long-standing policy of providing lighting designers with the latest tools and technology. Neil Austin's design is based around a core of 26 ETC Source Four LED series 2 Lustr profile spotlights, which the designer first used on Shakespeare In Love last year. Because of their versatility and popularity with designers, White Light has rapidly expanded its stock of these fixtures over the last year, in addition to supplying