Lighting

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14 March 2016

LD Sean 'Motley' Hackett (INXS, Savage Garden) has been designing the lighting for KISS shows since 2009. Sean's new lighting design for KISS's 2015 European summer tour, which was based on the band's Las Vegas residency from last November, included the use of 30 Elation Professional Platinum Beam 5R moving heads supplied by Christie Lights. Production design was by Robert Long and Sooner Routhier.

Sean had the popular colour-changing beam lights grouped in fans of five or six in the rig and on stage and used them to complement the band's catalogue of hits with barrages of narrow, dense beam effects. "To me they are the modern equivalent of an ACL," Sean states of the

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14 March 2016

Richard was deeply enthused with the colour mixing and smooth dimming curve: "No-one would believe this is a budget LED light source - this is a real game changer. I already have my spending application in."

The ColorSource Spot and PAR fixtures were introduced by ETC especially to benefit arts and community centres like the one in Nottingham, who want to get the best out of their lighting but have only a relatively limited budget to spend - which of course needs to be shared across the whole tec

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14 March 2016

The fourth annual Europe's Tribute to Elvis, which took place in Blackpool's iconic 19th century Empress Ballroom, gave aspiring Kings of Rock and Roll the chance to qualify for a trip to the Elvis Tribute Artist Contest finals in Memphis. Arranpaul Audio, which has handled lighting and audio for the event in the past, was tasked with creating the design for the 2015 edition of the contest. LD and engineer Ollie Wilkinson called on a collection of Chauvet fixtures to create something of a fresh Elvis experience for the audience during the three-day event.

"As the event is becoming one of the most popular Elvis competitions in the world, we knew that w

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14 March 2016

A record-tying 300,000 filled Grant Park to see the hottest EDM acts, legends and the music industry's hottest chart toppers. "When collaborating with Bandit on these large scale projects they have two secret weapons: Dizzy Gosnell and Shawn Lear," said Jackson.

"These projects have millions of tiny details, lots of paperwork, lots of follow-up, and a lot engineering requirements. Dizzy's ability to organize everything coming from the shop, with everything changing constantly, and with all I send his way is quite remarkable. This, of course, then falls in the same time window as Shawn sorting the equipment and building the

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14 March 2016

A record-tying 300,000 filled Grant Park to see the hottest EDM acts, legends and the music industry's hottest chart toppers. "When collaborating with Bandit on these large scale projects they have two secret weapons: Dizzy Gosnell and Shawn Lear," said Jackson.

"These projects have millions of tiny details, lots of paperwork, lots of follow-up, and a lot engineering requirements. Dizzy's ability to organize everything coming from the shop, with everything changing constantly, and with all I send his way is quite remarkable. This, of course, then falls in the same time window as Shawn sorting the equipment and building the

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14 March 2016

Organised by the ALD, STLD, The Fifth Estate Ltd and Clay Paky and now in its eighth year, the KOI Awards is a celebration of the creative talents of international lighting and digital content designers working in the UK across TV, theatre and concert touring and events.

The theatre shortlist is the first to be revealed, after a panel of senior critics from national newspapers deliberated over the finest lighting and video work from the categories of Dance, Musicals, Opera and Plays. The shortlist is as follows:

Dance - Lucy Carter for Woolf Works, Royal Ballet, Howard Harrison for Edward Scissorhands, Theatre Royal, Plymouth, Sadler's Wells

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14 March 2016

The series was recorded and broadcast - on the Telecino TB channel - from the Mediaset Picasso Studios in Villaviciosa de Odón in Madrid and produced by Boomerang TV, who invited Iñaki, one of Spain's leading TV lighting specialists to add his own distinctive creative flair.

Iñaki was one of the visitors who saw the BMFL Spot for the first time at the 2014 Commonwealth Games in Glasgow, and was impressed with the light output, so he specified it for this show.

There were three different phases

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14 March 2016

Locally based lighting and visual specialist Fineline was once again at the forefront of providing some of the high production values for which this event is renowned - delivering lighting, video and rigging for the three main stages.

Fineline MD Rob Sangwell commented, "We were excited to be involved again after supplying lighting and video to the main stage last year. It's great to see the festival move forward and it was a huge pleasure collaborating with production manager Tom Paine and everyone from organisers Team Love."

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14 March 2016

It's no secret that conventional lighting filter struggles with fade times when used in conjunction with LED lighting set-ups. Zircon filters are able to circumvent this problem, thanks to a new technology that gives them an increased lifespan of up to 200 times longer than standard lighting filters.

It's not only their fade-resistant characteristics that distinguish Zircon filters from their more conventional counterparts. They are also easy to handle and fix in place, thanks to being produced on a 180-micron substrate that is more than double the thickness of standard filters.

With a selection of warming and diffusion filters in the range, Zircon filters provide a reliable an

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14 March 2016

"For us it's bigger than EDC, Coachella or any of the other festivals we do throughout the year," states Todd Roberts, president of Southern California-based Visions Lighting, who has been involved with Team Beachbody Coach Summit since its inception. "It started in a small ballroom and has grown every year. Last year there were 8,000 attendees and this year there were 20,000 so it's growing exponentially."

Beachbody markets some of the U.S.'s most popular health and fitness solutions including DVDs and health and fitness products with a well-known presence across print and digital media. Team Beachbody

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14 March 2016

Running since 2003, the season has simply grown each year and is once again taking place in Central London's The Scoop from 5-30 August. Having worked closely with Gods and Monsters Theatre on previous projects, White Light is not only providing the lighting equipment but also sponsoring the occasion; helping to make theatre accessible to a whole new generation of theatre-goers.

Gods and Monsters Theatre is an organisation dedicated to producing shows that share the myths and legends of the recent and distant past and bring these to a modern-day audience. It is the only company that hosts a free season of classical the

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14 March 2016

The social, cultural and design role of lighting is facing major crossroads and departure points at this moment in history, from applicative history to digital futures. For example, the importance of natural and artificial light to the quality of life and the health of individuals are gaining recognition worldwide, reverting priorities that seemed to be consolidated for more than a century. At this stage, the evolution towards the next generation of artificial light and

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14 March 2016

Johan was also responsible for the set and visuals design, which allowed him to deliver a coherent and harmonious 'bigger picture' designed for a diversity of artists appearing over the four days - typically with 15 - 20 acts onstage per day - plus a large gospel show on the Sunday.

He worked alongside the festival's creative team, with the starting point for the stage lighting design being the biggest night of the festival - Saturday.<

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14 March 2016

Created with a collection of LED fixtures from Iluminarc, Vetro's lighting design can be traced back to December 2014, when John (Gonzo) Gonzalez, lighting director of MSNBC's Morning Joe Show, attended the Christmas celebration at Brooklyn's Saint Joseph's Co-Cathedral. It was there he met Steven Retas, who was lighting the church's façade with holiday-themed colours and gobos. The two men struck up a friendship and Go

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14 March 2016

TSL director Martin Locket explains, "Although our market is quite diverse, we see the MagicBlades as initially being particularly attractive to our concert touring and a lot of the younger lighting designers. That said, as soon as we took delivery of the fixtures, they went out on three back-to-back rentals: Firstly, a European tour by a band called Crystal Fighters, specified by LD Michael Straun. This was followed directly by a corporate event in London for Microsoft for their Windows-10 launch, with LD Liam Griffiths. Then they were shipped directly to the third consecutive project, a Christian Festival called Newday. So we are pretty confident they will attract interest across our whole client base."

Based convenientl

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14 March 2016

"We needed a viable replacement for our Martin MAC 2000 profiles," said Sean McKernan, CCP's general manager. "Reducing our lamp overheads was very important to us, and having an LED source saves us considerable money over a year. We did the sums, and over a fixture's working life of 50,000 hours, lamp costs are around $18,000 per unit."

The SolaSpot's 400

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14 March 2016

The custom stage is the creation of design and technology integration company Stereobot, a building components firm that does many of the displays for Coachella and other events. Live event production company Pacific Coast Entertainment collaborated with Stereobot on the lighting design for the stage and art piece.

The one-of-a-kind structure with sweeping cantilevered spans envelops the stage and reaches to a height of 36ft. The open structure creates a three-dimensional experience that allows for visibility from all sides and is something that can be admired even when not in actio

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14 March 2016

"After working closely with FIX8 on various jobs over the past four years, it was obvious that the synergy created through those close working practices could be strengthened and leveraged for forthcoming projects," says Paul. "My responsibilities as project director will focus on supporting the delivery of our work.

"This will include streamlining the processes for project delivery, with an overview of compliance and training within the company. I will also take on project management roles on some specific projects, as well as working clos

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14 March 2016

Not wanting to create a show any less than impressive for the multi-million-selling singer-songwriter - who also ranks 44th on Rolling Stone's 100 greatest guitarists of all time, lighting designer Mark Henderson incorporated 22 Chauvet Professional Nexus Aw 7x7 panels within the lighting show to stunning theatrical effect.

Henderson - an award-winning theatre lighting director - has worked on countless theatrical productions in London's West End, New York and Las Vegas. When he was asked to LD Kate Bush's 22-date sell-out comeback residency at London's Hammersmith Apollo, a new opportunity was presented to him to apply his theat

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14 March 2016

When Core's ColourPoint first hit the market in 2013, it made a big impact because at only 4 Kgs, it was a quarter of the weight and considerably more cost effective than its competitors - all attributes offered without any compromise on the quality or light output..

The first ColourPoint fixtures were sold through UK distributor White Light to busy south London based event production company, Presentation Rentals - now known as PR Live. The most recent sale - including the actual 4000th fixture itself - was to AV and lighting consultants DCLX.

The ColourPo

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14 March 2016

After a collaborative process with the production team, Ungerleider turned to Solotech to provide him with the innovative lighting technology to best accentuate the R40 Live tour which included VL4000 BeamWash, VL4000 Spot, VL3500 Wash FX and VL3500 Spot luminaires from Philips Vari-Lite.

"Our designs always begin with a full production team collaboration and brainstorming session," began Ungerleider. "For this particular tour, an evolution concept was conceived about going back in time and deconstructing Rush from their earliest beginnings to present day. With our concept in mind we then turned to Sol

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14 March 2016

"What wowed us in the demo was the colour rendition on the Hawaiian shirt," says associate master electrician Anthony Gutierrez. "The lime green frequency is in the middle of the human spectrum and fills in colour gaps you didn't even know were there."

Jessica Wodinsky has been the master electrician at Royce Hall for 30 years and can chronicle the evolving technology - "When I came here in 198

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14 March 2016

The three-month performance run included five cutting edge opera productions staged in the tensile structure erected by the Royal Borough of Kensington & Chelsea (RBKC) in its picturesque park, with the historical ruin of Holland House as an atmospheric backdrop.

HSL has been involved as a technical production supplier for the event for the last 12 years, in which time the lighting requirements and expectations have changed radically. What was once primarily a generic rig onstage now features nearly 90 moving lights with another 200 light sources supplied by HSL to light the surrounding and

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14 March 2016

"AC/DC has always demanded bold, bright, spectacular - yet uncomplicated - lighting and I think this time we gave it to them in spades," explains Woodroffe. "We were looking for powerful, bright lights that would work particularly well with no colour. We also wanted some more delicate effects, some tight beams and some hard edge source points. We chose a variety of fixtures including the new Vari-Lite VL4000 BeamWash and the VL3500 washes, which in combination gave us most of what we needed, in var