Lighting

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14 March 2016

The Paris dates were part of the current Rester Vivant (Staying Alive) tour, to which top French lighting designer Dimitri Vassiliu has brought his huge experience, fertile imagination and talent for lateral thinking to create a vibrant and powerful 'big rock show'.

The design features 36 x Robe BMFL Spot moving lights on the rig which are integral to the show, and are being supplied by lighting contractor Dushow which has invested heavily in Robe this year. For the AccorHotels Arena performances, an additional 20 x BMFL Spots were added to the rig to light the audience.

With nearly 200 tours, 18 platinum albums, worldwide record sales of over £80m and a formidabl

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14 March 2016

Graduating in 2000 from Omaha, Nebraska's Creighton University with a bachelor's degree of fine arts, Martir tapped Avolites' Tiger Touch II lighting control console when he returned to his alma mater this fall to present a special art installation called Unique, a self-described giant "graphic novel" brought to life with light and shadow.

"Using new and old etching techniques, the story is told through twelve chapters, with eight drawings per chapter," Martir describes. "The 96 drawings are th

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14 March 2016

LD Dan Hill reports, "This was essentially a larger, more intense version of the lighting rig we've had out lately. In London earlier this year, The Wombats played Brixton Academy and the show at Alexandra Palace really grew from that - nothing crazy, but extensions of what was already there to cater for both the larger crowd and the bigger, wider stage that Ally Pally provides. I wanted to keep things as dynamic and as fun for the band on stage and for people in the crowd as it was back in Brixton."

Hill's rig is heavy with fixtures from the Ambersphere Solutions family of brands with Clay Paky and Ayrton units making up over half of the total design and with a grandMA2 Li

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14 March 2016

Belgium-based WI was approached to produce an automation solution for three distinctive digital and scenic set elements - a huge skull, six moving video screens and five moving lighting pods - by Hallyday's production director Roger Abriol. WIcreations has enjoyed a long and productive working relationship with Roger who has looked after Hallyday's tours since the start of his career. WI is one of his go-to companies for automation, creative engineering and thinking 'out-of-the-box'.

WI's project manager is Koen Peeters. Chris Das is

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14 March 2016

Robbi Nassi, Electrosonic's technical sales & support manager, explains, "ETC's Regional Manager for Southern Africa, Jeremy Roberts visited and demonstrated the consoles' outstanding new colour mixing system. This proved to be enough for them to decide on an Eos Ti for their Main Theatre, and a Gio for their Studio Theatre, which is currently being used as a back-up console for Orpheus on an ETC network. DMX Gateways and all the necessary channel assignments were purchased as part of a complet

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14 March 2016

Created by the Nashville Area Chamber of Commerce and the Nashville Entrepreneur Centre, the NEXT Awards honours several industries, including startups, those that show growth, and 'market movers' in addition to individual awards for Entrepreneurial Partner of the Year, Young Entrepreneur of the Year and Entrepreneur of the Year.

This year's winners included The Nashville Ballet, Thistle Farms, Overdog, Advance Financial, Launch Tennessee, EVAmore, and Sherry Deutschmann as Entrepreneur of the Year.

Bandit Lites provided VL 2500 Spots and VL 3000 Spots in the main room at the Renaissance Hotel. Lighting technicians Carter Harris and S

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14 March 2016

Visitor highlights include the chance to discover new and exciting products from over 60 brands in professional audio, AV, lighting, staging and rigging not to mention two days of free seminars and live demos. Industry leaders exhibiting at the show will include both manufacturers and distributors including big names such as Robe, RCF, Chauvet, Elation, Avolites, ETC, TMB and many more.

The recent announcement from VisitScotland shows intent to grow the events market in Scotland. The investment in a new ten-year 'collaborative strategy' to develop Scotland's 3.5 billion events

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14 March 2016

Commissioned and presented by Birmingham Hippodrome Creative, British-Chinese artist Aowen Jin's new outdoor artwork Midlight invites people to create their own light displays. Through cutting-edge digital technology and social media interaction, the colours can be changed both with sound (music, singing, clapping etc) and via Twitter.

Midlight features thousands of LED lights with 90,000 colour variations which adjust so that no two experiences with the artwork are ever the same. The project is the first of its kind to include the participation of Birmingham's local Chinese community who liv

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14 March 2016

"You always like to get good feedback when you design," said Therrien of JDI Productions. "So all of us involved in this show were thrilled when the bands went out of their way to compliment us. Aaron Patrick for ATR and Bryan Campbell for WCAR both commented how happy they were with the package and how the lighting had added an impressive visual impact to their perform

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14 March 2016

School of Rock - Broadway musical School of Rock, written by Downton Abbey's Julian Fellowes with music by Andrew Lloyd Webber, has opened to mixed reviews. The show, which was a hit 2003 film starring Jack Black, is about a wannabe rock star

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14 March 2016

Lighting designer Stevie Hernandez examined how 64 Robe Pointes are integral to the design.

Zedd's much talked-about live show visuals are a collaboration between himself, Stevie as production designer, VJ Gabe Damast and tour manager Ken Floyd who also runs lasers and SFX for the performance. They have all worked with Zedd for three years and are his first production team.

The team enjoys a coherent and fluid visual chemistry and Zedd considers them his 'visual musicians', all bringing their own specific imaginative disciplines into the show.

While Zedd knows exactly the visual vibe he wants for each song, he encourages everyone's input. Different ideas

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14 March 2016

The band toured earlier in the year, visiting some of the more off beat venues in the circuit, followed by some gigs over the summer and now this tour, which also plays a couple of arenas and for which Dan created a completely new design.

The new album is a departure from the punky, rocky attitude of the first two, moving into some darker and moodier territories and they wanted the musical evolution and depth of the new material to be reflected in the lighting and visuals.

In response, Dan has gone for multiple options for producing a wide array of strong moody looks with lots of variety and low side lighting that introduces intimacy and the idea of proximity

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14 March 2016

"The experience Jaime brings to this position dovetails very nicely with our vision of Chauvet's future in the Latin American market," said Albert Chauvet, President and CEO of Chauvet. "Jaime has a keen understanding of the lighting industry and of Latin American business culture. His experience in sales, marketing and business development will he

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14 March 2016

Drapes, softs and special effects company S+H Technical supplied 350sq.m of its animation cloth and 50sq.m of its RGB Starcloth product to the event, which were an essential element of the spectacular production design created by Alex Craig.

Alex's studio set evoked fantasy images of both high-tech and retro fairground attractions and was based around multiple LED screens, surfaces and scenic decoration, with an impressive five-layered pros arch and many dramatic curves. It provided dynamic backdrops to the all acti

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14 March 2016

"The aim was to make this production more personal and special for the fans," said lighting designer Sean Caie who is also head of lighting at the Grand Arena. He programmed on a grandMA2 Light.

There was no specification for the lighting design and Sean made use of the in-house gear in each venue which largely consisted of a Robe lighting rig, to create a warm look on stage.

"No additional gear was needed for the shows as there was great equipment in both venues," he said. "With tight deadlines and turn arounds, I had to programme a large portion of the show off-line. A

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14 March 2016

Laura Kriefman, one of this year's Wired magazine Creative Fellows and a resident at the Pervasive Media Studio, approached Howard Eaton and Emma Chapman of Studio Three Sixty to design the lighting for her inaugural Crane Dance Bristol. With set designer Lucy Osborne the third member of the Studio Three Sixty team, this was their first project and it was an unqualified success.

Faced with sourcing equipment best fit for purpose on a limited budget, theatre lighting specialist Howard Eaton knew from previous experience that a combination of the ultra-energy efficient P-5 and P-2 heads would be the perfect complement to the 1km of LED ropelight that would be used to outline th

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14 March 2016

MJ worked with their client Edith Venter, and the lighting designer for the event was Gary Sam, a freelancer who programmed on a grandMA 2 Light.

"The evening consisted of two parts, a show and an after party," commented MJ's Theo Rood, project manager. "Prior to the show, staff from the MultiChoice Call Centre participated in auditions and a knock out system, something similar to an Idol's type competition. The top eight singers performed at the grand finale, hosted at the Teatro auditorium at the Mosaïek."

Gary Sam needed something that wo

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14 March 2016

Fallon is a familiar face to many in the industry, having worked in product and sales management at Martin Professional for 12 years before leaving to establish his own business. "Gary comes to us with vast industry knowledge and experience and knows the value of hard work, discipline and supporting customers above and beyond," stated Elation sales director Eric Loader. "Gary will work to support and continue our growth plans on the East Coast, managing our sales reps and supporting our dealers in the region. I am confident he will fit well into our company culture and growth plans."

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14 March 2016

Mignone positioned 24 Legend 330SR Spot moving fixtures over the audience section of the 135,000 square foot converted ocean liner terminal (officially called Pier 94) for the Kaskade show, which was produced by RPM Presents. All of the fixtures were directed at the crowd of 10,000 fans.

"Audience lighting is critical at any EDM concert because fans want to be engaged with the artist," said Mignone. "However, this is especially true with an artist like Kaskade because of the way h

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14 March 2016

The high-profile US rock band have been touring in support of their 2015 album American Beauty / American Psycho, and undertook UK and European Arena shows throughout October, following a series of US dates over the Summer.

A long-time Jands Vista user, Robb took the S3 and D1 combination on the entire tour. The custom setup consisted of the S3 control surface, which was connected to an Apple i7 Mac Mini running the award-winning Vista v2 software, and a Wacom Cintiq Multi Touch pen tablet surface built into a custom case. The system ran with an identical back up and two Vista D1 Playback Processors, which were rack-mounted in a road-

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14 March 2016

"What prompted me to look at the SolaSpot PRO CMY was how brilliant they are for theatre," Nate explained. "So many other fixtures in the same range don't offer nice variable colour correction and don't have a quality frost. The Pro CMYs are stunning in their intensity. They can match to a conventional halogen rig and give us that quality we need in theatre lighting, even with an LED en

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14 March 2016

The production design was based around his dynamic music and the creation of special 'moments', a process that built throughout the show, revealing different elements as the music called for them. For lighting and video control, Formative relied on grandMA2.

Formative ran two media servers and two grandMA2 full-size consoles, with an additional grandMA2 full-size at 'dimmer beach' as well as four MA NPU (Network Processing Unit). "We ran Art-Net from the media servers into grandMA2 for pixel mapping and split timecode between all the systems for full redundancy", Peters explained

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14 March 2016

Andy Hurst was asked to create a visual concept and Blackburn rental company HSL supplied lighting equipment which included an investment in 300 Martin VDO Sceptron 10 LED battens, which were rigged on custom structures to form a giant '88' digital clock face.

The large digital figures were an idea that Andy and Sister Bliss from the band had thought about in the quest to have something different from conventional video with large screens and content onstage. When the dialogue with Andy

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14 March 2016

WL stocks a full range of high-quality CORE products, all of which are available for purchase. Amongst these is the ColourPoint, of which more than 5,000 units have now been shipped worldwide. The ColourPoint is a lightweight, lithium battery-powered LED event uplight which uses the latest Wireless DMX Control.

Phil Ion, founder of CORE, comments, "What's great about the ColourPoint is its versatility. It is ideal for outdoor use and can be used for lighting up trees, three storey bui