Drawing on their new fleet of Barco DLite 7 LED screens, PSL provided the centre stage wall at 4.3m high and 3.6m wide with two PA walls both at 2.7m square. Lighting designer Gary Westcott added tremendous dramatic effect by having certain panels randomly removed and then blasting white light from behind through billowing smoke! PSL also provided a six-camera package with cameramen, along with the show graphics driven by DoReMi drives. Given the compatibility of the D-7 between PSL and Nocturne it means that systems can be easily duplicated for clients working between both the US and European markets.
(Ruth Rossington)
