Wembley Bound - Ed Sheeran has announced plans for his biggest solo concert to date at Wembley Stadium on 10 July 2015. He said: "I've made no secret recently of my ambition to play Wembley Stadium on my own in front of 80,000 people. I am absolutely over the moon to be able to announce it's going to happen next summer. It's going to be amazing, I just can't wait." The show will be part of his Multiply
EASE Focus 2 is a three-dimensional acoustic simulation software for the configuration and modelling of line array systems, digitally steered columns and conventional loudspeakers.
The software allows users to calculate levels, time and frequency responses for one or more systems simultaneously, giving them the possibility to plan out the best possible system configurations for every need and venue ahead of time.
Free for the end user, EASE Focus 2 - along with all the dedicated HK Audio GLL data - can be downloaded from a dedicated page on the HK Audio website: http://hkaudio.com/products.php?id=371
For new users, an EASE Focus 2 tutorial vid
The required performance is achieved using a heavy-duty 10" cone driver and a high-resolution 1" HF driver which are both operated with virtually no distortions on system amplifiers via a very linear passive crossover. Together with the Linear Phase Technology an acoustic performance is achieved that is known from active 2-way monitor speakers at most. The directivity pattern of the rotatable horn is 60 x 90 degrees or 90 x 60 degrees respectively.
The electric impedance of 16 ohms allows to connect four to eight M10 Monitors to one channel of the 8.4-DSP or 6.2-DSP and 14.4-DSP
"The console is easy to use and it is especially good to teach the students signal flow," explains Colon when asked about the Audient desk's advantages. "The mic pre sounds great and so does the EQ. We also appreciate that it has a small footprint."
Specifically used by students of the 16-month long Audio Engineering and Music Production course, the compact console is now at the centre of this, the newest analogue recording studio at the Liceo.
Comprising two HD ProTools systems, compressors by dbx and Avalon, a Lexicon reverb/effects processor and two p
The two new models, the HT-TX01 HDBaseT Transmitter and HT-RX01 HDBaseT Receiver, convert HDBaseT signals to and from an HDMI signal. Designed to transmit or receive audio, video and RS-232 control information up to 100 meters over Cat5/6e cable, the TX/RX pair is ideal for extending HDMI signals over long distances in both live productions and fixed applications.
The HT-RX01 is suited as the receiver for an HDBaseT output coming from any Roland XS Series multi-format matrix switcher - a series designed for fixed installations requiring high-quality integrated video and audio conversion and switching. Using the RS-232 signal transmission function of the XS series allows the user to transmit RS-232 signals from the XS Se
The implication for PMSE users is that equipment which operates exclusively in the 700MHz band will become obsolete and will have to be replaced, as will "a proportion of equipment that has a tuning range which extends both above and below 694MHz" (i.e. within and immediately below the 700MHz band) because the reduction in the equipment's usable tuning range may be sufficient to render
The news was confirmed at last week's meeting of the Joint Advisory Committee on Entertainment (JACE) at the HSE in Westminster. The following report was produced by Michael Anderson and Lee Holloway, members of SAGE (Safety Advisors Group in Entertainment):
"This was an unexpected turn of events as it had appeared earlier this year that a "BEA" (Business Engagement Assessment) industry impact assessment process engaging with the event industry trade associations may have led to a decision not to enforce. But HSE stated that they had since received legal advice that not enforcing would breach European law and expose the government to international prosecution.
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"With the Meyer Sound system, we have controlled and uniform sound everywhere, with ample full-bandwidth power and exceptional speech intelligibility," says Matt Dobosenki, the college's event technical services coordinator. "With the old system, the sound would build up, overexcite the room and lose coherence. Now it's clean and has plenty of punch, but it's never overbearing."
The solution selected for the ar
Yamaha's PM1D and PM5D digital mixers have been a mainstay of large scale live productions throughout the world for more than a decade - be they touring live music, festivals, theatre, musicals, dance, municipal or corporate events. Joining the PM series, the Rivage PM10 is a new flagship which, says the company, will again redefine the direction of the digital audio mixing industry.
Rivage PM10 features "many exceptional Yamaha innovations, delivering a true industry milestone for large format digital mixers".
At the core of the Rivage PM10 is Yamaha's quest to deliver the very best possible sound. This is achieved with the newly-developed RY16-ML-SILK Hybrid Microphone Preamplifier.
This design features an analogue section which delivers cons
"With the EM 9046 DAN extension card, broadcast and live audio engineers can now easily integrate Sennheiser's top-of-the-range wireless microphone system into a Dante network," says Claus Menke, head of portfolio management Pro for Sennheiser. "They benefit from the system's exceptional sound with the incredible convenience of routing high-definition audio data via Audinate's Dante Controller."
Dante works with existing network infrastructure using IP and Ethern
Excursions like this obviously require sound systems that are powerful yet lightweight and easy to rig, which prompted Cincinnati-based sound reinforcement provider Loud and Clear to fit the MSC Divina from bow to stern with K2 and other sound system elements from L-Acoustics.
In all, Loud and Clear brought five full semi loads of L-Acoustics and other equipment aboard the vessel for three different cruises: Yes' Cruise to the Edge, Monsters of Rock featuring Tesla, Cinderella, Y&T and Night Ranger, as well as the pairing of The Moody Blues with The Who's Roger Daltrey on the The Moody Blues Cruise: Return to the Isle of Wight. Loud and Clear preside
"We've merged in order to represent our industry more effectively in engagements with government and regulatory bodies - and in order to better serve our members," says SACIA CEO, Kevan Jones.
While SACIA members are responsible for fixed audio visual displays such as those one sees in board rooms, shopping centre, sports arenas and houses of worship, the TPSA membership have been responsible for the spectacular effects one sees at music concerts and other similar events. Over the last few months a task group made of representatives fro
The MTV Euro Music Awards took place at the GlavClub in Moscow. The chief sound engineer for the portable studio, Evgeny Ilin, specified Roland products for the job after successfully using them for various projects during the year. On this occasion, Evgeny enlisted the assistance of Roland Russia to supply the Roland products for the event as his own almost identical Roland rig was already being used.
The system, which was commissioned recently, consists of one Lawo mc2-90 console with 105 faders and a Lawo 48 fader mc2-56 console system. Lawo's mc2-90 flagship console core was supplied with 27 MADI ports, 96 AES3 inputs and outputs, 8 DSP cards including a redundant stand-by card, fully redundant controller cards and power supplies.
After having been awarded the tender to supply the equipment and provide the installation services as head contractor in June 2014, PAT worked closely with the Lawo project
"Our Gwinnett auditorium is easily one of the best-sounding rooms I've heard in a long time in terms of coverage smoothness," says Michael Henson, technical director for Free Chapel. "The spoken word clarity is outstanding. We get a straight unprocessed audio feed of Pastor Franklin's voice, and we've found that we have to do almost nothing on the console to make it sound great in the room. The clarity and presence of the Mina system create an optimum environment for worship by producing a sound that's immersive, but never distracting."
Aimed at bringing together audio and lighting experts working in the live events sector at a regional level, the show is a chance to meet representatives from industry leading companies to seek out the latest products and services - as well as a premier networking opportunity.
Event Director, James Ashwood, comments: "There's a strong selection of lighting and audio companies at the Glasgow show including Robe, Avolites, Ambersphere, White Light, Black Light, Chauvet and Sennheiser, along with key dealers such as TMB, LMC, Warehouse Sound, Apex acoustics, HDPro, FBT and Polar Audio and rigging, trussing and special effects companies. Add to that the free to attend two-day seminar program and the rigging conference -
"We have the utmost respect for Yamaha's deep roots in the music equipment industry. It is an honour to work with the company who is the largest manufacturer of musical instruments in the world. Their pioneering work developing some of the earliest digital consoles continues to be refined, incorporating the evolving demands for integrated workflow necessary for today's demanding live sound productions," noted Ray Maxwell, Eventide vice president of sales and marketing. "The marriage of classic Eventide effects with the state-of-the-a
The iconic 18,000-seat Hollywood Bowl may have been named Pollstar's best major outdoor concert venue for an unprecedented tenth consecutive year in early 2014, but the team behind its audio technology is not content to rest on its laurels. According to Paul Geller, production director at the Hollywood Bowl for more than three
Schertler's original DYN Series was first introduced over 20 years ago, with the contact microphones quickly achieving recognition for their ability to enhance the natural sound quality and characteristics of a range of acoustic instruments. The new P48 Series retains the best features from these original models while incorporating state-of-the-art, in-house developed active filtering technology that has enabled each microphone to be precisely matched
The Festival Valley specified a reliable, flexible audio solution which could adapt to a variety of applications and configurations ranging from spoken word to theatre to rock concerts. Although part of a permanent installation, the equipment also needed
Andy will be fulfilling a strategic role at Orbital, working to develop the company's long-term sales plan, while making full use of the product-specialist expertise available within the organisation.
MD Chris Headlam comments, "At Orbital we have real passion for what we do and are always looking to add extra elements that enhance our service. With Andy's arrival we are focusing on how we innovate within the whole 'sales' field, on the basis that we are already a well-established a
Most associated with global 1999 hit Livin' La Vida Loca, the Puerto Rican singer retains huge popularity in Spanish-speaking countries. Front of House engineer Privet and monitor man Steve used their usual DiGiCo SD7s on the Mexico shows, but the 'fly in' shows in Chile and Argentina meant they had to source consoles locally.
Privet and Steve are committed to using DiGiCo mixers, so the company's Fernando Delgado helped them to source SD8s in Chile and SD10s in Argentina.
"There is much talk in the business about which manufacturer's desks have the best sou
There were four positions available on the European Regional Board. Ed Pagett of Panalux was elected for a second term as Chairman, Peter James of Shure Distribution as representative to PLASA's Distributor members and Malcolm Burlow of Highlite was voted as the Dealer/Retailer representative. Robert Kronman joins the Board as the new Individual representative.
Four positions were also up for election on the North American Regional Board with Todd Spencer of PSAV elected as Vice-Chairman, Tracey Cosgrove of Rosco Laboratories as Secretary, Orestes
The regulator's decision will mean that radio microphones and other wireless audio devices key to the UK's thriving creative industries, including West End and regional theatres, could be forced to operate in less than two thirds of the spectrum to which they currently have access. Every night over 1000 wireless radio microphones are used in London's West End alone, largely operating within the spectrum that is to be cleared.
Fears remain that, if appropriate mitigating steps
