"For a university our size, the government changes to frequency laws were a big deal" said Jason Wheatley, manager - Interactive Learning Services at the University of Sydney. "By the time you add all the labour, it's a million dollar proposition. It's a big investment, and one we carefully considered the options for over a long period of time."
Not only did Jason and the team have to replace all of their
Its elegant clubhouse on East 32nd Street and Park Avenue in Manhattan thus serves as an oasis, and the Union League recently refurbished many of its rooms to add modern audio/visual technology where appropriate. Based on its functionality and rock-solid reliability, AV integration firm Audio Production Services specified an Ashly ne24.24M Protea DSP Matrix Processor and an Ashly ne4250.70 Network Four-Channel Amplifier for the Union League Club's new system.
Although most of the clubhouse areas provide a refuge from technology, club members requested video and audio in one of the large lounge spaces, the nearb
Perm-based lighting and sound company Lightmaster was contracted to head the sound system design and installation for the event. The sound technicians were faced with the challenge of designing a system that would stand up to the power and magnitude of Moscow's massive Olympic Stadium. After studying the particular features of the venue Lightmaster opted to fly the entire system from
Echoing the d&b V-Series and utilizing patented three point rigging, the Y-Series is all new, yet strangely familiar.
The Y7P and Y10P loudspeakers share the same dipolar 8" driver arrangement centred on a 1.4" compression driver fitted to a rotatable CD horn, facilitating deployment horizontally or vertically. With dispersion characteristics of 75° x 40° and 110° x 40° (h x v) respectively, the Y7P and Y10P offer a multitude of deployment op
Dedicated to the production - and co-production - of artists, Jean-Christian prides himself in offering a different service to that of standard commercial studios. "We prefer to work on projects that we record and mix, so that we can maximize the synergy and efficiency," says Jean-Christian. "The bulk of our work is recommended by word-of-mouth and are mostly jazz and classical music, but more recently we have also had some pop/rock.
"The Audient ASP8024 console is exactly what we were looking for because it suits the way we work in both the analogue and digital domains. We use a wide range of software and hardware outboard and therefo
In regard to Sofitel hotel, a five star hotel with a total of 163 rooms located on the prestigious Avenida da Liberdade in the Portuguese capital, a sound system was installed covering three different spaces with a generic individual control and mix with Work Pro products; in particular, Digiline MX digital processors were used for the audio distribution (one per room) plus a fourth device that takes care of the mix.
Each room has IC 6 PRO ceiling speakers and a PA 240 USB/R amplifier, which integrates the amplification and the audio source. Because of the requirements of the installation, one of the rooms needed a highe
Osborne said: "Regional productions have dropped off over many years - even though the West End has been very strong in London - and I want to change that around. I want to make sure we get the benefit of our great theatre industry and our culture felt all over the country. More job opportunities for those working in the theatre sector as well as those working in the tourist industry
This year, long-time Primavera audio provider Twin Cam Audio specified L-Acoustics for five of the festival's seven stages. Right from the beginning, Twin Cam's technical director, Juan Cid worked hand in hand with L-Acoustics touring application engineer Frédéric Bailly, to jointly design all five stages.
Twin Cam chose Primavera to debut their newly acquired compact and lightweight K2 audio system. K1 along with K2 provided the one-two audio punch enabling them to offer a more powerful, accurate and versatile system than previously.
The core main stage setup (Sony Stage) was flown wit
The Fringe is renowned as a difficult taskmaster on both equipment and staff alike. A month of relentless hard work, with shows continually playing from morning through to the early hours of the following day, staff have to grab sleep where they can and equipment is invariably left powered up for the duration.
Add into that mix many of the venues are in 'found' spaces, or parts of university buildings, that aren't designed for live shows and the size of the task becomes even more apparent.
"It's a
The deal will see Prase Engineering, located in Venice, become the primary contact for all three brands in the country from September, with exclusive access to extensive library of Lab.gruppen and Lake amplification and processing products adding to their exclusive access to high performance loudspeaker ranges from Tannoy.
Ennio Prase, CEO of Prase Engineering, commented: "We have had a very strong working relationship with TC Group via the Tannoy brand for some time, so it is a joy to finally add products from Lab.gruppen and Lake to the offering for our customers. Both of these brands have a strong reputation for quality, and we look forward
Named in honour of the late Tony Gottelier, the industry innovator and commentator who passed away in 2006, the Gottelier Award is for our industry's product developers who have made significant and sustained contributions to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging, or any other related field.
The nominees for 2014 are:
Richard Belliveau
As one of the co-founders of Texas-based lighting manufacturer High End Systems, and still leading the company's product developments today, Belliveau has been behind a long line of successful products from the company, from the Color Pro,
Richard Northwood brings 30 years of experience working on projects including Wembley, Ascot, Nokia, Oman Opera house and very many more. His reputation throughout the industry is exemplary as one of the audio industry's most respected consultants.
"We've been talking about working together for quite some time, so it's great that we have now finally made it official," commented Northwood. "Roland and I have already worked together on a number of projects and our skills are very complementary."
(Jim Evans)
To extend its global launch, Calibre has signed a global distribution agreement with Imagine Communications.
Calibre's Fovea has been updated to the new Fovea-F1 model with an all-new web browser interface including real-time status reporting. A new compact, functional and versatile design incorporates easy-to-navigate quick access to key controls.
The existing ability to select different MEMC levels has been greatly enhanced with MEMC presets for virtually all key types of content - a valuable tool for a broadcaster or post-house for frame rate conversion. Additionally, it is now possible to seamlessly change between MEMC content type presets live
"We bought 16 M'elodies to use as main arrays in our Cabaret Theatre, and that experience made me a big fan of Meyer Sound," says Mat Diamond, head of audio at Mohegan Sun. "So when it came time to upgrade the Wolf Den, choosing M'elodie again was an easy decision."
To cover the 300-degree audience area, the new system features two main arrays of six M'elodie loudspeakers each, two side arrays of four each, and four for front-fill. Four 700-HP subwoofers provide low end, with system drive and alignment provided by a Galileo Callisto loudspeaker management system. The system was supplied by HB Communications of North Haven, C
For the 2014 Where We Are Tour, FOH engineer Mark Littlewood and monitor engineer Ant Carr decided to add four Milab DC-96B's to the line-up.
Says Ant, "I'd never used Milab before we started rehearsals. Mark had put them on the input list for overheads and I was willing to give them a try. I like to build drum mixes in in-ears starting with the overheads, it's important to me to get a balanced mix of cymbals and drums without too much ambience outside of the kit and then mix in the direct mics. The DC-96B has such a smooth response and accurate pick up pattern, it g
Five microphones will be awarded to the five most "liked" submissions on Facebook, while the remaining 95 will be given to the people who, in DPA's opinion, come up with the best, most creative and most original ideas. An example of one of the ideas can be found at this YouTube video, created by DPA Microphones: http://bit.ly/1ll1KBQ.
By housing a d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace, DPA has created a microphone that anyone can use. There is no need to worry about attaching it to c
"To get ready for Electric Castle, we travelled to many different festivals throughout Europe," said artistic director of Electric Castle Festival, Teodor Negrea. "I always pay attention to the sound. I have to say, once we got Set Up, a local d&b audiotechnik system provider on our team, we were able to bring our festival to the next level. Our audio was on par or better than any fe
The concept of using audio-over-IP technology means that nearly any audio signal can be converted for distribution over a standard Cat5e/6/7 cable infrastructure via LAN, WAN or Web, allowing for extended use over large properties and sites. The 914075E Net Streamer eliminates the risk of losing sound quality and content when sending audio over
The lightweight headphones feature a flexible headband and rotatable housings to support every style of monitoring. An innovative sound-isolation chamber, inherited from the HDJ-1500s, eliminates background noise to enable accurate monitoring in even the liveliest of clubs, the company says.
Other features include newly-developed 40mm aperture drivers, neodymium magnets, copper-clad aluminium wire voice coils and a 2,000mW input capacity to "eliminate distortion, even with the volume cranked up".
The headphones come with two detachable, anti-tangle cords (one straight and one curled) and a handy carry pouch. Plus,
The three-day show - which took place at the end of August - also gave APG the chance to showcase brand synergies and user potential, both in their extensive floor space on the show floor and in the Technology Training sessions offered at Integrate.
Nik Buchanan, product manager at APG, commented: "As the TC Group brand manager for Australia and New Zealand, I was particularly excited to demonstrate the obvious synergies between Lab.gruppen, Lake and Tannoy. From cost-effective solutions involving LUCIA and CVS series, through to performance systems involving PLM and VX
The History Centre's 400-seat Woodruff Auditorium was planned as the venue for this programme, but significant upgrades were required to support that use. This led Cape Dixson Associates (CDAI), the Atlanta-based AV and acoustical consultant that has worked with the Centre on its audio and acoustical needs for 25 years, to choose a Panaray MA12 modular line array system from Bose Professional Systems.
CDAI had helped the History Centre upgrade the acoustics of the 1960s-vintage space when the auditorium was renovated in 2001; however, that renovation budget did not include upgrading the audiovisual
This tour was the first time that Jon Lemon, FOH engineer, used a complete Adamson system. Having used the E15 line array enclosures when he was out with Smashing Pumpkins, he was delighted with the addition of the new E12 line array enclosures and E218 subwoofer.
"When I checked out the new E12 I was surprised how similar it sounded to the E15 and how even it was through the full bandwidth - I was impressed," Lemon explains. "It was seamless and couples together with the E15 quite nicely. The new E218 subwoofer completed the packag
Speaking from the recent Boxford Masques 2014 event that took place against the backdrop of Welford Park, Hampshire, Dominic Blinston, director and Jon Wiles, project manager of LTN Productions discuss their recent investment in Inspired Audio Optima 5.
Blinston explains: "JP [Cavaco, sales manager at LMC Audio] got in contact with us at a time when I was looking for a larger system. We had looked at various systems but many were outside of our budget. It was great timing on JP's part that he called up on a day when I was having a moan about the cost of systems! He put us in touch with Chris Scott of Inspired Audio who we then went up to see and listen to an Optima 5 system with. Our first though
"I used ASP880 on drums for the pre-production for the real-time session, and I'm now mixing the live tracks for the video with the Audient unit. One of the reasons I chose the ASP880 was because of the digital inserts," he explains, particularly impressed by the quality of the Audient ADC converters. "I'm using it as a way of adding eight analogue outboard legacy effects such as the H3000 (which bands really love) or my AMS Phaser, both when recording and mixing. I
