Video and AV

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14 March 2016

The new Christie Boxer 30 is built for rental staging applications including concerts, amusement parks, projection mapping, live theatre and conventions, as well as permanent installations including museums, planetariums, higher education and houses of worship.

Omni-directional with integrated Near Field Communication (NFC), a preview screen and 1,500-hour lamp-life to 70 percent brightness, the 30,000 lumen Boxer weighs 160 pounds and features 2K imaging with optional upgrade licenses to 4K DLP. Utilising the same rigging frame, lenses, lamp modules and projector controls as the Boxer 4K30, the Boxer 30 expands the Boxer family and introduces a resolution upgrade path.

Christie Boxer 30 has six mercury lamps housed in two 3

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14 March 2016

The stand will have a football stadium layout with themed zones and content highlighting specific Peerless-AV product selections, including a host of new European launches. Visitors will be invited to show off their striker skills in an interactive penalty shoot-out game to win spot prizes and enter a competition prize draw for two tickets to the final of Euro 2016. One lucky winner will be drawn at random by ISE managing director Mike Blackman on Day 4, Friday 12 February.

Gordon Dutch, managing director, Peerless-AV Europe, commented: "We're excited to go live with our theme for ISE 2016. Whoever wins the Euro 2016 Fin

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14 March 2016

Thought provoking speakers include Grant Anderson, the Scottish Lighting Designer, in collaboration with lighting, AV and sound specialists Black Light who designed the popular Botanic Nights - 2015, a unique night-time experience. Grant Anderson explains how the light installation evoked an emotive reaction from the audience.

Anderson comments: "In Scotland, it's often said that you can experience four seasons in one day. Visitors to Botanics Lights have been able to experience four seasons in just one night. It made perfect sense to me to combine nature and light with seasonal changes as the three are inextri

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14 March 2016

Phil Mercer, PRG XL's Music Group director, worked with Major Lazer's production manager, Joel Stanley, and lighting and visual designer, Kyle Kegan, to create a custom-built video setup which could be varied in size according to the venue.

Using Pixled F-12 LED, the video team worked closely with All Access, who constructed the staging for the tour, to create four pods and a DJ booth. Everything was prepped together to ensure the construction precisely fit the LED tiles. Joel Stanley explains, "We wanted a more scalable design for this tour, and having video and staging prepped together made everything much easier

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14 March 2016

Georg Rössler, founder and CEO of Matrixmanagement states, "Our advertising, exhibition and event customers are demanding more detail and finite, brilliant presentations on larger projection and LED screens for exhibitions and events globally. We are uniquely positioned to offer them the best server technology and combined services to achieve their objectives."

Thierry Heldenbergh, managing director at AED Display adds, "Following our initial purchase of 15 Wings Engine Raw media servers in September, we supplied Wings Engine Raw media servers to Matrixmanagement through our AED Lease prog

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14 March 2016

Danish system integrators AV-Huset worked closely with dnp denmark to come up with two very different solutions in order to overcome these difficulties. In spite of space restrictions and low ceilings, they were able to deliver the desired image quality via their proprietary Supernova optical display platform.

The specification of a 80" (2.33:1) dnp Supernova STS and similar size dnp Supernova Blade, equipped with 08-85 screen material, came about when the museum was setting up two new exhibitions, and wanted each to make a dramatic opening statement. One of the museum's exhibition designer/developers, Carl-Henrik Hansen, explains, "We wanted to captivate the audience with size and content, and felt projection was

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14 March 2016

"By reducing smear at the pixel level, images appear sharper and moving images look more realistic," says Curtis Lingard, product manager, Christie. "AccuFrame Pro eliminates the need for additional projectors to compensate for the loss of brightness by targeting low-to-mid intensity content, where most simulated content falls."

AccuFrame Pro is activated via a licensing process for any Matrix StIM WQ, Matrix SIM WQ and Mirage WQ-L projector in the field, thereby improving existi

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14 March 2016

Sam Ward started her AV career with Saville before moving on to embrace a diverse range of roles within the industry over the last 17 years. Working as business manager from the Manchester office Sam will draw on her wealth of experience in live events to establish new levels of engagement with both existing and prospective clients.

Supporting her in this mission is sales and account manager Jennifer Toothill, herself a specialist with over seven years' experience in high profile corporate client events, venue support and business marketing/advertising management

"We are pleased to announce that our existing contract with

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14 March 2016

Simon Harris, Green Hippo's user experience / training manager went out to Dubai at the end of September to provide the busy video crew at Eclipse with three days of Hippotizer media server training. The Eclipse video team were in the middle of supplying and setting up full technical production for Dubai Music Week, so it was convenient for them to be able to have training at their video warehouse.

"I thoroughly enjoyed training the video team from eclipse. They took to Hippotizer V4 like ducks to water and to see the product quickly exceed their high expectations was an absolute pleasure. Eclipse have a very talented team of technicians and I can't wait to read about the projects they use their systems on in the near future," commented Si

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14 March 2016

"Yes you could say it's been a busy start," said the Video Design founder Alex Leinster, "in fact we've only now found the time to launch our company website. But for a young company we have a solid base of experience and frankly there's nothing we like better than engaging with a variety of demands. What we've done for Marina and the Diamonds and Duran Duran are good examples."

Show designer for Marina is the LD Rob Sinclair who comments, "Ma

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14 March 2016

Graduating in 2000 from Omaha, Nebraska's Creighton University with a bachelor's degree of fine arts, Martir tapped Avolites' Tiger Touch II lighting control console when he returned to his alma mater this fall to present a special art installation called Unique, a self-described giant "graphic novel" brought to life with light and shadow.

"Using new and old etching techniques, the story is told through twelve chapters, with eight drawings per chapter," Martir describes. "The 96 drawings are th

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14 March 2016

Belgium-based WI was approached to produce an automation solution for three distinctive digital and scenic set elements - a huge skull, six moving video screens and five moving lighting pods - by Hallyday's production director Roger Abriol. WIcreations has enjoyed a long and productive working relationship with Roger who has looked after Hallyday's tours since the start of his career. WI is one of his go-to companies for automation, creative engineering and thinking 'out-of-the-box'.

WI's project manager is Koen Peeters. Chris Das is

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14 March 2016

From tussles between prisoners on the gangways, to the clanging of heavy cell doors, to the distinct smell of cannabis drifting down the cell block, the museum has so faithfully recreated the sights, sounds and smells of prison life that visitors feel the closure in 2006 never actually happened.

Central to the multi-sensory experience are the 56 Panasonic projectors, which help create shadows through the halls and the sight of heavy set prisoners in the toilet blocks.

The majority of these are Solid Shine laser projectors, including a total of 46 PT-RW330, 2 PT-RZ470 and PT-RZ475 projectors placed throughout the prison. Solid Shine projectors were chosen due to impressive brightness and contrast

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14 March 2016

It would be a given that the designer of some of the world' best concert halls and a conductor with the stature and experience of Michael Tilson Thomas would make a fantastic design, but no corners have been cut in installing the latest media equipment to cover all requirements. The 756-seat Performance Hall and the smaller Sun Trust Pavilion are fully equipped for live performance and recording and share two multi-track surround capable control rooms. HD video recording and projection is also available for those hiring the spaces.

Originally set up to record 64 tracks at 24bit/48kHz, it became apparent that the majority of the major opera and concert venues had installed Pyramix and Horus/Hapi Networked

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14 March 2016

"I've been involved with Give Thanks for the last three years, and each year the design process is entirely dependent upon what the programming material is going to be," began Moore. "I knew I

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14 March 2016

Active in 47 countries on six continents, the AV Alliance acts as a quality seal with AV Alliance members involved in over 100,000 projects a year. The AV Alliance is committed to professional service at the highest quality and is devoted to creating synergies among members to further professionalize the industry. Of the many sponsor benefits is the opportunity to network with AV Alliance member companies, which includes AV rental companies from all over the world.

"We are pleased to have Elation Professional on board as a sponsor of the AV Alliance," stated Nico Ubenauf, member of the AV Alliance Board of Directors and CEO of German production company satis&fy. "Elation continues to become a more visible player

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14 March 2016

This Christmas season sees the interior of the church awash with imagery, produced by Jason Yang of Invisible Element, based on the Christmas story and depicted in colourful visuals reminiscent of stained glass. Advent is a season of anticipation and Ottley's theme is to present a beautiful and welcoming environment as the congregation enters each week in the build-up to Christmas.

"Our aim was to create a short video clip as an opening sequence to the services over the five week period of Advent,"

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14 March 2016

Aimed at digital signage applications in public spaces with high environmental light levels and the rental and staging market, the TH-55LFV60W and TH-55LFV6W displays are set to be launched in December 2015 and January 2016 respectively.

The LFV60 has a brightness of 700 cd/m2 is finished with a glossy anti-reflection treatment and is aimed for applications like fashion retail, it complements the existing TH-55LFV70 which has the same brightness and treatment.

The LFV6 has a brightness of 500 cd/m2 and comes with an anti-glare treatment. Thanks to the industry's narrowest bezel of 3.5mm, video wall images on both are virtually seamless. The video wall also has a wide viewing angle of 178?, thanks to an IPS panel.

Enrique Robledo, marketing manager a

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14 March 2016

Cotter joins a growing US team representing d3 nationwide. "Matthew is a very strong addition to the team, and we're excited to welcome him," says Hans Beijer, Vice President of Sales for d3 Americas. "Matt came highly recommended by mutual friends in the industry and I fully understand why. He's bright, quick, committed and very much hands-on. His start with our team has been both impressive and very pleasant. I'm looking forward to a strong

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14 March 2016

The company has announced the addition of Nick Knowles, who joins as a senior account manager, based at the company's Hemel Hempstead location.

Knowles has worked with PRG XL Video on numerous occasions on a freelance basis, having specialised as a Technical Producer and lead Video Technician on a range of high profile projects including conferences, meetings and brand activations.

Prior to his time as a freelancer, Nick worked at Spirit Design as a lighting designer. His expertise in both lighting and video make him the ideal addition to the newly combined team.

Knowles comments, "After a long productive relationship with XL Video they approached me and asked if I wanted to come on board as part of the team. For me the time was right, and I cou

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14 March 2016

This new, independent trade association's mandate is to bring IP solutions to market that offer complete interoperability, are based on open standards, and integrate seamlessly into media workflow environments to foster industry innovation and efficiency. The group's efforts will be focused on promoting the adoption, standardization, development and refinement of open protocols for media over IP, with an initial emphasis on VSF TR-03 and TR-04, SMPTE 2022-6 and AES67.

As broadcasters and other media companies look to use IP workflows to speed and streamline the movement and management of increasingly complex content and adapt their businesses to better compete with other con

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14 March 2016

"So I started thinking if I could find a way to light the band members from really close up. Then I wondered, 'Would I need so many wash lights?' And, as a resuIt, I would also have a whole lot of black

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14 March 2016

"Disney and Christie have been sharing projection and display ideas and innovations for several years now to provide audiences with unparalleled movie-going experiences," said Michael Kern, Disney's VP, special events production and technical services, "so there was no question regarding who we would enlist to provide spectacular red carpet displays to make this a special night for everyone attending."

The Christie team provided technical consultation at every stage of the installation, from concept creation, to pre-staging, onsite setup and delivery. To ensure this specific live setup went well and faced with an aggressive timeline, Christie pre-configured a

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14 March 2016

Lights of Christmas 2015, St Mary's Cathedral: Once again, TDC has used its expertise to turn the façade of St Mary's Cathedral into a huge 75m backdrop of an imaginative representation of Christmas and what it means to Sydney. TDC created giant 17,640,000 pixel animated images using 264,000 lumens of projected light to illuminate the facade.

To manage the full HD content images, TDC's hardware needs massive processing power - two terabytes of content management, 48 cores of processing and 144 gigabytes of RAM.

"TDC projection video designers created special code and electronics so that the entire system is 'virtually wired' and controllable using an iPad device," says Michael Hassett, managing director at TDC