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14 December 2016

In addition, Rodrigo Thomaz (Audio-Technica senior technical product specialist) will be hosting a seminar entitled Exploring The Advantages Of 100 Volt Line Audio Systems on Wednesday 11 May at 2pm in The Royal Armouries' Wellington Room. Presented in conjunction with The Institute of Sound and Communication Engineers, the session will look at the difference between low impedance and 100 Volt Line speakers, tackling the myths of installing 100V Line systems to make installations easier and quicker.

The recently launched Audio-Technica ATM350a clip-on condenser microphone - with its exemplary range of instrument mounts (

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14 December 2016

Kevin Kern and Daydream are well known for writing sound tracks for many popular TV dramas, such as the popular Korean TV dramas, Autumn in My Heart and Winter Sonata, as well as documentaries and radio broadcastings.

Technically, the focus of the concert was to capture a live recording for TV broadcast, and also use the recording to mix down a live album, as well as provide live sound reinforcement.

The project was managed by director, Jaehoon Um, who has a distinguished career in recording and mixing more than 6,000 pieces of K-POP, and Film and TV drama sound tracks.

Each microphone was connected to the AB168, which was installed on sta

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14 December 2016

Alcons Audio, best known for their high frequency Pro Ribbon technology, provided the loudspeakers and amplifiers for the large media spaces within the media centre in downtown San Francisco.

Freeman Audio Visual Solutions, the staging company, and the NFL itself, selected and approved various Alcons Audio Pro Ribbon systems to fill the bill in the vast media centre. The man behind the controls was Martin Reeves of MDR Productions.

Alcons Pro Ribbon Loudspeakers were deployed as follows:

In the main Room 1, nine LR7 (6.5"+ RBN401 pro-ribbon) were used for left and right, with three LR7 as centre cluster; two BQ211 21" subs for low-frequency extension. The system was driven by two Sentinel10 four-channel amplifie

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14 December 2016

Jake has worked with the band for two years. He landed the gig after Foxes played a student union May Ball he was lighting. As they were headlining, he designed a bespoke rig and added some specials for their slot, as well as programming and operating, all of which impressed the artist and tour management enough to offer him the gig as lighting director / operator on the road, a task for which he collaborated with LD Cate Carter of Bryte Design. He's worked for Foxes ever since

Jake, Cate and Mike Smith from Bryte Design discussed adding some classic theatrical effects like a starcloth / voile backdrop plus more set ele

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14 December 2016

"The BIC is in the process of making a significant investment in lighting and AV equipment," opens Bagnall, "And without really exploring our options we were just intending to purchase a lighting console from the same manufacturer as our old large theatre desk. But after a chat with Thor, we took a close look at the MA dot2; the OnPC facility was of great interest to us and with four venues within the centre the 'pick up and go' attraction of the dot2 was obvious. We booked a training session with Thor and he came down the following week.

"Fol

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14 December 2016

Billed as 'the UK's most popular classic music show', the performance features not only the aural beauty of the Royal Philharmonic Orchestra, conducted by John Rigby, but also state of the art lighting and laser technology to create a visual feast as well.

Put on by classic music promoter Raymond Gubbay, the dramatic overtures were complemented by cannons, guns and 2,000 indoor fireworks, which brought the show to its famous thundering finale.

To achieve the bombastic looks, Marenghi carefully selected a rig of Clay Paky fixtures which were suitable for the splendour of the Royal Albert Hall but also produced the latest effec

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14 December 2016

Committed to an extraordinary visitor experience on every level, SFMOMA partnered with Meyer Sound to provide sound solutions throughout the transformed museum.

A highlight of the collaboration is the redesigned Phyllis Wattis Theatre, located at the heart of the museum where the original Mario Botta-designed building seamlessly integrates with the Sn°hetta-designed, 10-story addition. According to San Francisco-based EHDD, the architects tasked with the theatre renovation, a Meyer Sound Constellation acoustic system was the perfect solution to complex architectural and acoustic challenges.

Together with Meyer Sound

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14 December 2016

UAE National Day commemorated the Emirates' 44-year union with fireworks, concerts, heritage attractions, regattas, and art and theatre festivals across the Emirates. The official National Day show at Zayed Sports City celebrated the spirit of the union and the Emirates' national pride.

Produced by Five Current with lighting and video design by 4U2C, the show flashed back to the creation of the UAE by the region's seven kings. "The main challenge was the size of the stage - 300ft wide," notes Karl Gaudreau, associate lighting designer at 4U2C, a Montreal-based one-stop

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14 December 2016

ImageCue has been establishing distribution partners in Europe since the beginning of the year. So far they have entered into partnerships with Gobo & Highlight in the Nordic countries, White Light in the UK, FACE in the Benelux, and Lightpower in Germany and Austria.

Bill Hewlett, CEO of ImageCue LLC says, "In order to better serve our European distributors and dealers we felt that a European base was necessary. ImageCue units for Europe, the Middle-East, and Africa will be assembled at our new facility outside of Zurich."

ImageCue GmbH is a subsidiary company of ImageCue LLC based in the USA. The European branch will be managed by Norbert Schenkel who performed his practical ele

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14 December 2016

It will encompass forums for discussion and the exchange of ideas, product open days and mentoring by leading practitioners and activists in the dynamic world of performance lighting and visuals among many other activities.

Robe is currently working with six participating universities and colleges - RADA, Rose Bruford, Central School of Speech & Drama, LAMDA, Mountview and the University of South Wales - with the intention of widening the list and reach as the NRG concept flourishes and engages.

Anyone in full time industry related studies or who has graduated from a relevant course within the last two years can join NRG.

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14 December 2016

This is quite demanding, but the new Laserworld EL-500RGB KeyTEX offers all these features. Besides being a normal laser system that can be run stand-alone, in sound-to-light mode or controlled by DMX, it also comes with a remote control plus a keyboard for entering text, animating it and doing colour changes. The Laserworld EL-500RGB KeyTEX is the successor of the Laserworld ES-400RGB, as it has all the features seen previously in the ES-400RGB - but adds much m

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14 December 2016

The Roger Earpiece system from Swiss based Phonak Communications offers virtually invisible, intelligible audio, as part of a perfectly simple solution for delivery of director's feed and prompting. Leveraging their expertise in designing miniature hearing devices, Roger Earpiece is shaped to sit comfortably inside the ear canal. Thanks to its fully integrated receiver and battery, there is no need for cables or belt packs, making Roger Earpiece the most discreet in-ear receiver available today, says the company.

The Roger Earpiece system uses Phonak's proprietary technology in the license-free 2.4GHz band, with adaptive frequency hopping to deliver interference free clear audio with a bandwidth of 100Hz-7kHz

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14 December 2016

The latest additions to the budget-friendly ColorSource family will be making their UK debut at the show. The just-launched ColorSource consoles deliver hands-on control for modern, small-scale venues. Each console offers plug-and-play setup, an integrated touchscreen, and the ability to run effects, mix LED colours, control moving lights and play back cues. The consoles are available in two sizes, 20 and 40, with optional audiovisual capability.

ETC's popular ColorSource Spot and PAR fixtures are newly available in Deep Blue versions. These affordable fixtures use an array that offers richer, more saturated b

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14 December 2016

VERY, through their ad agency, St Luke's, commissioned London-based creative think tank Prettybird to conceptualise the commercial, which features a fast moving array of dancers surrounding the cube. The LED cube glows in bright neon pink colours to reflect the VERY branding and displays a variety of Spring-related visuals.

Ai expert RES worked closely with Prettybird's Dori Oskowitz, who directed the advert, through the initial stages, creating technical renders at pitch stage. Once the job was commissioned, RES took on the role of advisor for all technical aspects of pixel mapping and media playback for the cube in pre-production and onsite.

"As the show included three different HD outputs for t

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14 December 2016

With the party taking place in an event centre with a low trim height, the crew was tasked with coming up with a design that made up for the tight space and limited mounting options.

"Dizzy Gosnell and project manager Matt King came up with a great way to mount the fixtures to the existing house beams with limited impact on the over

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14 December 2016

The company responsible for the installation was Benchmark Productions, a full service live event production company based in Lake Forest, Southern California, who worked in conjunction with Picturall US's Dylan Ankney in order to deliver the Lakers' ambitious AV project.

The Picturall Octo is housed in the video booth. Four outputs from the Octo are sent to four 1-in/2-out HDMI distribution amplifiers from

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14 December 2016

Staged at the Sheen Centre for Thought and Culture in New York City, and inspired by the life and work of Renaissance composer Carlo Gesualdo, Death for Five Voices is a complex musical that changes locations on a static set. "The show does not call for spot lights," Susan Nicholson explains, "So moving lights were my answer as a way to be able to pop characters out. It gave me an opportunity to draw the audience's attention to the important action on stage."

Nicholson used the Platinum Spot 35 Pro subtly as front light and highlights with fixtures positioned over the audience, splitting centre, and another located upstage

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14 December 2016

The rooms have various capacity and serve many different purposes. Supplied and installed by Parklands Audio, an iLive-176 at FOH with dual iDR10 MixRacks and an iLive-T112 for monitors were selected for the main 1150-capacity Sanctuary.

"Crossroads needed a future-proof mixer that was flexible for the next phases in construction. iLive also sounded good, and ease of use was of great importance, as it is crucial to have the capability to simplify the mixing process for the wide range of technicians and volunteers. It was also important that each subsequent room had a similar work flow and ease of use, hence A&H mixers were selected for all other phases implemented," says Crossroads t

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14 December 2016

A storey tent of 25m by 40m serves as an entrance hall and VIP room. A true eye-catcher is the facade which has been personalised in a beautiful way, referring to the Munt's pediment in the heart of Brussels. The entrance and covered terrace were luxuriously decorated with wooden walls, wooden ceiling and a beautiful new bankirai floor. This highly qualitative decoration was maintained on the inside as well. The cloakroom was walled by

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14 December 2016

Originally commissioned by NASA for the Apollo programme, the 223ft long Saturn 1B rocket located in the open air Rocket Garden was transformed for the very first time into a giant projection surface comprising an eye-watering 6,528 by 1,050-pixel image that used 80,000 lumens of projected light. Visuals were accompanied by a dramatic musical score, actual launch audio, and other sound effects, in conjunction with a Rocket Garden Light Show that uses moveable lights to illuminate rockets throughout the Rocket Garden, comp