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14 March 2016

ARX signal processing and interface products used included Sixgate 6-Channel Optical Noise Gates, Afterburner dual-channel dual-band compressors and ARX DI Plus and DI Plus 2 direct boxes. For the 400-capacity venue, six Martin Audio W8LM and two WS2Aloudspeakers were driven by Crest Audio power amplifiers with a Crest Audio console out front.

The two sold-out shows featured covers from Jamiroquai, Arcade and Audio Slave, as well as Nira originals.

(Lee Baldock)

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14 March 2016

Music and sound design are key to creating the conservatory's atmosphere. For each display, sound designer Jason Rauhoff of Goes To Eleven assembles and masters a music programme, as well as sound effects. Original sound designer Jona

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14 March 2016

Hoare Lea specified the lighting, with the concept of backlighting the wall behind the large text, whilst simultaneously illuminating the wall with LED projectors from across the street. Specialists Architen Landrell were drawn in to carry out the entire installation.

A total of over 100 Tryka Strip Module Optic IP67 in a variety of lengths were used on the project, with 27 Tryka IDS-4s - the Intelligent Drive System capable of running large numbers of LED fixtures w

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14 March 2016

Andrew Stone from Stagetec Distribution, the Compulite UK distributor for the past 11 years, comments: "After many years of distributing the Compulite range in the UK we have been looking for some time into ways of increasing sales in the UK market. After carefu

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14 March 2016

The installation consists of seven MA Digital Dimmer Racks, each with 72 circuits, distributed throughout the Concert Hall. This rack distribution went away from the traditional central dimmer room design. A large saving was made with the cabling infrastructure, as the racks are now closer to the outlets. There are four racks with four Network dimmer Processors (NDP's) in the ceiling, two behind the side lighting positions each with a back up NDP and one in the basement with a back up NDP. Each rack has a redundant processor capable of controlling 144 dimmer circuits.

QPAC's lighting ma

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14 March 2016

Since purchasing Wells Fireworks, the company is now also manufacturing and using Wells Pyrotechnics on all its tours, as well as distributing the Wells range worldwide. The company is looking for more distribution partners around the globe - any enquiries should be directed to the company via the web address below.

(Lee Baldock)

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14 March 2016

Debuting in the US this year, the Falcon has already featured in high profile events such as the Super Bowl, the Grammy Awards, and now, the Oscars. Alpha One of Oyten, Germany, designs, constructs and produces a range of professional high power lighting, specializing in xenon, metal halide and LED products. TMB is the worldwide distributor for Falcon and other Alpha One products.

(Lee Baldock)

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14 March 2016

Located in the Shibuya district, home to the city's leading music, cultural and arts venues, Shibuya-AX has a long tradition of being on the cutting edge of sound technology. As such, it attracts leading domestic and international artists and is well-known by Japanese PA companies, sound technicians and music industry personnel. Back in 2004 the sound crew at Shibuya-AX began to discuss a future upgrade to digital technology. Head of sound, Mr Tsutomu Hashimoto, drew up a list of criteria, which first and foremost included the traditional Midas sound quality, as well as Ethernet networking capability and analogue-friendly operation - the latter of which wasn't available on any other digital console. Having heard about Midas' pla

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14 March 2016

Stage Audio Works will be stocking standard pre-built boxes and splitters, custom solutions are also possible. Stage Audio Works will also provide technical support, spare parts and training for Rubber Box products in Southern Africa. The new Powercase from Rubberbox offers industry professionals in Southern Africa a revolutionary design in 19" racking systems.

Stage Audio Works will be showing all the Rubber Box products at the Mediatech Africa tradeshow in Johannesburg in June this year.

Gustav Barnard for Stage Audio Works says: "Rubber Box's products offer revolutionary and high quality power distribution

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14 March 2016

Traditionally used in bar, club and hotel installations, Design Company KXK, used the fittings to build a high-tech interactive stand using Pulsar Chroma's & Pulsar control - a unique application opening up design opportunities to the exhibition industry.

The brief from Trelleborg, a World-wide industrial manufacturing company producing thousands of components for the automotive and aerospace industries, was to showcase their range of products in a way that people hadn't seen before.

The stand was revealed at Trelleborg's Investors AGM in Stockholm. The key was to be interactive, using LED and innovative technology to bring the stand to life in colour. Eight boxes each containing real products were constructed using tec

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14 March 2016

Panda Hire Ltd provided and installed the various Martin products that were used to light the event, and included MAC 500s, MAC 600s, MAC 250 Entours, MAC 250 Washes, MX-10s, Atomics Strobes and two Jem smoke machines.

Peter Davies from Panda Hire Ltd, was the lighting designer for the event, he says: "The MAC 500 and MAC 600 units were ideal for the stage lighting for this event and as such were

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14 March 2016

Briefed to create a glitzy grand entrance to the red carpet evening at London's Royal Opera House, the Vertigo team designed and built a 660sq.m. roof on Bow Street, using Vertigo's UK-exclusive Libera Flat Truss system to create the roof and supported on 68 Thomas Supertruss legs. The structure had to be designed to allow access room for the public to buildings on Bow Street.

The temporary

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14 March 2016

The video is the second single from the band's number one, million selling album Beautiful World, and sees them performing in an 1920's style musical featuring top hats and tails, and a host of showgirls.

Production design was by Lisa Hall, with direction by Justin Dickel of Streetlight Films. When Hall wanted a unique visual element to provide a 'big look' for the song's uplifting finale, she contacted entertainment technology distributor A.C. Lighting. After reviewing a number of LED solutions at A.C.'s head office, the production team were convinced that the Chroma-Q Color Web 125 offered them the most powerful solution for their creative vision.

With only a single

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14 March 2016

An exclusive DPA distributor since 2001, Amptec, is well placed to expand its geographical footprint.

"We have enjoyed a long and fruitful business relationship with the very professional TransTec organisation in Holland, and wanted to simplify the distribution by having only one distributor handling the Benelux region," says DPA's director of sales and marketing, Morten Stove.

Amptec managing director Bart Willems, says: "O

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14 March 2016

"We identified the LS9 as a 'killer product'," says Blitz's Richard Rogers. "It does everything we'd want it to do, it's really well-priced and so versatile, and it fits into our conference market very well indeed. The first four desks we bought more or less entirely on Marquee's recommendation, and, after a few shows, we thought we'd better buy another consignment before they ran out!

"Fortunately, Marquee Audio is always able to source products in time for our demanding needs, even a hot product like the LS9."

Blitz Sound is gradually replacing all i

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14 March 2016

This major undertaking was funded by Scarborough Borough Council, the Yorkshire Forward regional development agency and the European Regional Development Fund. The 1,924 capacity Grand Hall, at the heart of the Spa Complex, has already reopened for business with brand new production lighting, audio and video systems.

Aside from the new, installed lighting rigs, most of the new production systems have been fligh

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14 March 2016

The announcement follows on from the original sponsorship agreement between the two parties which saw Trigger using the Formula Sound FF-6000 mixer at the many large-scale dance events it was involved in throughout the UK. Trigger promotes its own individual blend of bass-driven Electro Breaks dance music and rates the quality of the sound reproduction as an absolute priority.

At the time of the original sponsorship deal, Trigger representative DJ Kosmikneil commented that his organisation

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14 March 2016

The fifth annual event took place at the Warsaw University of Technology in front of an international audience of 2,000, and since the special guest of honour was to be Olli-Pekka Kallasvuo, president and CEO of Nokia Corporation, Christie partner Trias devised a novel concept, using full 360° degree projection onto the walls, along with 3D holography.

To accomplish this they called on a Christie S+20K SXGA with the addition of two other stacked pairs offering 10,000 lumen output, a total of seven projectors were able to provide stunning projections onto the walls of the University: "Using the latest multimedia solutions and advanced technologies we were able to create an ex

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14 March 2016

"We strive to give the audience a visual accompaniment to the music to which they listen," says Marenghi. "The lighting shifts from subtle beautification of the Royal Albert Hall architecture to dramatic impact driven by the mood of the piece. Classical music purists might decry the use of such technology but the music in the programme was often originally written for firework displays, large scale military events or grand royal and civic occasions, all of which had an important visual element. We seek to replace this with lighting to entertain our audience.

"The core principle of the show is absolute synchronicity and sympathy with the score -

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14 March 2016

ENO says it fears reduced funding if government money to the Arts Council does not increase. ENO chief executive, Loretta Tomasi, was quoted on the BBC News website as saying: "Many options have been considered to achieve increased flexibility and a decrease in these 'fixed' costs and, whilst we believe it is vital that ENO retains a strong core of staff, the contractual overhaul includes the potential loss of around 45 jobs across the company."

Commenting on the co

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14 March 2016

Wigwam Hire, who have carried out sound systems installations in these venues and have a long association with Celtic Connections, provided the production control for this year's major hosting venue - supplying the Glasgow Royal Concert Hall with a Digidesign D-Show Profile at front-of-house and D-Show in the monitor position.

Wigwam appointed Sean Horsman to offer support to the incoming sound engineers having their first run out with Digidesign, offering an analogue desk alternativ

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14 March 2016

The 666-capacity theatre first contacted Marquee Audio in September to discuss a range of digital options to replace an ageing 24-channel analogue console that had reached the end of its useful life. Chief electrician Julian Brooks reports that: "We considered analogue and digital consoles, but quickly realised that, although we could have stayed analogue for half the price, we didn't want to accept its functional limitations. We wanted all the benefits of digital."

Checking out the Yamaha range of compact digital consoles, Julian Brooks favoured the Yamaha M7CL, with its touch screen, generous channel allocation and future expandability. "Marquee Audio was really accommodating, keen to demonstr

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14 March 2016

CAV won the contract on the strength of a referral, and immediately carried out a survey on a 60m x 25m enclosure that hosts international show jumping events on the 90-acre site. Previously the Centre had hired in its audio (interfacing with a less than adequate 100V line installed system, fed from a CD) and clearly needed to upgrade.

The company demoed a Martin Blackline system with the option of additional AS118 horn-loaded subs - and the Centre purchased the full package. "

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14 March 2016

Production manager Karl Westlake first introduced video to the show last year. One of the things it did was replace a large four tonne scenery flat of the Marine's crest logo with a more flexible projected version.

This year they wanted to make visuals a bigger element of the show and to run sequences of still images plus some video animation throughout most of the performance. This was beamed onto a three-metre diameter circular screen hung centre stage.

The screen, two Christie projectors and the VideoDrive were all supplied by Entec, who also sent Richard H