UK - Allen & Heath has introduced the Xone:2D, the combination of a 9 stereo channel USB2 soundcard and MIDI controller, which DJ's can connect to their existing analogue mixer to integrate leading DJ software such as Ableton Live and Traktor DJ Studio, and create a complete digital DJ mixing system.

The 96kHz 24 bit USB2 soundcard can send four stereo channels to the PC and receive 5 stereo channels from the PC. A large array of connectors is provided for easy interfacing into any DJ setup, and the 2D can also be directly connected to turntables, CD players or linked to an external mixer. Digital inputs and outputs (optical and coax) are also provided. Any combination of the soundcard outputs can be monitored using the headphone system.

The Xone:3D BPM counter with LED display is included, which is capable of detecting a beat in music presented on any of the three analogue so

UK - The 2007 PLASA Awards for Innovation, announced last night in a special presentation ceremony at the PLASA Show, reflect the ever-more dynamic, diverse and creative health of the global entertainment and installation technology industries.

65 products from 10 different countries were entered this year, and covered a broad range of lighting, audio, rigging and staging, AV, effects, software and accessories - amply reflecting the industry's diversity and global nature.

"The energy, ideas and innovation that feature at PLASA start from the imaginative minds that make up the industry," said PLASA CEO Matthew Griffiths. "The talent in this business is formidable, and it's that talent that we're celebrating."

During the ceremony, attended by special guests from across the industry, eight awards were presented.These went to:

beyerdynamic (GB) Ltd - Hea

UK - Visual Productions of the Netherlands have addressed the need for lighting control software designed exclusively for the control of matrix setups, creating the Canvix dedicated Matrix Server. Canvix software is the world's first dedicated matrix control system and can work as a matrix control plug-in to the majority of today's lighting consoles, bridging the gap between lighting and video.

"The fixtures and applications for LED technology are growing daily, allowing us to create astonishing new lighting effects and visuals, especially when applying them in matrixes. When using matrix formation, it is essential to find a system that is designed to control this in a fast, flexible and creative way," the company states. "On the lighting control side, very few traditional lighting boards can handle the control and programming of fixtures in a matrix formation, ye

UK - Tuesday saw the launch of the Goboland ALDO Double Gobo Rotator Kit. Named in memory of co-founder Aldo Scorpati, who sadly passed away two years ago, the ALDO is a double gobo rotator for use in the ETC Source Four, Selecon Pacific, Altman Shakespeare and Strand SL fixtures. Offering counter-rotating gobos with onboard manual control of speed and direction, the Goboland ALDO can also be set to carry out pre-programmed effects using a simple system of dipswitches.

"We identified a need for a gobo rotator within the Goboland product range but wanted to go a step further in providing an instantly useable solution for our customers," explains Dielen. "We are therefore supplying the ALDO complete with a set of our new black steel gobos, a selection of gels and a coloured dichroic glass."

The Aldo is available for demonstration on the Goboland stand F31.

UK - Following the initial unveiling of the CV 20 concept at PLASA 2006, the 2007 trade show sees the very first production model of Crest's flagship live sound analogue console, bearing the serial number 001.

More features have been added since its first public appearance, the most significant being an A/D and D/A NexSys module option. Any number of analogue audio outputs per module can be converted to digital EtherSound and CobraNet protocols, with support for other protocols to be added in the near future. This will allow for a digital snake to interface directly into the CV 20. The module can also covert digital audio into analog, thus making the CV 20 an ideal back-up partner for digital consoles. One NexSys module will allow for up to 16 channels of A/D and D/A conversion. Multiple modules can be plugged into the console back frame.

The new CV 20 provides complete flexib

UK - Robert Juliat chose PLASA 07 to launch the latest in its range of followspots on the White Light stand.

"We wanted to create a followspot with similar physical dimensions to a 1.2K followspot but with a light out put closer to a 2.5K unit," stated Francois Juliat during the presentation.

They succeeded with the Victor 1.8K MSR, working closely with Philips who produced the 1.8K lamp exclusively for Robert Juliat. The Victor has the same dimensions as their award winning 1.2K Super Korrigan but offers an increase in light out-put of up to 50%.

Available in long throw (7-14deg Victor) and short throw (14-23deg Flo) versions, the new 1.8K units offer the expected, high quality features of Juliat followspots: a flat, even beam even at low levels, crisp image projection, A size universal gobo holder, fully closing iris with protective backplate, roll bar mechanical

UK - 5th September saw DiGiCo unveil its concept of the future, the SD7, in front of 120 of its distributors, sound engineers, designers and rental companies who were invited to an exclusive party held at London's Tower Bridge. The company then unveiled the SD7 in front of members of the pro audio press on the opening day of the PLASA Show in London.

The SD7 is based around a new technology developed at DiGiCo, called "Stealth digital processing", and could ultimately bring a whole new dimension to digital mixing, the company says.

"The party was mainly to celebrate our MBO," says DiGiCo marketing director David Webster. "But it also gave us the chance to let our guests have a sneak preview of what we're working towards. The SD7 is purely a concept, but who knows what the real possibilities could be."

Stealth is a culmination of embedded FPGA an

UK - Fuzion and Coemar aim to strengthen their support for lighting designers with a complimentary portfolio of their creative work.

The new partnership of Italian manufacturer Coemar and its new UK distributor Fuzion was announced in March 2007. Both companies want to recognise the importance of the lighting designer and offer ways to help them promote their craft.

A hand-made Portfolio using 'state of the art' book printed on metallic paper - which produces extremely vibrant colours and a sharp image - bound with a contemporary metal satin cover, presents the LD's show photography in a professional and eye-catching way. Smaller books are available to give to potential and existing clients.

Lighting designers specifying and using new Coemar lighting equipment in the UK from September 2007 will qualify for the book, the company says.

(Jim Evans)

UK - QSC Audio has confirmed the appointment of Shure Distribution GmbH as its new distributor in Germany; this is one of several new territorial appointments announced by the company to coincide with PLASA 2007 in London, as it looks to streamline and consolidate its position in the global marketplace. The new agreement takes effect from September 2007.

Greg McLagan, vice president global sales at QSC Audio, commented, "We were looking for a partner sharing our passion for sound and performance, being dedicated to QSC and our products. We are very happy having found exactly this partner in Shure Distribution."

Shure Distribution's newly-appointed product manager for QSC, Marcus Bäumler, responded, "We see the complete line of products as having huge potential in the German market. Over the years QSC has put together a very competitive portfolio of products, al

UK - British loudspeaker design pioneer Tony Andrews last night became the first recipient of the newly-created Gottelier Award, named in memory of Tony Gottelier, the leading designer, innovator and industry commentator who died in 2006.

The Gottelier Award was inaugurated this year to recognise an individual or team who, over the years, has made a significant and sustained contribution to the advancement of entertainment, presentation or installation technology - whether in audio, lighting, rigging, staging or any other related field.

Following nominations from across all sectors, four industry pioneers were shortlisted - Tony Andrews (Funktion One), Richard Belliveau (High End Systems), Adam Bennette (ETC) and Wayne Howell (Artistic Licence). The winner was decided through an open online vote on the PLASA website.

Designed to further emphasise the PLASA Innovation Awards'

UK - OmniLine is a versatile, micro-line array designed for installation in a wide variety of architectural environments. Its modular approach and scalability extend its use from foreground applications to sound reinforcement in large acoustic spaces. Intelligent software enables an array to be configured to deliver sound precisely over any vertical angle to fit the venue profile without spilling onto surfaces where sound is not required. Additionally, elimination of high-frequency side-lobes gives OmniLine the advantage over currently available DSP steered columns, making it suitable for high quality music reproduction as well as speech in large, reverberant spaces, says the company.

Each OmniLine array is constructed by connecting together multiple array modules. Up to 32 modules can be connected where both high output and vertical focussing down to low/mid frequencies are req

Spain - An Avolites Diamond 4 console controlled all main stage lighting for the 9-day Aste Nagusia 2007 Festival in Bilbao, northern Spain - which saw up to 15,000 people a night enjoy an eclectic line up of bands from The Pogues to Spanish superstars Dover and Miguel Bose.

Technical production for the event was supplied by Bilbao-based Audiomic, who took care of lighting, sound, video and rigging. The Diamond 4 was specified by lighting crew chief Urko Arruza who also produced the generic stage lighting design which was programmed and operated by Alex Ampudia.

The console was chosen for its power, flexibility, easy programming and because it was also likely to be familiar to guest lighting designers, explains Arruza, "Basically it is the perfect desk for a festival set up like this" he says.

The D4 arrived at Audiomic in April - their first one, although they hav

Hong Kong - Chinese pop superstar Jacky Cheung's massive 2007 tour is wowing crowds with Electro-Voice sound. One of the best-selling Chinese pop singers in the world, Cheung is an internationally renowned entertainer who continues to enjoy huge popularity over 20 years after his debut.

For his latest sold-out stadium tour, The Year of Jacky Cheung World Tour 07, fans are enjoying what critics are calling the most impressive sound and lighting systems ever to accompany the Cantopop icon on the road, including Electro-Voice line array loudspeakers and Midas mixing consoles.

Produced by Engineering Impact Hong Kong and promoted by Fun Entertainment Limited, the tour stopped off for a triumphant homecoming show at the Hong Kong Coliseum in August, where house engineer Daniel Kwan mixed on a Midas Heritage 3000 through a main PA comprised of 8x X-Line Xlvs, 4x X-Li

UK - Robert Juliat benefited from perhaps one of the biggest projection surfaces at the exhibition, placed as they were on the front of the White Light zone with the entire entrance wall of Earls Court 2 in front of them. This suited the collection of followspots and fixtures on displayed, especially long throw Lancelot and Victor followspots.

The Victor was successfully launched at the show yesterday whilst the Lancelot was running the first DMX operated modules of the NORIA 6-way gobo wheels and CHRO-MIX colour mixing system. These DMX versions are now in full production and confirm the Lancelot's position, not only as an exceptional long throw followspot, but as the most powerful effects projector.

There was a noticeable migration of people throughout the show between the Robert Juliat and Goboland stands. The reason for this became clear as customers viewing the new Tempes

UK - Theatre sound specialists and Orbital Sound is exhibiting at PLASA for the first time. Making it's UK debut is RockNet, an advanced and fully scaleable, cost-effective network solution conceived and optimized for managing audio and control data for live sound. RockNet also features a plug-in card for Yamaha's M7CL creating a fully integrated CAT5 based multicore solution for this popular console.

As a d&b audiotechnik official sales and installation partner, Orbital's staff are on hand to discuss its latest d&b installations and demonstrate the company's latest Remote Network Software solutions.

The latest digital mixing consoles from Yamaha and Digidesign are being showcased as are a host of wireless radio comms solutions from both HME and Telex. Also on display is RTS Telex's range of wired comms systems.

Orbital's is also showcasing its unique CSC audio playback and

UK - Wednesday saw the appearance of some mysterious Black Holes on the Goboland stand! Etched out of black coated steel, the Goboland Black Hole is a high-tech 'donut' which sharpens gobo projection by removing excess light and lengthening depth of field. The blackened surface also helps reduce reflections.

"The development of our new black steel process was perfect for a product such as the Black Hole as its non-reflective coating does not exacerbate reflection problems as previous products have done in the past," explains Goboland Consultant, Wyatt Enever.

The Black Hole is marked with pop-out segments - graded in exact photographic f-stops - to enable accurate manipulation of light output, reducing glare by between 6% and 50%. The resulting lengthened depth of field makes it easier to sharpen an image across its full diameter even when projected at an angle. This

USA - The 2007 Worldwide Partner Conference, better known as WPC07, a computer industry gathering, took place in Denver, Colorado in July. 12 Martin Maxedia digital media servers were used to provide digital content to a remarkable 36 plasma screens, two LED curtains and centre LED Wall.

"We used a Matrix Preview monitor so that I could preview all outputs during programming, rehearsals and show," commented Thomas Walls, Maxedia and Maxxyz programmer at Stardust Productions. "The networking was a godsend. I was given custom content what seemed like every hour or so and with 12 servers online, the networking made my life a breeze."

When all was said and done, approximately 68 gigabits of custom content was used on the show. Mike Amelang of Flying Spot created custom content on-site which Walls immediately loaded into the Maxedia systems. Several other types

USA - Open to university and college students nationwide, the registration for Shure's fourth Fantastic Scholastic recording competition has opened and will remain open until 19 October, 2007. A random drawing on 25 October 2007 will determine the 10 competing schools, each of which will receive a standardised 'mic locker' from Shure that must be utilised to complete every recording project submitted.

The names of registrants chosen as contestants in the random drawing will be posted on Shure's website on 29 October. Dedicated mic lockers will be sent out the same day, and must be returned no later than 11 February 2008. Announcement of the Grand Prize winner will take place on 10 May, 2008.

Competing teams from each school are required to record and mix an original piece of music, which will then be judged by a panel of industry professionals who will evaluate the reco

USA - Houston's Bare Necessity won the second Houston Texans-sponsored Battle of the Bands competition, held annually to find a house band to entertain pre-game tailgaters on Budweiser Plaza, right outside the entrance to Reliant Park. J&S Audio Visual (Houston, Texas) provide sound reinforcement and production for the stage with a PA including Electro-Voice Plasma powered monitors and a Midas Venice 320 mixing console.

"The six Plasma P1 powered boxes are fantastic as monitors," says James Kragle of J&S Audio, who also mixes the show. "I chose them for their versatility and because I can get some serious SPL out of them - these things get loud. I've used P1s for a number of rock gigs, and have had nothing but compliments on their clarity and power. I especially like their balanced output; put up two as a stereo pair with horns down the centre and anyone listening

UK - In keeping with Martin's affectionate theme at this year's PLASA Show, the company showed its distributors a little bit of love by handing out a number of distributor accolades at a special dinner and awards banquet on Saturday, 8 September, at the Vinopolis wine-tasting venue on the south bank of the Thames. The Martin 2007 Distributor Awards recognised exceptional performance in a number of areas.

Distributor of the Year: - For best sales performance/improvement over the past 12 months and the largest sales growth over the past five years. Winner: A&T Trade, Russia.

Martin Gazelle Award: - For fast collection of orders and rapid market penetration for new products. Winner: Fairlight, Holland.

Most Outstanding Projects: - For strong dedication to extraordinary project sales. Winner: Martin Professional Middle East.

Best Customer Relations:

UK - The Swansea Bay Summer Festival is one of the UK's biggest carnival events watched by crowds of over 35,000. Celebrating 200 years since the abolition of slavery, this multi-cultural event builds to a crescendo of samba drums and high energy street dance with the City Streets - Summer Beats concert held on the 26 August.

Total Sound Solutions turned to Harman Pro for the sound system. Company director, Chris Hooke chose a JBL VerTec VT4887 compact line array set-up for the job. He reports: "This was right on the edge of a residential area in Swansea so obviously we had to be very careful with the sound. We were able to use JBL's Line Array Calculator software to tell us exactly what angles to use to get the exact coverage without sound over-spilling into the residential area. There were two hotels literally about 20m past where we wanted to fire so the main adva

USA - Bandit Lites recently worked with the University of Tennessee Athletics Department and Host Communications/The Vol Network to host the first-ever Big Orange Blast.

The free community-wide pep rally kicked-off the 2007 UT home football season. Festivities featured performances by Bandit's own public relations manager, Kimberly Ainge in addition to Waycross and Jason D. Williams. Tennessee head football coach, Phillip Fulmer and select members of the Tennessee football team also participated with the Pride of the Southland Marching Band, UT cheerleaders and Smokey.

(Jim Evans)

Dubai - Following the appointment of PALME Middle East exhibition director, Alexander Heuff, show organisers IIR Exhibitions Entertainment & Installation Technology Group have announced the arrival of Neil Hickman as group exhibitions director. Most recently he has spent four years as director of the Cityscape series of events, based in Dubai.

Commenting on the continuing potential for sound and vision integrators in the region, Hickman said, "The boom in hotel build and future tourism attractions shows no sign of letting up - new projects are being announced on an almost daily basis. As a result, the professional sound, light, music, audio visual and systems integration industries are expected to quadruple in the next three years as a result of opportunities in both the commercial and residential sectors."

(Jim Evans)

UK - HSL supplied and co-ordinated lighting and sound production and 40 crew covering all 10 arenas at Creamfields 2007 for producers Loudsound Events. This, the largest Creamfields event to date featured a host of international DJ's and bands including main stage double headliners Groove Armada and the Chemical Brothers, and was the second at their new site in Daresbury near Warrington.

It's the sixth year that HSL has supplied technical production to the UK's best-known dance event. They brought ML Executives onboard as their audio partners to deal with all-things sonic, and all departments worked closely with event production manager Lee Charteris.

HSL's on site co-ordinator was Ian Stevens, He collaborated with project manager Mike Oates who oversaw all the paperwork, advance logistics and prep.

Two dedicated HSL crew chiefs - Dave Jolly and Jonny Harper were appointed,

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