Much pre-planning and production management by MJ's Otto De Kock saw the team loading in Sunday morning, rehearsals on Monday and everyone set to go on Tuesday at 7am.
"The client, Overend Outsource, wanted a clean, corporate look, " commented Johnny Scholtz, lighting designer, from MJ Event Gear.
The Robins and MMXs were mostly used to create a warm mood incorporating the Transnet colours. "I used the MMX to light the podium and used some animat
The annual event was staged in the main auditorium of the Royal Opera House in London's Covent Garden. S+H were contacted by Lee Batty, head of production for event organisers, the Society of London Theatre.
He was looking for a striking backdrop and a full leg and border dressing solution for the stage, and had previously used S+H's products, most recently their LED Animation Cloth, on a show for Rolf Harris that he production managed.
Batty also assisted in the visual design and look of the Oliviers, and says, "We wanted something different from last year that would bring a dynamic and special feel. I knew the quality and reliability of the
The figure skating extravaganza features a roster of American Olympic medalists, including Nancy Kerrigan, Tara Lipinksi and Sarah Hughes as well as an international contingent, among them current world champion Miki Ando. The event, held at Boardwalk Hall in Atlantic City, comes on the heels of last year's figure skating tribute for which Methot handled production design.
Methot devised a circular motif for the show using three circular video screens and a circular main stage with clean, simple lines. He mounted a circular truss above the ice with 16 Clay Paky Sharpy fixtures suspended o
When the veil was removed, the fog gently dissipated to unveil Genghis Khan seated pensively on his horse. The figure celebrated 850 years since the legendary warrior was born, and the artist wanted to portray his spirituality as part of the London City of Sculpture festival.
The statue will remain in place at Marble Arch for six months and has been reported worldwide across countries linked to the Mongolian warrior and Russian artist.
(Jim Evans)
Stage façades came to life under the vivid colours of 58 Chauvet Professional COLORado 1-Tri Tour static wash lights and 40 COLORdash Batten Tri linear wash lights.
"Technicolor at Paramount wanted something very colourful and vibrant, and naturally, COLORdash Batten Tri and COLORado 1-Tri Tour lights were the perfect choice to complement the opening of the building, with smooth colourful splashes of colour," said Foxton Lewyn, lighting designer for the temporary installation and employee of Blue Haze Entertainment rental company that specified the lights.
Aligned along a low artesian fountain delineating the street from a terrace, the COLORado 1-Tri Tour
Wireless Solution has been working on a completely new software platform since October 2011 that is prepared for future hardware functions as well as many new features and updated functions. The W-DMX G4S software platform includes improved adaptive frequency hopping; new Invisi-Wire MK2 with support for wireless software updates; improved Data-Safe MK2 that now supports up to 4 times redundancy of all the wireless data; RDM MK2 with custom made features for W-DMX as well as all standard RDM commands. This new platform is available for a software update on all existing Micro F-1, BlackBox, WhiteBox and ProBox units already shipped via the USB dongle.
Niclas Arvidsson, CEO of Wireless So
Two new products join the SHoW DMX Neo wireless DMX product family and will be seen at LightFair for the first time. SHoW DMX Vero Net is an outdoor wireless DMX Transceiver in a NEMA 4 / IP66 rated enclosure that accepts all major entertainment Ethernet protocols including sACN, Art-Net, Kinet, and Pathport. SHoW DMX Vero is a smaller version of the product that accepts DMX input only.
Wireless DMX is often used in outdoor architectural lighting installation to light buildings, bridges, monuments, and other objects when running data cable is difficult or too expensive.
These two new products join the indoor SHoW DMX Neo Transceiver and Receiver, are compatible with them, and are the latest innovations in City T
The A Flash Flood of Colour tour started in Europe where it played slightly smaller venues, so the lighting rig was designed to be flexible enough to expand and contract to cover these, plus both an A and a B configuration for the UK, again based on the size of venue, the largest of which was Hammersmith Apollo. Mike Oates project managed for HSL.
The European leg featured a floor package from HSL, all based around five LED edged triangles. The fixtures chosen to make these were Chroma-Q Color Forces - three Color Force 72s for the large central triangle in Europe and 4 sets of three Chroma-Q 48s for the four smaller ones. These were all fitted into custom flying frames fabricated by HSL from special pre-rigged trussing, and flown off the house trusses.
The event was staged in the Nokia Concert Hall in Tallinn. Presented by high profile comedians Tiit Sukk and Taavi Teplenkov, it was broadcast live nationwide on the Estonian public broadcasting channel ETV1 and also enjoyed by a live audience of 1800 who saw the 20 finalists battle it out.
It was Jõhve and Meelis's first time designing lighting and set for the event, winning the project after presenting imaginative and fresh ideas.
Using previous Eesti Laul competitions as their creative starting point, they took all the classic requirements of the TV show / competition, and combined these with a set of new and different visu
People were particularly interested in the new MT Pro Acoustics products. New speakers on show included a three-way horn loaded cabinet and a 2x5" mid/high cabinet with a ribbon tweeter. Also featuring highly were the range of 1U mixers and the DNP26 processor.
These items were seen alongside the MA86 amplifier. This lightweight unit has eight channels, each rated at 260WRMS into 4Ohms.
Another product attracting great interest was the new Cyclorama Wash system. This consists of the powerful LED 'Batten2' c/w a specially designed barn door system. This gives a very even wash of light on cycloramas up to 4.5m high. The quadcolor LEDs allow for pastel colours as well as the usu
White Light's hire & technical director Dave Isherwood bought in the extra-bright Selador D60 Lustr+ fixtures following a number of requests from lighting designers, and in response to a growing push for brighter, but more energy efficient, lighting.
The first 12 have already been installed at the Royal Exchange Theatre in Manchester for Miss Julie, lit by Johanna Town, where they are being used in combination with more traditional types of lighting, in order to boost light levels without breaking the budget.
Desire's Lustr+ array uses the premise of the x7 Color System to create lush white and subtly tinted light that can be adjusted to naturally illuminate on stage talent or scenery.
White Light was also on
Chequer Mead Theatre, a 320-seat performance venue, frequently hosts Ariel Company Theatre's productions. Joshua Attwood, lighting designer for Musicality4, placed two Q-Spot 560-LED fixtures at the front of the house, two on the balcony bars and four on the upstage bar to highlight performers, provide backlighting and project effects during the production. The addition of Hurricane Haze 2D enhanced the lighting effects by highlighting beams.
Musicality4 is a musical review of the latest West End and Broadway musicals performed by a cast of 28 adult and 28 junior actors. Neil Hopson, artistic and drama academy director at Ariel Company Theatre,
Taking place every four years, each time at a different location, Showlight is organised by lighting professionals for lighting professionals. In 2009, with some 40 exhibitors, over 365 delegates from the world of entertainment lighting passed through Showlight's doors.
Showlight places emphasis on debate stimulated by papers from respected industry experts and provides a gathering ground for like-minded people. Both exhibitors and visitors fully participate in the conference programme.
Showlight 2013 is
The show consisted of a 40 minute audio-visual performance, featuring a challenging series of projections mapped to the building's surface synchronised to pyrotechnics and a bespoke sound design. The show was a collaboration between seeper.com, who created the projections, and specialist pyrotechnics company The World Famous, with the project produced by Culture Creative and the technical aspects production managed by White Light.
Evan Grant, founder of seeper.com, explains, "The show was the first time that intense 3D motion graphics have been combined with synchronised py
Royal Rock - Robbie Williams has been added to the line-up for The Queen's Diamond Jubilee Concert at Buckingham Palace on 4 June. "If this doesn't get me a knighthood, nothing will," the star joked on his website. "I can't wait for the show." His Take That bandmat
It's Olympic year at last and PLASA is taking the opportunity to celebrate the enormous contribution made by our industry to the extraordinary events in the city this year, including educational sessions exploring some of the most impressive technical aspects.
In addition, a brand new audio professional development programme is being launched this year, with master-classes from the biggest international names in system design, production, recording, mixing and broadcasting.
With over 100 free to attend training sessions, seminars and specialist conferences, there's only one place to be this September!
PL
In anticipation of a busy summer for events across the UK and with event planning for the Queen's Diamond Jubilee and Olympics gathering pace, Dry Hire Lighting is making sure it is well positioned to serve the expected increase in demand for rental equipment.
States Rob Merrilees, director of Dry Hire Lighting, "At last the industry can boast a dedicated UK based 'dry hire' company. We do what it says on the tin.... offering hire exclusively to rental companies .... but with the added value of exceptional service and top of the range equipment. It goes without saying that Clay Paky needs to feature heavily in our available stock."
Comments Glyn O'Donoghue, MD of Ambersphere, "The premise upon which Dry Hire Lighting
The programme has been specially curated by some of the industry's leading talents, giving visitors a unique opportunity to broaden their specialist knowledge and take part in discussions about innovative projects and cutting edge techniques.
"One of the benefits of hosting a Focus event in Nashville is the depth of professional industry knowledge that is intrinsic to the area," comments PLASA CEO Matthew Griffiths. "Being able to tap into that regional passion for live entertainment and to share it in a common space is something which will not only benefit the local entertainment technology community in Tennessee, but also the surr
In this unique year for London and the rest of the UK, PLASA is taking the opportunity to celebrate and reflect on the extraordinary contribution made by the lighting and sound industries to the London 2012 Olympics. As PLASA Events Manager, Sophie Atkinson, comments, "The record breaking surge in pre-registrations for the show this year is enormously encouraging and goes to show that people want to come to PLASA 2012 to reflect on their industry's input in the 2012 Olympic story and experience th
Doctors Hospital at Renaissance is a full-service medical and surgical facility providing healthcare to the residents of the Rio Grande Valley. Its teaching auditorium and conference center is the site of continuing education for physicians.
Wrightson, Johnson, Haddon and Williams (WJHW) served as the theatrical consultant, system designer and lighting designer for the space with Texas Scenic the installing contractor. "Every fixture in the facility is an LED, so when we were looking for a fixture for Front of House, Robert Juliat's LED profiles provided a perfect solution over comparable products," says WJHW's Rene Garza. "We were looking for long life, smooth d
Since Codex's inception in 2000 the company has expanded from a local service provider to a pan European supplier with operations in rental, sales, and installation, dealing with audio-visual, multimedia, intelligent lighting, sound, stage systems and rigging equipment.
Having recently taken delivery of 48 Sharpy moving heads for its rental operation Patrick Risch, managing director for the company says, "Codex strives to constantly upgrade its stock with the latest and most innovative products available on today's market. That's why we're the largest event company in Lu
Vimal Rawjee from Insane Sound & Lighting asked lighting designer Thomas Peters to put together the drawings for something that could work for this renowned DJ performance. The actual show was plotted and operated by Insane's David Mupanguri.
The show started at 3pm, but four hours later, serious rainfall wet most of the equipment. In addition the power tripped. DWR Distribution's Nick Barnes was on the show with a spare Avolites Titan for back-up and support. Gary Furman from Wild and Marr was attending the show as a patron.
The hardworking Insane team, accompanied by Nick and Gary, successfully wiped, dried and moved gear about to keep the show running."Nick helped us qu
The Glasgow based theatre received a grant from the Wolfson Foundation to replace their existing cyc lights with energy-efficient LED versions. They wanted a high quality, powerful and easy to set up LED lighting solution.
Head of lighting, Paul Claydon and technical manager, Niall Black conducted extensive research before inviting four leading LED brands to do a shootout at the Tron Theatre in Glasgow. Also attending the shootout were a number of LDs with whom NTS work.
"As soon as the Color Force battens were switched on, to us they absolutely blew all the other products away, especially in terms of
Kosir wanted to create a dynamic atmosphere lighting to match the vibe and pumping vibrancy of the music, he needed to produce plenty of variety and scope for 'rocking the house' in every shape and form of the expression.
Trussing was installed over the main stage which featured the DJ booth and all performers, with more over the audience, providing lighting positions for zapping beams and effects around the room and immersing the audience in the action.
The Robe moving lights consisted of 16 Robin 600 Beams,12 C
