Lighting

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14 March 2016

DWR's Robert Izzett was contacted by CRC's Head of Media Clinton Powell, who oversaw all the technical aspects of the project which has been three years in the making and replaces CRC's previous temporary tented venue on the same site.

"The initial brief from CRC was for a lighting rig that would allow them to stage Idols without needing to hire in any additional equipment," explains Izzett, adding that they were also keen on having the latest and best technology available in-house. He decided to call on Idols SA's real LD Joshua Cutts of Visual Frontier to consult on the basic design, and from this a specif

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14 March 2016

For this major event 45 SixPack blinders and 44 P-5 wash lights were deployed. TSE Grupa has had the LED fixtures from SGM as part of their stock almost since product launch, and the company says it is more than satisfied with its investment, having used the fixtures in various applications.

Pachciarek commends the SGM fixtures for their low weight, low power consumption and quality of light output. "The

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14 March 2016

It was the second event after bursting audaciously onto the EDM scene last year and this year the organisers upped the ante on several fronts, expanding the event to two days, increasing the level of production and securing an action-packed line-up with main stage headliners Richie Hawtin (Saturday) and Fatboy Slim (Sunday).

Colour Sound deployed five trucks of kit, 26 crew, around 500sq.m of their proprietary BT LED screen, over 350 moving lights and lots of strobes, blinders and atmospheric effects to the site, where all their elements were co-ordinated by crew chief Andy Melleney.

Colour

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14 March 2016

Available in frosted versions in warm white, cool white, and a selection of rich, deep colours, plus the warm white 'filament' bulbs, the Firefly system runs on safe 24-volt AC or DC, with shatter-proof bulbs, making it economical to operate and virtually maintenance free. The clear V6 and V12 'Filament' bulbs will satisfy the most discerning lighting designer with a beautiful warm, vintage look and unrivalled colour temperature consistency.

Also in the Firefly range are a selection of unique flat, self-leve

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14 March 2016

Media and tech designers Blow Factory offered the Sentier the idea of providing some interactive fun and excitement, using Light Emissions creative LED video display system. Blow Factory owner

Paula Guastella had worked with Light Emissions previously in London, and knew that the Art system could provide the brightness and pure video speed needed.

Blow Factory's Paula Guastella explains: "We wanted to surprise people entering the lobby. As they walk past this large glass wall with colourful moving images, they spot their own 'body shadow' shown on the screen. They stop, turn around and wave and have a little dance!&q

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14 March 2016

Nield, working directly for Imagination's Shanghai office under senior executive producer Linda Bell, specified 80 x Robe ROBIN LEDWash 800s for the event - together with other moving and generic luminaires, strobes and LED fixtures. Unbeknown to him until he arrived in Barcelona, it would be the first time that he used Robe Pointes.

72 Pointes were installed on the lighting rig by lighting supplier Arcoiris Lighting System, replacing the original beam fixtures

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14 March 2016

At the climax of the concert, 10,000 blinking PixMob Helicos were dropped, creating a beautiful surprise for the thousands of lucky fans attending the show. As Chris Martin sang, stars slowly began to descend.

The Helicos, printed with a design inspired by the band's album cover, were dropped from four scissor forklifts placed around the crowd at a height of 20m. They blinked with bright white light, falling at a speed of 1.5 m/s into the hands of the attendees.

The main challenge for PixMob in creating this performance was the weather, specifically the w

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14 March 2016

White Light team members will be on hand from all areas - hire, sales, installation, events, and technical service - to answer questions and discuss project and venue-specific solutions for lighting challenges of all shapes and sizes.

Those planning to attend the show can register for FREE through White Light by visiting bit.ly/abttshow2014.

Managing director Bryan Raven describes Whi

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14 March 2016

The range of lighting, video and effects products was recently officially unveiled at PLASA Focus, Leeds, receiving a great deal of interest and an overwhelmingly positive response from a wide range of visitors to the show.

The Prolights range offers designers innovative technology solutions which deliver reliable, creative tools at a price that all productions can afford. By taking advantage of high efficiency production methods, products deliver the ideal balance between quality and value to professionals looking to maximise the return on their investment.

The impressive lighting range features over 200 high performance product lines from a wide selection of LEDs, including Pars, battens, moving lights, matrices, Fresnels, Profiles and effects, to Plati

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14 March 2016

"I saw the Pointes at Mediatech in 2013, and being a true Capetonian, it took me a while to come round and make a final decision," said Costa Champanis, owner of Ultra Events. "Due to their versatility and market acceptance we have now embarked on first purchase, 12 of 24 units."

The purchase was made from the Robe South A

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14 March 2016

"I was very familiar with Juliat fixtures from working in Europe," says Mike Baldassari, co-lighting designer for Cabaret with Peggy Eisenhauer. "The Victor followspot was in the exact neighbourhood of what we needed at 1800 watts. We did a shoot out with some other followspots to test not only for brightness but also for noise level. The shoot out was facilitated by electrician John Wooding; Ron Fogel of Fogel Associates and Fred Lindauer of Robert Juliat provided the Victors for us to test."

Baldas

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14 March 2016

Lighting designer Luis Pastor is known to be a big MA fan. Therefore it was no wonder that he used two grandMA2 full-sizes, one grandMA2 light and four MA NPU (Network Processing Units) for the Opening Ceremony of the 2014 South American Games. "It was an extremely important event for Chile its government," said Pastor, "The challenge was tremendous as the setup had to be

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14 March 2016

Hicks gained experience as a software engineer with Carallon Limited, developing products for leading industry clients, before branching out into product management for Pharos Architectural Controls, where he later joined the board as technical director.

"I'm thrilled to have Simon come on board the team," says LightGeist CEO Liza Sutherland. "LightGeist has developed, and will continue to build, exciting new audience engagement products for live entertainment. Simon's talents in product d

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14 March 2016

Mikael Uddh from SGM Sweden suggested the LP-700 LED Pix as best fit for purpose, and so the installation comprised 20 cabinets with three LP-700 strings in each (a single string incorporates 56 RGB LED pixels in a chain measuring 6.75m and provides a pixel pitch of 120mm).

The concept for this installation is based on a scene from the book The Hitchhiker's Guide to the Galaxy by Douglas Adams, where a man builds in a four-walled house turned inside out. Thus the door that people would be inclined to take into the house opens into a lawn with benches and pedestrian pathways.

Mikael

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14 March 2016

ACE is to provide £16.7m - equivalent to 70% of the total cost - with the London venue intending to raise the remainder through trusts, philanthropists and audiences. The work had originally been announced in March last year and was planned as part of a larger, £120m redevelopment of the complex following significantly increased attendance numbers to the Thames-side comp

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14 March 2016

According to Eric Johnson, technical director for Sun Valley, "Sun Valley Tempe merged with Bethany Church two and a half years ago and we inherited a large campus and an auditorium with technical capabilities that were deficient by today's standards. The audio system was old and primarily designed for natural speech, orchestra and choir reinforcement in an acoustic setting. That, plus the building is a complex geometrical design, basically a five-sided pentagon with a seven-sided auditorium that's about 160 degrees wide, has a raked floor, many complex angles and no parallel surfaces. Needless to say, this presented a real challenge when it came to choosing a new loudspeaker system.

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14 March 2016

ETC's Eos control family - made up of Eos Titanium (Ti), Gio, Ion and Element desks - is the most prevalent on Broadway. The family was developed to be both designer- and programmer-friendly with its powerful software and direct programming syntax. "Most desks are designed solely for the programmer," explains ETC Eos product manager Anne Valentino. "We paid attention to what the lighting des

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14 March 2016

Andrew Voller and Chris Hurst will be on the stand to demonstrate Moving Light Assistant - an application designed to document both the moving light rig and console data used on moving light shows used in the entertainment industry. The application runs on both Apple Mac OSX (Intel only) and Microsoft Windows operating systems.

City Theatrical's SHoW DMX is the wireless DMX of choice for lighting professionals on West End and Broadway shows, permanent entertainment installations, architectural landmarks, major music tours such as U2 and Madonn

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14 March 2016

"We chose to go with an LED wall due to our desire to 'future-proof' the Worship Center and set us up for the next decade or more visually," explains Mike Rall, who heads a full-time video staff at Fairhaven

"The debut of the LED wall at our Easter services provided an incredible visual experience for the nearly 8,000 attendees that weekend as we were able to create custom in-house videos that spanned the entire length of the wall, really tying in the themes of our songs and other special elements together well."

Dan McLaughlin, a partne

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14 March 2016

Nathan Almeida from East Coast Lighting & Production Services (ECLPS) has had the honour, for the past eight years, of ensuring that all the energy and magic coming from the stage reaches right out and touches everyone in the audience... and this year he had the help of some Robe moving lights for the GrooveBoston Vitality tour.

This year's Vitality theme embraced life, liveliness and the general feelings of being in a natural

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14 March 2016

"Essentially, we have 're-colourized' the club," said LD Jason Ayala of Jason Blends (New York). "We went away from the traditional heavy club colours that were used before, to more elegant purples, cyans and blues. These more rounded colours better complemented the carved wood architectural elements that a very talented designer,

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14 March 2016

Audio video is central to the concept of the museum. The reception area is filled with a 4m, 12-screen video wall and screens throughout the exhibition show information about the films featured as well as clips from the movies themselves. These screens provide a highly effective backdrop to the exhibits.

Jonathan Sands, founder and chief executive of London Film Museum, says, "Ultimately, when it comes to ensuring the public is well-informed, everything has to be as simple as possible in terms of the journey and the experience. The minute you walk in, everything's visualised - you're never in the dark."

The London Film Museum regularly hosts private

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14 March 2016

The Rayzor Q12 Zoom's 12 x 15W RGBW LEDs mix a broad range of colour shades for powerful shadow-free colour washes. Colour temperature is variable from 2,700K - 8,000K and colours mix uniform from vibrant saturates across beautiful pastels to authentic warm and cool shades of white. For programming convenience, a variety of colour macros are included.

For flexible beam angle adjustments, the Rayzor Q12 Zoom houses an 1

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14 March 2016

The contest was held at the Shopping Eldorado, Sao Paulo. Rental company Barella Eventos provided a wireless CRMX Nova DMX system containing one single universe DMX transmitter and multiple single universe DMX receivers to control the lighting rig throughout the show.

Explaining the choice, Barella Eventos founder and general manager, Giancarlo Barella said the decision was based on reliability and the need for a time effective setup. "When you are working with beauty contests of this magnitude, every moment of the night is special and crucial. Everything needs to happen at exactly the right time, so there is no room for any delays. A live broadcasted event exp