Lighting

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14 March 2016

"One of the best features of Nomad and Nomad Puck, is the ability to run either Cobalt or Eos/Element software," says ETC Eos product manager Anne Valentino. "It's like having two consoles in one - users don't have to choose between the two control platforms." Both Nomad and Nomad Puck can serve as a primary controller, a backup or a client device, and can also be used offline.

Nomad is a tiny device that attaches to PCs running either Microsoft Windows 7 or 8, or Macintosh OS X (Mavericks). It is available in four output counts: Nomad 256, which offers half a universe, Nomad 1024 with

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14 March 2016

The company's subsidiary, Charterhouse Production, also masterminded the technical infrastructure at the Accra International Conference Centre (AICC) for an event that seeks to foster the development of the Ghanaian music industry and reward the artistes, producers, recording labels and other industry professionals. They handled all aspects of the event, provision of lights, stage and set design, full production and event management.

According to Charterhouse Production event executive Eli Tettey the technology was scaled up for this year's Awards. "We used a lot of new equipment from PR Lighting, incorporating LED screens into the set design - and a lot more people attended.&quo

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14 March 2016

The result is powerful, 4-in-1 bright linear colour mixes highlighted by animation effects, rainbow effects and a pulsing strobe.

Fully featured, in addition to the above functions, the XLED 1061 also offers 0%-100% linearly adjustable dimmer, linear zoom (13°-52°), adjustable speed pan (540°) and tilt (270°) with auto position correction, and linear colour temperature correction from 2700K to 10000K.

Controllable via DMX, other features include: Brightness and contrast adjustable display; Lamp use time display; DMX512 channel value display and Menu Invert func

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14 March 2016

One of the UK's most popular attractions, with nearly 20,000 visitors per week, skaters travel from across the globe to take to the ice in Blackpool for what has become the world's longest running ice show. Included in the impressive line-up are stars from ITV's Dancing On Ice, as well as Olympic and professional skaters.

Hot Ice Show is created, produced and directed by Amanda Thompson OBE and presented by Stageworks Worldwide Productions at the Pleasure Beach's ice skating theatre, The Arena.

To create the production's dynamic and highly theatrical feel, a spectacular light show, explosive pyrotechnic fire effects and a dramatic music soundtrack comp

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14 March 2016

LTT, Poland's leading, and longest serving distributor of professional lighting fixtures, consoles and other technology, say they are excited to be offering products from what they describe as "one of the world's most promising LED fixture manufacturers".

The relationship between LTT and SGM's CEO Peter Johansen, in fact dates back to 1997, and the latter states, "I have always enjoyed a fruitful relationship with the company and I look forward to working with them once again in this new era."

LTT say that the main attraction to them has been the speed of SGM's evolution. "To stay relevant in the market requires the ability to anticipate future developments in technology and customer needs," says LTT commercial director, Pawel Mroz

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14 March 2016

Supporting her album, Prism and calling the tour the Prismatic World Tour, Perry had a vision of where to start in the look of the show's design. "She wanted a large triangular LED Video screen on a triangular stage," explains Halpin. "That was the basis of the design - the shape. Everything else plays into that." Halpin conceived the enormous 70' wide by 34' tall automated tracking triangul

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14 March 2016

The celebration would not have gone on as planned without Wireless Solution delivering a system setup of 8 W-DMX universes to span Malta's Grand Harbour to four points with up to 1000m distance - and all delivered within three days.

The main focal point, the walls of historic Fort St Angelo, were lit up with a stunning light display followed by a glittering array of fireworks that worked their magic over the Grand Harbour at midnight, all to the delight of thousands of spectators. Nearby Senglea Point and Villa Bighi served as additional backdrops for the audiovisu

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14 March 2016

The early 20th century gothic chapel underwent major renovation to convert it into one of the city's most happening music venues. Stephen Page of dbn Lighting was called upon to design a lightweight and versatile lighting solution that could take care of all genres of entertainment lighting.

"The weight capacity of the Albert Hall's roof is limited so we couldn't use anything too heavy," explains Page. "I also wanted the equipment to be as discreet as possible so size of fixture was also important. The reliability and compact build of the Clay Paky fixtures was therefore key in my decision to use them."

Page specified the Clay Paky Sharpy, complement

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14 March 2016

Show and lighting designer Tobias Rylander, of design house Seven Design Works, worked alongside lighting designer Darren Purves to specify the VL3500 Wash FX luminaires which complemented the remarkably physical design's clean lines and epic style aerial projection. This concept was inspired by Rylander's passion for architecture and art, particularly the artist Anthony McCall, who is renowned for his work with forced perspective, glass and prisms and bouncing light off of reflective surfaces.

"The band had a very distinct graphic design in the album artwork,&qu

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14 March 2016

SGM's local partner, production company FIVE'S, supplied the lighting equipment for this high-class venue and incorporated the versatile SGM range into their design. The company witnessed SGM's product presentation at Prolight+Sound earlier this year, and instantly knew that this was the LED range that they were seeking.

Thus, the new G-Spot moving head made its Romanian debut, with six units lighting up the red carpet corridor together with six SixPack blinders. Marketing Developer, Titus Percea, explains: "We were happ

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14 March 2016

The prestigious LCF, a constituent College of the University of the Arts London, offers courses and business training in fashion, journalism, beauty therapy, and lifestyle industries. Their main Rootstein Hopkins auditorium space at Oxford Circus is used for a variety of fashion events, including catwalk shows of students' work and big-name celebrity guest lectures.

ACSP were chosen by LCF from a number of theatre & drama installations companies to work on the project, which aimed to dramatically reduce lighting power consumption and provide a modern, easy-to-operate, permanent in-house

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14 March 2016

During his extensive experience in the sector, Sheerman has worked with major brands and production companies servicing a number of sectors including automotive, technology, finance and pharmaceutical across Europe and North America.

Over the last two years, the Blinding Light team has gone from strength to strength and Sheerman now joins over 20 colleagues based at the company's Reading offices and warehouse facility. The addition of Sheerman enhances the line-up of industry stalwarts at Blindi

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14 March 2016

With tour provider Special Event Services (SES) once again ready to support, show designer James Scott was brought on board to create the dynamic design and he did so using 20 VL3500 Wash, 60 VL3000 Spot and 22 VLX Wash luminaires from Philips Vari-Lite.

"In looking at the automated luminaires side of the design, I needed fixtures that were 1200W or more to really give me the power and ability to create bold looks, and this criteria pointed me towards the Vari-Lite Series 3000 range. SES is a large Vari-Lite house so we truly b

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14 March 2016

Chief lighting designer Michael Schwartz explains the selection of the grandMA2: "I chose MA due to my experiences with the MA system in the past and because of the great reliability and many possibilities which are perfect for television studios."

For the large studio, Schwartz selected one grandMA2 light and one MA command wing and for the small studio he chose one grandMA2 ultra-light.

Sagi Lamay, project manager from A.B. Electronics, explains, "The request was for a closed system with a full backup for

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14 March 2016

They in turn approached rental company Entec to supply the equipment needed to help realise the idea of enveloping a complete space in saturated colour to see if it made a difference to how people's taste altered when their environment changed.

The Colour Lab was one of the biggest single attractions of the four day Festival, with over 3,500 people participating.

The idea - developed in collaboration with Oxford University Professor Charles Spence, an expert in experimental psychology - was to showcase a s

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14 March 2016

The latest venture for established hospitality group Roar Projects, which also owns Alumbra in the Docklands, Ms Collins includes seven bars all of varying sizes and ambience is capable of holding 800 patrons. It's a vast black, multi-level structure daubed with a riot of pink and white paint and neon lighting, with intimate spaces tucked in every corner.

Designed by Blackmilk Interiors and inspired by French socialite 'Ms Collins', the elaborate venue evokes glamour and sexiness with the use of bold, opulent colours and a luminous material palette featuring high tech fabrics that are capable of changing colour with light.

As well as thought provoking signage and daring use of colou

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14 March 2016

Don started working with the band in 2011. This Three Album tour started in 2013 with him using Robe LEDWash 600s for the first time as part of his floor specials package. For the most recent dates, Pointes replaced the original beam fixtures he had used on the US tour, becoming an integral part of the floor rig supplied by VER.

The starting point for the tour stage presentation was based on a concept first created in spring 2012, depicting a starker stage set-up than in the past with no scenic elements, just an upstage video s

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14 March 2016

The services held at the Jacksonville-based Church's newly constructed worship arena are often broadcast internationally via web stream. They are renowned for being an energetic, immersive next generation praise and worship experience that infuses diverse genres and styles.

Celebration Church's lead lighting designer and AVL technician, Trey Smith, specified the Jands Vista L5.

"The Jands Vista L5 is so user-friendly and easy to grasp that it's a hit not only with us tech guys, but also with the church's volunteers, who often operate the lighting and media during shows," says Trey. "The L5's Timeline feature was a key factor in us specifying it, making it easy to cont

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14 March 2016

Available from CIE-Group, one of the audio visual industry's longest established providers of equipment for professional audio visual integration and PA sectors, the HDMiGrip cable connector's lock ensures that it holds securely in place, but will detach simply by pulling the connector out (without the need for pressing / releasing any locking switches or buttons).

"The HDMiGrip Cable is such a simple, yet great upgrade for the common HDMI cable," comments Chris Edwards, marketing director at CIE-Group. The 'friction lock' ensures that there will be no worry of loose connections or pulled out cables which remo

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14 March 2016

A leading production electrician since 1998 - when his break came working on ShowBoat at London's Prince of Wales Theatre for the legendary Richard Pilbrow - his many years of experience has made him one of the most sort-after technicians around.

Whilst working as a casual on the original 1983 West End production of Singin' in the Rain at the London Palladium, Peter studied for his City & Guilds 181 & 236(1) Theatre Electricians Course - a training course delivered by the ABTT - graduating in 1984.

This was followed by two years at the Palace Theatre as a charge hand, seeing in the Cameron Mackintosh/Royal Shakespeare Company production of Les Misérables. Further experience on West End musicals and UK tours follo

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14 March 2016

The importance of a compelling online presence in text, picture and video increases with every year, hence at Laserworld they are glad to welcome Sabrina Mitchell in their marketing department. As a marketing assistant she supports the existing team for online media in their work and will be responsible for the web presence of several projects and subsidiaries.

"Thanks to her knowledge and experience in design and media technology, Mrs. Mitchell will be an asset to our marketing team and we expect new impulses from her in order to even further boost the Laserworld brand globally," explains Norbert Stangl, sales and marketing director of the Laserworld Group.

Benjamin Weizenegger is another new marketing assistant at Laserworld.

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14 March 2016

Waterfield brings 25 years of event industry experience to the role, and has previously held positions at companies including Hilton, Mask and MotivAction. Commenting on her appointment, managing director of Hawthorns, Martin Hawthorn said, "This is an exciting time for Hawthorns and Rachel is a welcome addition to the management team. Her remit includes exploring how we can best leverage the strengths of our existing brands within the business, develop the customer experience and ensure we not only retain our valued clients but continue to increase our market share."

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14 March 2016

The MSD 6's user-friendly timeline control allows users to create complex presentations including lighting, video, animated scenery, camera motion and animated smoke effects. The user interface has been completely redesigned with a modern look, offering a rapid workflow to quickly drag and drop fixtures, objects and textures as well as instant access to any object's properties.

MSD 6 is Vectorworks-friendly and through a Windows-based plug-in, Vectorworks files can be exported and imported into MSD 6. The intelligent system learns from previous conversions to choose the right MSD fixture type to replace Vectorworks fixtures.

MSD 6 also comes wit

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14 March 2016

Since 1983, when Michael Adenau founded MA Lighting, the company has been committed to ploughing as much time, effort, resources and expertise as it can muster into developing the very best in lighting control. Today, more than 30 years on, MA Lighting is a top choice for lighting and video designers and operators throughout the entertainment sector.

The scalable grandMA2 with its sister product MA VPU (Video Processing Unit), are a lighting and media control system like no other, it provides seamless integration between lighting and v