Lighting

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14 March 2016

Emma has been working with the band for the last three and a half years. They tour regularly each year in autumn and spring and she is also a big fan of Robe products. The lighting design for these two special shows referenced that of the last tour but on a vastly expanded scale, with a big increase in the amount of kit used, most of which was supplied by Southampton based rental company, GLS.

"I've always used Robe fixtures in my Bellowhead shows," says Emma. "It's great technology, very solid and there is always

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14 March 2016

Australia's famous Choirboys, supported by local group,The Accidents, were entertaining the crowds until late into the night. The evening's celebrations were crowned by a pixel mappable chandelier, installed as a centerpiece in the Grand Ball Room. This was controlled by ChamSys MQ 60 console through ArKaos PRO media server technology to create a festive atmosphere for the event.

Bruce Lynton Prestige Automotive Group dealer principal, Beric Lynton, explains that the event's sole

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14 March 2016

Schoeman started her journey by getting her hands on Tamia's music. "Tamia's sound is very chilled and after the first song, I thought pink." With soft pastel colours in mind, Schoeman used six Robe Pointes, eight Robin 100LEDBeams, eight Robin 300s, four Robin 600s, six Robe MMX Spots, four Martin MAC 550 Profiles and 12 MAC 575 Krypons and six bars of 6 LED pars to create something special and a design which was complimented by the event organizer.

"The Pointes were great," said Schoeman. "It was the first time I used them and I love th

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14 March 2016

Neil Macdonald, chief executive of amBX said, "We are delighted to have the unique capabilities of amBX recognised by such a major operator in this way. In addition to managing all the operational lighting requirement, amBX Light-Scene Engine will also be providing a flexible and dynamic solution to enhance how lighting can be used to enhance the experience of the venue."

The amBX Light-Scene Engine is the latest lighting control offering built on amBX technology. The Light-Scene Engine has been designed to be easily integrated

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14 March 2016

Produced by Hoy No Me Puedo Levantar - responsible for the long running eponymous musical and numerous other shows along Gran Via Madrid's main theatrical artery AKA 'Spanish Broadway' - this show staged at the off Gran Via Rialto Theatre, and has been lit by award-winning lighting designer Felipe Ramos.

The overall theme of the show - inspired by some of the grand cabarets of Paris but with a definitely space age twist - gave him plenty of scope for imaginative lighting design - and he chose 12 Robe Pointes to be right at the core of the lighting rig.

A Marte Cabaret is his first collaboration with the producers, alth

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14 March 2016

Appelt's design is an eye-opener, with the German lighting designer rigging a mix of over 100 x Clay Paky Sharpys, 26 x Alpha Spot HPE 1500s and 12 x Alpha Beam 1500s supplied by PRG Hamburg, in strict configurations across huge fingers of truss that reach out across the audience.

"The concept behind the design was not to worry too much about the stage and really play out to the audience," explains Appelt. "We built four vertical columns upstage upon which we rigged the Clay Paky beam fixtures. These columns then lead out into four 'fingers' of curved truss heavily rigged with Sharpys. The fingers are designed to reach out above the audience creating an all encompass

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14 March 2016

Onyeabor's distinctive rhythmic, funkadelic, spacey synthesiser-orientated grooves were composed in the 1970s and 1980s when he was a prolific composer / performer, highly original and forward thinking. Since then he has gained a cult following amidst musicians and music aficionados.

An anthology of his old work Who is William Onyeabor? was released by David Byrne's Luaka Bop record label last year, and this was recently followed by a live concert tour to bring the Onyeabor experience to an inquisitive public.

Gray was approached directly by Luaka Bop who had seen his lighting

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14 March 2016

Supplied by Sacramento Production & Lighting, the Elation lighting package was chosen for several reasons including durability and price point, a major consideration these days for the touring market, according to Dion Cook, Sacramento Production & Lighting's CEO.

Dion explains the concept behind the show. "The concept for the past five years has been to give the audience more than just a run-of-the-mill comedy show with a guy in front of a curtain," he says. "And by that I mean it needed to be an experi

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14 March 2016

C&C Lightway has worked with Robert Juliat for over 20 years, promoting the brand in a strongly competitive market.

"We are up against strong competition from long-established, premium-brand Japanese manufacturers, particularly for conventional fixtures like Fresnels and ellipsoidals," says C&C Lightway's Hwan-Soo Chung. "However, we have worked to raise awareness of Robert Juliat's great reputation to the same level it experiences in the followspot market where we have enjoyed a good market share for several years."

C&C Lightway, which has established long-term working relationships with all of its clients, has recently supplied Robert Juliat lanterns and followspots to Seogwipo Culture & Arts Centre,

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14 March 2016

Stardraw Design 7.1 is the evolution of Stardraw.com's seventh-generation application for AV systems integrators. A powerful, fully integrated project design and documentation system with access to 70,000 symbols from over 700 of the industry's leading manufacturers, Stardraw Design 7.1 includes a host of important new features, all based on requests and feedback from Stardraw users in more than 80 countries worldwide, as well as a number of bug fixes and enhancements to existing functionality.

Amongst the most requested of features is Cable Bridges, a drawing mode that shows where cables cross without intersecting. The mode can be toggled and is parameter-d

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14 March 2016

Denmark based Lange worked with Eurovision's creative director Per Zachariassen to create a huge, structural lighting design that complemented the show's titanic 'diamond' stage. Lange crafted a clean, architectural lighting look that allowed the angular stage to 'open and close' creating a dynamic mix of open and intimate lighting looks.

"The brief for the show can be summed up in two words - big and simple," explains Lange. "The contest was open to almost 40 different nations and each nation's set needed a different lighting look. The challenge for us was to make each song look unique but also to introduce an organic flow throughout the show and not create a 'mash

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14 March 2016

Vicky Brennan recently programmed the lighting for Stephen Ward: The Musical at the Aldwych Theatre on a Ti desk. The show's set was complicated and required custom circular lighting trusses for the lighting fixtures. That created a challenge for the lighting team, who had to devise a plan to number the rig so the lighting designer, programmer, production electricians and show crew could all understand it.

Ti's Magic Sheets function wa

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14 March 2016

"For production issues, Jennifer Lopez, one of the artists of the official song We Are One, will not be able to perform at the Fifa World Cup opening ceremony," said a statement. The 25-minute ceremony in Sao Paulo will feature 600 artists, including acrobatic gymnasts, trampolinists, martial arts-style performers and stilt walkers.

Fringe Matters - The Edinbur

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14 March 2016

Dierson, who worked alongside ARE Productions show producer Antony Randall and creative director Ted Lovett, and designer/programmer Davy Sherwin, created a multi-layered design, which carved up the stage with constantly moving, bold, sweeping looks that swung from the intimate to the epic. To achieve this diverse and exciting concept, the show designers turned to the cutting-edge SL Nitro 510C, which adds RGB & W LED capabilities to the original SL Nitro 510 luminaire, delivering intense bursts of coloured and white light and dynamic effects.

Inspired by the artwork of Tempah's latest album Demonstration, Dierson says, &quo

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14 March 2016

For this nine-hour event (running from afternoon to midnight), packed with a strong lineup of DJs and live acts, production manager and show designer Christian Byriel from CeeBRIGHTER had some specific venue challenges to overcome. "Though being challenged with large window façades, an unusual location and an outdoor venue from daylight to dusk, I feel I achieved my vision and maintained the aesthetic look required by the customer," he says. It became apparent to him that the G-Spot was to play a large role in his achiev

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14 March 2016

They presented a three-sided open booth - measuring the same size (270 sq.m) and occupying in the same location as last year. PR Lighting's trademark purple logo was easily visible as the main colour as visitors arrived at the exhibition hall and sat proudly above a special products display platform containing a large '30' - denoting the company's landmark birthday - making it both elegant and hospitable.

Although visitor levels were down by almost 16% from last year - a symptom of the world economic recession - competition in the lighting and sound sector has intensified, with more and more Chinese manufacturers fighting for market share by creating more innovative and cost effective products.

Now one of the C

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14 March 2016

The series, which just finished its second season, shoots in and around Nashville with many of the musical performances staged in a purpose-built studio in town. Sometimes the musical sequences are shot on location; the recent two-part season finale featured performances at Fort Campbell, the US Army base on the Kentucky-Tennessee border, and at Nashville's LP Field.

"The storyline included performing for the troops at Fort Campbell and involved a mobile stage on the tarmac with Apache helicopters flying over the stage," says lighting director Steve Fallon, who works with DP Michael Lohmann on the lighting design for these segments. "Then we had the star of the show in the gra

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14 March 2016

To commemorate its recent relocation from Redding, California, where it was based for 18 years, to Sacramento, the Jesus Culture band recorded Unstoppable Love, a live album and DVD, at Sacramento's prestigious Memorial Auditorium. With the help of Martin Professional lighting console and fixtures, lighting designer Robby Kurtz was able to both successfully represent the Jesus Culture movement and showcase the importance of its relocation. California-based rental house DPS Inc., provided the lighting production equipment.

Kurtz deployed 32 of Martin's MAC Viper Profile moving head luminaires and 26 Martin Atomic 300

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14 March 2016

In addition to the weekly TV show hosted by Helen Chamberlain and Max Rushden, every year Soccer AM also host a live event with music and special guests. This year it included performances from Soul II Soul and rapper Tinchy Strider.

Long term LD Malcolm Reed designed the show which was supported by Richard Martin Lighting (RML).

Malcolm always sees this show as an opportunity to use the latest products available and this year was no different. The rig included Sharpys, Nexus 4x4s, Jarag-L's and RML's most recent purchase the Clay Pay A.leda B-EYE K20.

The high performance wash ligh

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14 March 2016

Designed for professionals, Astro offers a state-of-the art flat, clean beam. The double condenser optics system delivers outstandingly high resolution for both A/B size steel and film transparency gobos.

LED dimming is fast and accurate with 512 step resolution controlled from a single DMX/RDM or from a local control knob positioned on the rear panel of the unit.

Fabiano Besio commented , "The followspot is a real step forward in this market field and the positive comments from the market reinforce our decision to not make any compromise in quality ."

Available in warm white at 3200K or cool white at 5600K, Astro has been designed for all applications and is particularly attractive where power supply is limited and where running

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14 March 2016

Media and tech designers Blow Factory offered the Sentier the idea of providing some interactive fun and excitement, using Light Emissions creative LED video display system. Blow Factory owner Paula Guastella had worked with Light Emissions previously in London, and knew that the Art system could provide the brightness and pure video speed needed.

Blow Factory's Paula Guastella explains, "We wanted to surprise people entering the lobby. As they walk past this large glass wall with colourful moving images, they spot their own 'body shadow' shown on the screen. They stop, turn around and wave and have a little dance!&quo

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14 March 2016

Lester Cobrin, head of concert touring for White Light, worked closely with tour manager Sacha Bambadji, production manager Peter Edmonds, and lighting designer Seth Jackson to determine the tour's equipment list and support requirements. This was the first time Jackson toured with White Light. "I've known Lester for years but had never worked with White Light before," he said. "When we started discussing the tour with Pete Edmonds, he suggested White Light and we didn't look back. It's been a great experience."

The show's staging was designed with grandeur in mind as several layers of red

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14 March 2016

The lighting design was created by Juanjo Beloqui who specified 30 x Robe Robin Pointes and 30 x Robe Robin LEDBeam 100s - among other moving lights and generic fixtures - but the Robes were a major part of his show. Beloqui has lit the event six times since 2007 and is also the Director of Photography. Each year he ensures that there is a new look and a fresh aesthetic approach.

This year he collaborated closely with set designer Paco Redondo on developing the style and presentation for the event which was broadcast live on privately owned Spanish TV channel Divinity, part of the Mediaset empire.

The Robe Pointes and

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14 March 2016

Under the lights of a massive lighting rig containing over 80 x Robe moving heads, the 10 finalists performed in front a large audience at Tallinn's Nokia Concert Hall.

LumenRadio's Estonian distributor E&T, provided a CRMX system containing one dual universe transmitter and multiple single universe receivers. E&T's General Manager Olev Luhaäär explains, "It is really eye-opening to see how many moving lights that can be controlled with only one transmitter unit. When you plan a show of this size that involves a lot of fixtures, wireless lighting control is absolutely necessary."

Luhaäär continues, "The CRMX system