Sound

Details

14 March 2016

"The SRM150 integrates the proven technology from the SRM series, along with an easy-to-use onboard mixer in a compact package," said Mackie Brand group vice president John Boudreau. "It makes the SRM150 the perfect choice for a wide range of applications such as boardroom and classroom A/V, and live music performance in venues such as coffee houses, piano bars, and rehearsal rooms. Plus, the SRM150 outperforms everything in its class by delivering higher

Details

14 March 2016

To combat contaminated AC power and its effects during live performances, the band chose Furman Power Factor Pro conditioners. These are designed specifically for musicians and feature Clear Tone Technology, which lowers the AC line impedance supplied by wall outlets, and Linear Filtering, which suppresses noise.

"When playing multiple venues, we never really know how the amplifiers are goi

Details

14 March 2016

Currently aimed at domestic applications, but also likely to attract attention from designers of retail and leisure spaces, FeONIC technology can be used with any audio system with sufficient power rating, replacing conventional speakers in 2.1, 5.1, 7.1 and even 9.1 systems, the company says.

FeONIC says its audio systems can be created from standard plasterboard, MDF, plywood or blockboard, and hardwood floorings, creating a truly integrated, hidden sound system. It also offers the benefits of an even dispersion, rather than the 'sweet spots' associated with conventional loudspeaker technology.

(Lee Baldock)

Details

14 March 2016

The AV-M8 converts 8 analogue audio channels to a digital stream and provides eight mic-level inputs. It offers plug-and-play simplicity that runs over an easy-to-install Cat 5e cable, requiring no drilling of conduit.

Two channels include a 30dB switchable pad, allowing line-level signals to be connected. Eight channels of digital audio may also be input via ADAT, from a second AV-M8 module. Analogue audio is input via eight latching 5.0mm Euroblock connectors. Each analogue input channel features a set of configuration DIP switches for individually selectable gain settings, +48V phantom power, and low cut filter.

Analogue input chann

Details

14 March 2016

Featuring a compact and lightweight design, the 8XT cabinet is the most compact model of the L-Acoustics coaxial range. Operating on a frequency bandwidth of 65Hz to 20kHz, this response can be lowered to 32Hz with the addition of the SB118 subwoofer.

The 8XT contains a 1.5" diaphragm compression driver, coaxially loaded by an 8" low-frequency transducer in a bass-reflex tune enclosure. The internal passive crossover network uses proprietary third-order filters with built-in phase

Details

14 March 2016

To ensure that the dance floors of the 1,200 capacity Palazzo remain packed at all times, the management regularly brings in internationally famous DJs from abroad to relieve the house roster.

Club manager Tsatsalis Leonidas comments, "Whilst in terms of location and ambience, the Palazzo can easily hold its own with the best in Greece, it's our sound system that really sets us apart. There we really are setting new standards, as we've been told now, repeatedly, by visiting DJs."

The sound system that gives the Palazzo the edge is an alpha system from Dynacord. In use now in many of the world's top discotheques (including the

Details

14 March 2016

Tempest is a timely solution for the dilemma wireless communication system users will face when the DTV transition is completed in early 2009, suggests Clear-Com. Those used to operating wireless equipment in the 500 to 600MHz portion of the UHF band will find that spectrum crowded with UHF DTV transmissions, while the 700MHz band frequencies are scheduled for auction to new users later in 2009.

However, Tempest operates in the unlicensed 2.4 GHz and 900 MHz bands, so it is unaffected by the reallocatio

Details

14 March 2016

The seating area of the Sears Centre is arranged in a horseshoe pattern, to which Westbury National designed the system accordingly. Four clusters of three JBL PD5212/64 loudspeakers were placed along the north and south sides, while two clusters of two were hung in the northwest and southwest corners. Additionally, two clusters of three PD5212/64's are located

Details

14 March 2016

Audio is distributed to the AV-P2 over standard Cat 5e cables, using Aviom's A-Net digital audio protocol. A-Net supports realtime distribution with sub-millisecond latency, and long cable runs up to 500ft/150m.

There is no limit to the number of devices that can be daisy chained, or to the number of parallel splits in a single system, says the company.

Power can be supplied to the AV-P2 with an external DC power supply or over the Cat 5e cable (with an A-Net Distributor). Additionally, Pro16 A-Net audio streams can be transmitted over single- or multi-mode fibre optics using certain standard third-party media converters.

The AV-P2 has reversible mount

Details

14 March 2016

Audio-Technica's Artist Elite 5000 Series UHF Wireless System was used with the AEW-T5400 handheld microphone/transmitter for frontline vocals on performances by Grandmaster Flash and the Furious Five (Kid Creole, Cowboy, Grandmaster Flash, Melle Mel, Mr. Ness, Raheim), Aretha Franklin, Sammy Hagar, The Ronettes featuring

Details

14 March 2016

The Vista 5 console is destined for the Backa Teater company, part of the Gothenborg City Theatre, or Stadsteater, and generally regarded as one of the most interesting and attractive theatre groups in Sweden. Music plays a large role in its live productions and there are five musicians working permanently in the group.

In 1989, the Backa company moved into a reconstructed factory on the Hisingen Island close to the central parts of Gothenburg, but, after eighteen years in that building, the City of Gothenburg has decided to

Details

14 March 2016

Fox-Williams says preparing for this his third tour with Barbara Dickson was the moment he finally realised the inevitability of digital consoles. "Over the last year, I got my digital head doing a lot of successful work on a Yamaha MC7L digital desk, and when I saw the similarities between that and the LS9, I had to order one, even though I'd not seen one in the flesh. To me, it feels very familiar, very accessible and intuitive to navigate. And the quality outstrips

Details

14 March 2016

apt-X Live has already proven its audio quality in a series of independent listening tests where participants were unable to discern any difference between 24bit, 48kHz PCM Audio and apt-X Live, says the company. Shure Inc has signed a licensing agreement to incorporate the technology into its wireless live performance products.

(Jim Evans)

Details

14 March 2016

Ian McCarthy, one of the founders of MC2 Audio, will head-up the group as managing director with Terry Clarke, co-founder of MC2 Audio and John Austin, co-founder of XTA acting as technical directors, each with responsibility for their own field of expertise, while Roger Quested will continue as technical director for Quested.

Andrew Grayland, co-founder of XTA, is to take a new direction in order t

Details

14 March 2016

Consisting of the S-1608 Stage and S-0816 FOH units, the S-1608/0816 Digital Snake System is ideal for bands, rental/staging houses, and venues such as Houses of Worship and Theatres. It can also be used in conjunction with an S-4000 Modular Digital Snake System to create a 48-input, 16-return high quality digital snake. When used in pairs or multiples, the S-1608/0816 Digital Snake System can be used for extremely flexible split-stage or stage zone set-ups.

Designed to deliver the highest qualit

Details

14 March 2016

Built in 1972 to mark the Guild Celebrations of that year, the Guild Hall and Charter Theatre is one of Britain's most successful multi-purpose, entertainment, exhibition and conference centres, and is now renowned internationally for its presentation of entertainment and major indoor sporting events. The auditorium, which has an adaptable stage area, can accommodate more than 2000 people for a concert or theatre production. It is also used for high-profile sporting compe

Details

14 March 2016

The interior creation of this £1 million project was entrusted to Siberian designer, Valentina Druzhinina. Each of the rooms is delineated by different chandeliers and a different colour scheme - white for the Cocktail Bar, a warmer brown for the Champagne Bar and black granite and black marble in the main room, with textured black Ulf Moritz wallpaper and curtains.

For their audio requirements, the club contacted residential/home theatre specialists Audio Venue, who were already know

Details

14 March 2016

"The HHB team has been great to deal with right from the start," reports Hawkins. Commenting for HHB, Greg Wheeler says "Everyone at HHB particularly enjoyed working on this project. The new studio looks and sounds great, and we wish Justin every success."

(Jim Evans)

Details

14 March 2016

The WorldCast Eclipse offers Ethernet, X.21/V.35 and ISDN ports providing access to a wide range of networks such as IP, Leased Line, Satellite, Microwave and Dial-up. Broadcasters can also choose from a selection of major coding algorithms such as Standard and Enhanced apt-X, MPEG 1/2 Layer II/III, MPEG 4 AAC, G.711 and G.722.All WorldCast codecs support SIP and SDP protocols which enable them to easily connect to all compliant IP codecs. All are designed around a DSP-based architecture to ensure reliability and avoid the instability associated w

Details

14 March 2016

The ZFR800 records up to eight hours of uncompressed audio on a removable 2-GB memory card. An integrated time-code receiver allows users to jam time code and sync multiple ZFR800 units remotely. Featuring a professional look and feel, the ZFR800 provides an ergonomic, camouflaged control pad for easy one-handed control of all record functions. It can be used with any Shure screw-on capsule, giving users their preferred sonic quality, says the company.

"We're very pleased to be shipping our ZFR800 system and to better meet the needs of today's audio professional," said Glenn Sanders, president of Zaxcom. "T

Details

14 March 2016

Andy Williams, who founded K-Klass in 1989 with Paul Roberts, Russell Morgan and Carl Thomas, says: "We recently started work in our new pre-production studio in Wrexham, but the small monitors we were using were not giving us the sound we wanted. After looking at a number of alternatives, we chose the LSR4300s because their low frequency correction tool gave us such a fantastic sound. This is particularly important with Dance music where you really need to

Details

14 March 2016

Founded in 1984 by current director Jim Moore, Nitelites was born out of a touring system from the halcyon days of 'Rock n Roll.' After years of on the road with Lindisfarne, the system and the company evolved to encompass Moore's experience in the sound reinforcement industry, which over the years has seen him work with artists including Frank Zappa, Journey, Def Leppard, Chris Rea, Dr Hook, Van Halen and Led Zeppelin.

Nitelites has been stocking JBL Professional's Vertec series for six years and was one of the first tour

Details

14 March 2016

This collaboration falls in line with the future direction of Novation, in creating a broader group of products for all musicians, including today's guitarists, says the company.

Rob Jenkins, Focusite/Novation's director of product strategy, said, "I look forward to a future developing products with Overloud, and as a guitarist myself, I especially look forward to working with Thomas Serafini. His expertise in guitar amp simulation technology is beyond compare."

Thomas Serafini, VP R&D Manager of Overloud, added, "I'm really excited about this partnership. It will be a pleasure to work with the No

Details

14 March 2016

Abaltat Beat reads and analyses the cut picture's edit decision list (EDL) using comparative analysis of beats-per-minute (BPM) and the edited rate of the picture to suggest a series of best-possible fits. This BPM can be played back in sync with the picture using a series of drum patterns included in Abaltat Beat. The time signature and tempo of the drum patterns can be adjusted (from 3/4 to 4/4, for example) to allow for a complete recalculation of the drum track to evaluate suitability of the music style to the edited video.

Abaltat Beat can export these results to a midi file, so the project can easily be sent to a mus