Video and AV

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14 March 2016

The free event, organised by Mean Fiddler for the Mayor of London, featured the best of contemporary and traditional Irish music on the main stage in Trafalgar Square, with video specialist The Picture Works supplying all the visual elements for the show.

Two 5 x 5 panels of Lighthouse R16 16mm LED screens, each measuring 5.08m (w) x 3.85m (h), were positioned stage left and right, with a further 4 x 3 panels of Lighthouse R16 measuring 4.05m (w) by 2.8m (h) placed centre stage.

"We've done this particular job for six consecutive years," says The Picture Works owner Robin

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14 March 2016

Production North's Steve Levitt and Sarah Hollis (also the tour's production manager) came up with a set design which also incorporated the video screens. They wanted something a bit different, a slightly discreet and understated visual effect that would work appropriately in the venues that Lemar was playing.

The seven screens consisted of six plasmas ranging from 42 to 61" dotted asymmetrically around the set for a quirky slightly random feel, and a 6ft by 4ft panel of Barco i-Lite 6 LED screen to stage left. The plasmas were attached to various bits of set and trussing with scaffolding clamps and adaptors. All surfaces were driven by content stored on the Catalyst, which was tr

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14 March 2016

The Stonex group, founded in Madrid in 1980, specializes in engineering and turnkey stage equipment projects for theatres, auditoriums, congress centres, casinos and theme parks, encompassing stage engineering, show lighting, architectural lighting and audio-visual installations. The company has offices in Madrid and La Coruña, and boasts more than 300 reference projects in the Iberian market, such as WB Madrid theme park, Pamplona Auditorium and congress centre (Baluarte), Colon Theatre in La Coruña, Campoamor Theatre in Oviedo, Expo 98's Lisboa Camoens Theatre and Gran Casino de A

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14 March 2016

Raising issues about how best to maximise theatre design in the 21st Century, the Performing Theatres Conference is chaired by Ian Brown, artistic director, West Yorkshire Playhouse, Genista McIntosh and Venu Dhupa, director of creative innovation, Southbank Centre. The one day event promises to offer a lively and wide-ranging debate on how the design of theatres will meet our needs in the 21st Century.

Complementing ABTT's annual Theatre Show, which highlights technological innovation a

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14 March 2016

Installed behind semi-frosted surfaces, the Board unfolds its full potential, while the Module is designed for direct view applications and features a protective housing that allows for a variety design inlays. The 16 pixel Board and Module can be easily installed on almost any surface including walls, ceilings and ground surfaces.

The Quick Clip Mounting System ensures fast mounting and demounting,

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14 March 2016

The course includes both introductory and advanced levels, with topics covering media-server connectivity between Hippotizer and Catalyst, LED matrix programming, Timecode programming with MIDI and SMPTE, and Networking awareness.

All courses will take place at Fuzion's offices in Walton-on-Thames, and run from 10am to 5pm (including lunch with refreshments). The courses are already booking fast and have limited spaces, says Fusion.

(Jim Evans)

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14 March 2016

Lighting director Phil White and show projectionist Chris Gadd were instrumental in getting RADlite specified for the tour, having used the system before and knowing that lighting and video supplier Entec has also invested in RADlite systems.

Visuals are looked after during the show by Gadd, along with White and video aficionado Richard Hutton. These three are joined by super-tech Simon 'Boff' Howarth, another Entec regular, and rigger Danny Spratt. Lighting has again been designed by Dave Hill, who

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14 March 2016

Most of the early design was created on Martin Show Designer, back in the ElectricFly studios. This was then manipulated and pixel mapped using Maxedia.

"As we did all the programming in the office, when I got out on site it was all there, I just had to tweak it a bit," says Jevons. "When we got it up and running at the first venue of the tour, we realised it was too tight a fit, so using the Maxedia I was able to do some quick pixel mapping and reconfigured the graphics in just ten minutes. The show sti

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14 March 2016

The system integrators were London-based Handy AV, who in just five years have built up an extensive portfolio of clients in their specialist areas of providing a complete systems approach to corporate and retail. Their product supply ranges from their specialist own-branded HandySCREEN and interactive HandyTOUCH displays (such as those showcased at the Hayward Gallery on London's South Bank) as well as mainstream A/V utilities.

Christie's long association with Harrods extends back to the Peter Pan window display during Christmas 2003, which was followed up with the permanent installation of two Christie S+16K 16,0000 lumen DLP projectors, firing onto a vast 4.7 x 3.5m portrait canvas

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14 March 2016

A major element of this was five columns of 33-string Barco MiSTRIP supplied by XL Video. These were specified by Hardiman, who had been wanting to introduce video to the band's show for some time. THC has been involved with the Lost Prophets' stage visuals throughout the Liberation Transmission world tour, which is now drawing to a close.

"I wanted something new and exciting for the arena section of the tour - and video was definitely the way to go, and naturally we came to XL as suppliers," says Hardiman. He and Farmer have worked with XL on a number of artists including UB40, Will Young, The Doves and others.

XL's project managers Phil Mercer and Jo Beirne comment, "TH

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14 March 2016

The 800 Light Years show is the first UK Son et Lumière to use E//T//C's OnlyView control platform. This is running eight HD Christie S20+ video projectors, montaged together to produce a 64m metre wide by 14m tall image onto the rear face of St George's Hall in central Liverpool.

St George's Hall, designed by Harvey Lonsdale Elmes and originally opened in 1856, is being reopened this week by HRH the Prince of Wales, following an extensive £23 million refurbishment.

In just two weeks, E//T//C UK's Ross Ashton and Paul Chatfield researched, sourced and created all the video material, visuals and custom artwork needed for the 25-minute sh

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14 March 2016

CEDIA will be staging a full educational programme which commences on the opening day (May 20) with a three-hour presentation on Home Cinema Designby Peter Aylett.

The schedule also includes: Introduction To Systems Integration (presented by Simon Buddle), Residential Audio and Video Multi-Room Systems (Steve Martin), IP In Residential Custom Installation (Peter Aylett), and Project Management Workshop (Simon Buddle and Steve Martin).

(Jim Evans)

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14 March 2016

Using LED screens means that the old 'paint on plywood' approach of pitch-side advertising hoardings, where one advertising space is limited to one commercial brand, no longer applies. Now sports can generate far more advertising revenue because literally anything can be displayed in any space at any time, says the company.

This is a key market for Serbian and regional LED screen specialists Pietra Union, which has been helping various sporting institutions in Eastern Europe to make full use of the advantages that Lighthouse LED screens offer. Most high profile of those has been the home ties in Serbia's and Croatia's group qualifying matches for the 2008 European Football Championship.

The

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14 March 2016

For the new reception area, Blitz designed and programmed a system that employs a combination of nine Mitsubishi 67" DLP cubes and the Folsom Encore product. This enabled the creation of one singlebranded background 4.2m x 3.1m into which various windows could be inserted showing current front pages, websites, breaking news stories as well as the corporate videos.

Custom software applications were written by Blitz to enable the manipulation of incoming news feeds and data. The daily operation o

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14 March 2016

"We envisage Vikuiti Rear Projection film playing an incremental role in the development of Paradigm's existing rear projection product portfolio", commented Greg Jeffreys, business development director, Paradigm Audio Visual. "We have an ethos of not selling 'one size fits all' but work closely with customers to sell the best suited product for a given application."

Paradigm is currently working on a

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14 March 2016

Sarah Jakubasz, lighting designer for Lightswitch created an overall design that used as many eco-friendly lighting fixtures as possible. Lightswitch designers use eco-friendly fixtures when ever possible on all their projects, says the company. Jakubasz created her design using Color Kinetics' Color Blaze 72s and Color Blast 12s. She also designed custom compact florescent fixtures that were placed on each end of the bars. Lending a hand to this worthy cause was Production Resource Group who provided lighting gear and helped defray some of the rental costs.

Lighting manufacture ETC also pitched in by donating some HID Source F

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14 March 2016

The Hong Kong stadium featured a 7 x 7 panels (7.11m width x 5.33m height) R16i/o-II screen; whilst 7 x 6 panels (7.11m width x 4.57m height) of R16i/o-II was positioned in the Sevens Village, an area sited at the India Recreation Club in Happy Valley, adjacent to the main stadium. Both screens used the Lighthouse LIP-KX for video display control.

The sponsoring for the Sevens Village was originally, and continues to be, facilitated by the UK company Show T

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14 March 2016

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14 March 2016

All items will be sold on a first come, first served basis. "This isn't an auction, but the buying frenzy will be the same, based on the pricing we're already seeing coming in," says GearSource president Michael Fairbairn. "Obviously, PRG has a massive inventory of equipment in audio and lighting. This event is created to help them liquidate that inventory without the trouble of staging an auction," says Fairbairn. While the Gear-Up sale may eventually open up to other GearSource.com vendors, this event is exclusive to PRG's US-based invent

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14 March 2016

The theme of the evening was the Four Seasons, and for the room lighting, Hawthorn's LD Matt Oscroft used PAR cans and Selecon Cool 90s, complete with gobo break-ups to change the mood from season to season throughout the ceremony.

Working for The Staging House, Hawthorn also installed a 76ft x 12ft foot stage using its Steeldeck modular staging units, as the stage had to be large enough not only for the live band, but also to hold all of the award winners together for group photos at the end of the awards.

Hawthorn's stage backdrop consisted of an 18m x 6m Prolyte truss goal post, with a starcloth backdrop and sharkstooth gauze panel in front. LD Oscroft used the gauze as a projection surface fo

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14 March 2016

"We're very pleased that the features and technology newly incorporated into our new Viper II systems have been honoured by the TV Technology panel," said Eugene Baker, CTO of Telecast Fiber Systems. "The Series 6000 builds on the solid foundation of earlier Viper II releases, providing the same ease of use and reliability while meeting the growing demand for ecologically responsible products."

(Jim Evans)

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14 March 2016

The Royal Centre, a celebrated Nottingham landmark and regular touring venues, is currently undertaking a strategic review. MD James Ashworth explains, "Theatre Projects were the natural choice for the job with their intimate knowledge of the building, having helped us conceive it during the 1970s and 80s. With a vast portfolio of experience and an unparalleled reputation for excellence, we believed they would assist us in ensuring the Royal Centre continues to be one of the country's finest facilities for the 25 years."

Theatre Projects is currently celebrating its 50th anniversary of consul

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14 March 2016

Major employers in the theatre, live music and events industries already report serious difficulties recruiting qualified and experienced professionals in a wide range of disciplines including lighting, sound, stage controls and specialist backstage support staff.

Since January 2007, more than 300 individuals and organisations - including employers, trade bodies and freelancers - have been consulted on the Skills Academy proposal being developed by Creative & Cul

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14 March 2016

SPS has worked on the IoD flagship event for four years and utilised its extensive experience to design and construct the impressive stage set. SPS used LED screen technology both as a graphic display and a powerful lighting source. This allowed the 2,500 company directors attending the event a clear view of the stage. These LED screens coupled with two large video projection screens created a dramatic stage set. SPS's creative team also produced the graphics and visual content.

The theme of this year's event was Success in a Challenging World. It examined topics such as the rapidly expanding European Union, globalisation of markets and environmental issues. Key note speakers in