Sound

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14 March 2016

The AC-ET Zone will feature the latest lighting, control and grip technologies from a selection of leading brands in the division's extensive portfolio. Marques stocked include Chroma-Q, Fiilex, Mole-Richardson, ARRI, Jands, Manfrotto, Avenger and LumenRadio, amongst others.

Drawing on the company's extensive experience supplying to this sector, the new division has been formed to offer a comprehensive one-stop inventory of lighting and related equipment solutions for film, television, studio and location applications. A.C. Film & TV will promote a range of key brands - many of them exclusive to AC-ET in the UK -

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14 March 2016

Emmy Award winning lighting designer Al Gurdon, of Incandescent Design, will discuss his design philosophy in State of the Art Today, Passé Tomorrow, covering what is lighting for, what should it do, why do we need it, as well as taking a look at whether your lighting is relevant and focused now, and if it will stand the test of time.

In Going Over To The Dark Side - From Lessons To Lighting, founder of DX7 Design Tom Sutherland will discuss how he dropped out of education to pursue a highly successful career in lighting, a decision taken neither lightly nor without opposition. This sessi

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14 March 2016

(Jim Evans)

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14 March 2016

Staff from AC-ET's Lighting sales division are present throughout the show to demonstrate and discuss products showcased on dedicated brand stands within the AC-ET Zone for Chroma-Q, Jands, ProLights / ArchWork, Spotlight and GLP, as well as a selection of products from other leading brands including Philips Vari-Lite and Luminex.

In addition, AC-ET is la

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14 March 2016

"The Soulsound Seminars this year address the esoteric, technical and practical aspects of being an Audio Engineer," says Darryn de la Soul. "We can get so bogged down in products and marketing that it's time to remember how we, as humans, interact with sound, what it does for us and how it makes us feel - cue Tony Andrews and his talk Audio & Consciousness."

Jon Burton gets stuck into a thorny question - how much artistic freedom do you have as a FOH engineer when working for... an artist! Justin Grealy and Marcel van Limbeek follow up last year's talk, The Nature Of Phase with Time Align

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14 March 2016

With headline sponsors Robe, Clay Paky and TMB, this year's show features over 300 brands, many of which are showing new products and services, and sees PLASA Show adopting the successful 'Focus' model of a sector-specific, zoned layout, which will allow both visitors and exhibitors easier networking and navigation.

Over 50 leading brands from the pro audio sector are in attendance, with many new names joining that list including A.C. Entertainment, Autograph, d&b Audiotechnik, FACE, FBT UK, Flare Audio, POLARaudio, Ten 47, Unity Audio, White Light, Yamaha, SSE Audio and Wigwam Acoustics.

The lighting zone features manufacturers such as Altman, Avolites, Elation, ETC, Laserworld AG, and Robe, whi

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14 March 2016

The companies are exhibiting on Stand K40, in a prime position opposite the PLASA Show Bar. The stand is at the heart of the Audio zone in PLASA Show's new layout, a zoned arrangement designed to make it easier for visitors to navigate the show floor.

With the first units due to arrive at dealers very soon, the Yamaha Rivage PM10 large format console is the centrepiece of the stand. Product specialists Andy Cooper and Wayne Powell are on hand to give hands-on demonstrations to engineers keen to familiarise themselves with it, as well as on Yamaha's CL, QL and TF consoles, which is also on display.

Other Yamaha products on show include the company's CIS range of installation products, including loudspeak

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14 March 2016

"PLASA London is a significant show for d&b this year," says Gianni Abruzzese, d&b GB commercial manager. "We're really pleased to be showing the V-Series point sources, which we think are pretty special. The design of the mid-range horn means that the vocal performance is in a league of its own. I think the market has been waiting for a point source with this level of performance for a while now."

Adam Hockley and Steve Jones of d&b GB Education and Application Support will be contributing to the line-up of pro audio seminars, as part of the PLASA Professional Development Programme. On

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14 March 2016

The tour is currently playing European arenas and festivals, with US and Canada theatres to follow. Front of House engineer Dave Dixon and monitor engineer Kerry Lewis are both mixing on DiGiCo SD7s.

"As well as Mark on guitar and lead vocals, the band features drums, bass guitar, two sets of keyboards, a second guitarist and two multi instrumentalists, who play a lot of different things including citterns, flutes, pipes and acoustic guitars," says Dave. "Mark and the second guitarist also play an array of electric and acoustic instruments, so there are around 90 inputs in total."

Due to the comple

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14 March 2016

Novatech partnered with the Netball World Cup SYDNEY 2015 as their Technical Production Team, overseeing production for all their games, events around Sydney's Olympic Park. In addition to providing PA and support in the Arena itself, Novatech also handled preliminary and qualify games in the neighbouring Netball Central, the opening and closing ceremonies, presentations,

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14 March 2016

For Meyer Sound, Autograph is showing the loudspeaker manufacturer's newest linear high power compact line array, the LEOPARD, plus associated LFC sub, which are part of the LEO family of loudspeakers.

From Clear-Com comes the new FreeSpeak II, 1.9GHz digital wireless intercom system, the HelixNet digital wired comms system, plus the HME DX210 wireless intercom system.

Digital console manufacturer DiGiCo is represented with the SD10T - the only theatre specific version of the console at the show - and the new S21 entry-level console that retains all the features and values DiGiCo is known for in terms of quality, ergonomics and style, at a price point that allows even more audio engineers to join the DiGiCo family.

Finally, a selection of microphones

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14 March 2016

Sponsored by Lighting&Sound International, the PLASA Awards for Innovation recognise and reward new product ideas. Nominated products have met at least one of the Awards' criteria for 'Innovation' - to offer a new style of thinking, an improvement in existing technical practice, a new or improved aid to safety, a new commercial advantage, use new patents or unique intellectual property, or introduce new technology, materials or manufacturing techniques.

The final assessment of those claims is taking place at the PLASA Show, where an independent panel of industry experts are busy judging the entries, based on the strength of their innovation alone. Respected for their impartiali

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14 March 2016

"We have been working on the development of Prosight2 for the last 18 months", commented SSE Sales Director, Alex Penn. "Our design brief was to create a more compact device that offered more features, but also that could be brought to market at a more competitive price point."

The new unit will be on display on the SSE Audio / Wigwam stand (L10) at PLASA 2015 and the first production models are expected to be available for sale by the beginning of November 2015.

Also on show on the SSE stand is AVID's latest VENUE modular console - the S6L live mixing system; d&b audiotechnik's Yi line array series, together with V7P and V10P, a new breed of point source loudspeaker an

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14 March 2016

"We've been extremely pleased with the responsiveness and flexibility of Green GO and Nova Lume in developing products and software to meet our needs", says John Cave, vice president of information technology for the NFL. "It is important to us for Green GO to develop a solution that would last for many years and become standard product instead of a custom solution."

Green GO provides up to 32 channels with as many as 250 groups and 3,000 users, giving the League the ability to create discrete groups and user-to-user channels both on and off the field. The system's ability to interface directl

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14 March 2016

"The traditional training grounds for young people entering the live audio industry are in the main, a distant memory," says Mike. "Technology has advanced and can no longer be learned solely on the job. Audience expectations of audio quality are forever on the increase and budgets determine that there is usually only room for technicians and engineers who know what they are doing. The 'pioneer' generation of live engineers and technicians are reaching retirement age, while the requirement for live audio continues to increase.

"Most available live audio training or education comes either as a minor adjunct attached to studio engineering or

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14 March 2016

The AT-One's frequency plan is divided into two groups, with four available channels in each group split between the Europe-wide license-free frequency range and the LTE duplex gap. Users can choose up to four channels from one group. This arrangement allows installers to run two four-channel AT-One systems (using separate groups) in close proximity without the fear of interference, for example.

Despite its flexibility, the AT-One's simple interface ensures an undaunting prospect for users of all levels of expertise, says the company. But it doesn't skimp in terms of stylish robust build quality and

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14 March 2016

"Today's pro audio sessions are all about mixing live music in today's rapidly changing industry," says Phil, "especially at the coal face of technical issues ranging from compact digital solutions - right down to the use of tablets - to the spectrum challenge now facing all wireless production. I couldn't have hoped for a better panel line-up..."

The session takes place at 11.30 - 12.15 in the Sennheiser sponsored Audio Theatre at PLASA Show 2015.

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